Nicolas Henri Jacob Collection

Heart. Historical anatomical artwork of the human heart, seen from the front. Coronary blood vessels are seen on the surface of the heart

Heart and lungs. Historical anatomical artwork of the human heart and lungs, seen from the front. Dissection hooks have been used to draw back the lungs (red)

Head and neck muscles, 1831 artwork
Head and neck muscles. Lateral view of the deep muscles of the head and neck. This anatomical artwork is plate 96 from volume 2 (1831) of Traite complet de l anatomie de l homme (1831-1854)

The Genius of Lithography, 1819. Creator: Nicolas Henri Jacob (French, 1782-1871)
The Genius of Lithography, 1819. The Genius of Lithography celebrates the new printmaking technique (invented in 1798) that revolutionized illustration

Armpit muscles, 1831 artwork
Armpit muscles. Muscle connections in the second layer of the armpit. This anatomical artwork is plate 110 from volume 2 (1831) of Traite complet de l anatomie de l homme (1831-1854)

Hand muscle anatomy, 1831 artwork
Hand muscle anatomy. Radial view of the ligaments and muscles of the hand (main artwork, centre). The insets show various aspects of the ligaments, muscles, and bones of the fingers

Muscles of the forearm, 1831 artwork
Muscles of the forearm, posterior view. The inset shows the inferior attachment of the long supinator muscle. This anatomical artwork is plate 117 from volume 2 (1831)

Saggital section of the human brain. Plate from volume 3 of Traite Complet de l Anatomie de l Homme by Jean-Baptiste Marc Bourgery. Illustration by Nicolas-Henri Jacob

Vertical section of the human brain. Plate from volume 3 of Traite Complet de l Anatomie de l Homme by Jean-Baptiste Marc Bourgery. Illustration by Nicolas-Henri Jacob

Pelvic-femoral muscles, 1831 artwork
Pelvic-femoral muscles, superficial layer. Part of the spine at top left. This anatomical artwork is plate 124 from volume 2 (1831) of Traite complet de l anatomie de l homme (1831-1854)

Fascia of the lower leg, 1831 artwork
Fascia of the lower leg, anterior (left) and posterior (right) views. Fascia are fibrous connective tissues that surround muscles and other tissues

Superficial back muscles, 1831 artwork
Superficial back muscles. This anatomical artwork is plate 83 from volume 2 (1831) of Traite complet de l anatomie de l homme (1831-1854)

Dental anatomy. Historical anatomical artwork of healthy and diseased human teeth and jaws. The teeth and jaws are seen from several different directions

Diaphragm anatomy, 1831 artwork
Diaphragm anatomy, posterior view. The diaphragm is the white area at top, connected to surrounding muscles (red). Part of the spine is at bottom, and ribs at left and right

Lower leg muscles, 1831 artwork
Lower leg muscles. This anatomical artwork is plate 141 from volume 2 (1831) of Traite complet de l anatomie de l homme (1831-1854)

Plantar foot muscles, 1831 artwork
Plantar foot muscles. This anatomical artwork is plate 144 from volume 2 (1831) of Traite complet de l anatomie de l homme (1831-1854)

Lower leg and foot fascia, 1831 artwork
Lower leg and foot fascia. Lateral views of the partitions of the fascia of the muscles of the leg and foot. Fascia are fibrous connective tissues that surround muscles and other tissues

Face and neck muscles, 1831 artwork
Face and neck muscle. Anterior view of the deep layers of muscles of the face and neck, including the eyes and mouth. Insets show details of the lips, chin and eyes

Neck muscle anatomy, 1831 artwork
Neck muscle anatomy. Various views of the anatomy of the muscles of the neck. The main artwork shows the neck seen from the front

Trunk muscle anatomy, 1831 artwork
Trunk muscle anatomy. Coronal section of the trunk (anterior view) showing the anatomy of its muscles and bones. This anatomical artwork is plate 75 from volume 2 (1831)

Lateral trunk muscles, 1831 artwork
Lateral trunk muscles. Side view (front of body at right) of the third layer of the lateral muscles of the trunk. The muscles include the serratus, the transverse abdominal

Throat muscles, 1831 artwork
Throat muscles. Posterior view of the muscles of the pharynx (part of the throat). The pharynx is at centre, with the base of the head at top and the upper part of the chest cavity at bottom

Deep back muscles, 1831 artwork
Deep back muscles. General disposition of the third layer of muscles in the back, with the base of the skull at top, the ribs at centre, and the pelvis at bottom

Trunk musculature, 1831 artwork
Trunk musculature, anterior view. This anatomical artwork is plate 62 from volume 2 (1831) of Traite complet de l anatomie de l homme (1831-1854)

Whole body musculature, 1831 artwork
Whole body musculature, anterior view. This anatomical artwork is plate 60 from volume 2 (1831) of Traite complet de l anatomie de l homme (1831-1854)

Thigh muscle anatomy, 1831 artwork
Thigh muscle anatomy. Anterior view of some of the layers of the muscles of the thigh in relation to the femur (thigh bone) and the pelvis bones

Fascia of the thigh, 1831 artwork
Fascia of the thigh. Lateral view (front of body at right) of the external fascia of the muscles of the thigh. Fascia are fibrous connective tissues that surround muscles and other tissues

Groin muscles, 1831 artwork
Groin muscles. Muscles of the anterior wall of the lower (groin) region of the trunk, with a study of the inguinal canal. This anatomical artwork is plate 70 from volume 2 (1831)

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Nicolas Henri Jacob: A Master of Anatomy and Lithography Step into the fascinating world of Nicolas Henri Jacob, a French artist whose intricate artwork beautifully captures the intricacies of human anatomy. With his keen eye for detail and exceptional talent, Jacob brings to life the inner workings of our bodies in stunning illustrations. In his 1831 artworks, we witness the delicate intertwining of heart and brain blood vessels, showcasing their vital connection. The genius lies not only in his portrayal of these complex systems but also in how he effortlessly depicts the interplay between heart and lungs, ensuring our survival with every beat. Jacob's attention to detail extends beyond internal organs; he delves into head and neck muscles as well. His 1831 artwork reveals an exquisite understanding of facial expressions through intricate depictions of face and neck muscles, and is as if he has captured the essence of emotion within each stroke. One cannot overlook Jacob's contribution to lithography itself. In 1819, he created "The Genius of Lithography, " a testament to his mastery over this medium that revolutionized printing techniques during that era. Through this piece, we glimpse into both his artistic brilliance and technical expertise. His exploration continues with hand muscle anatomy from 1831—every tendon meticulously portrayed—a testament to his commitment to accuracy even in minute details. Similarly, muscles found in forearms are brought forth on paper with such precision that one can almost feel their strength emanating from the page. Venturing deeper into human physiology, Jacob collaborated with Jean-Baptiste Marc Bourgery on "Traite Complet de l'Anatomie de l'Homme. " Within its pages lie sagittal sections as well as vertical sections depicting various aspects of the human brain—an invaluable resource for medical knowledge during its time. As if unraveling secrets held within our bodies wasn't enough, Jacob turned his attention towards pelvic-femoral muscles—an area often overlooked.