Normans Collection (#3)

Muslims offering presents to the Hauteville Brothers, c. 1835 (fresco)
3743712 Muslims offering presents to the Hauteville Brothers, c.1835 (fresco) by Patania, Giuseppe (1780-1852); (add.info.: The Yellow Room, The Royal Apartment Palermo)

Richard Coeur De Lion, They Fought All Day (colour litho)
5228654 Richard Coeur De Lion, They Fought All Day (colour litho) by Hassall, John (1868-1948); Private Collection; (add.info.: Richard Coeur De Lion, They Fought All Day)

The French prevent the Normans from taking Paris (colour litho)
3622073 The French prevent the Normans from taking Paris (colour litho) by Beuzon, Joseph (1864-1940); Private Collection; (add.info.: The French prevent the Normans from taking Paris)

William Rufus, Will Gets His Army Together (colour litho)
5228653 William Rufus, Will Gets His Army Together (colour litho) by Hassall, John (1868-1948); Private Collection; (add.info.: William Rufus, Will Gets His Army Together)

Norman and Saxon (cover illustration) (colour litho)
5228652 Norman and Saxon (cover illustration) (colour litho) by Hassall, John (1868-1948); Private Collection; (add.info.: Illustration for Normans and Saxons and Such by Marriott Edgar (Francis)

The Accolade (colour litho)
670129 The Accolade (colour litho) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: The Accolade. Illustration for Humors of History (Sully and Ford, c 1905).); © Look and Learn

The Battle Of Hastings (colour litho)
3641851 The Battle Of Hastings (colour litho) by Hassall, John (1868-1948); Private Collection; (add.info.: The Battle Of Hastings)

Roberto I Guiscardo and Count Ruggero entering in Palermo, c. 1835 (fresco)
3743704 Roberto I Guiscardo and Count Ruggero entering in Palermo, c.1835 (fresco) by Patricolo, Giovanni (fl.19th century); Palazzo dei Normanni, Palermo, Sicily, Italy; (add.info.: The Yellow Room)

William the Conqueror at Hastings, engraved by James Basire (1769-1822), 1816-19 (hand-coloured engraving)
1765204 William the Conqueror at Hastings, engraved by James Basire (1769-1822), 1816-19 (hand-coloured engraving) by Stothard

Family tree of Hrolf, or Rollo, first Duke of Normandy through William the Conqueror and to King Henry II of England. From Everday Life in Anglo-Saxon, Viking and Norman Times, published 1926

William the Conqueror landing in England, 1066 (colour litho)
5217394 William the Conqueror landing in England, 1066 (colour litho) by Hebblethwaite, S. H. (fl.1910); Private Collection; (add.info.: William the Conqueror landing in England, 1066)

Robert of Normandy recognises his father, William the Conqueror, after unhorsing him in battle, 1079 (engraving)
3647225 Robert of Normandy recognises his father, William the Conqueror, after unhorsing him in battle, 1079 (engraving) by German School

Norman adventurers landing in Italy (engraving)
3647224 Norman adventurers landing in Italy (engraving) by German School, (19th century); Private Collection; (add.info.: Norman adventurers landing in Italy)

Arnulf of Carinthia storming the Norman defences on the River Dyle, 891 (engraving)
3647213 Arnulf of Carinthia storming the Norman defences on the River Dyle, 891 (engraving) by Camphausen, Wilhelm (1818-85); Private Collection; (add.info)

Charlemagne anxiously watching the approach of ships carrying Norman raiders (engraving)
3647206 Charlemagne anxiously watching the approach of ships carrying Norman raiders (engraving) by Neuville, Alphonse Marie de (1835-85) (after); Private Collection; (add.info)

One shaft, falling from heaven, pierced his right eye (colour litho)
3793053 One shaft, falling from heaven, pierced his right eye (colour litho) by Hatherell, William (1855-1928); Private Collection; (add.info.: Source unknown); English, out of copyright

Paris besieged by the Normans, 885 (engraving)
672452 Paris besieged by the Normans, 885 (engraving) by French School, (19th century); Private Collection; (add.info.: Paris besieged by the Normans, 885)

Landing of the Normans on the Coast of Sicily (engraving)
655731 Landing of the Normans on the Coast of Sicily (engraving) by English School, (19th century); Private Collection; (add.info.: Landing of the Normans on the Coast of Sicily)

The Battle of Hastings, 1066 (gravure)
959910 The Battle of Hastings, 1066 (gravure) by Dupray, Henri-Louis (1841-1909); Private Collection; (add.info.: The Battle of Hastings, 1066)

William the Conqueror on his way to conquer England, 1066 (chromolitho)
972123 William the Conqueror on his way to conquer England, 1066 (chromolitho) by French School, (19th century); Private Collection; (add.info.: William the Conqueror on his way to conquer England)

Harold II swears fidelity to Duke William of Normandy, 1066
984728 Harold II swears fidelity to Duke William of Normandy, 1066, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho) by Doyle

Charles the Fat and the siege of Paris by the Vikings, 885-886 (chromolitho)
1094332 Charles the Fat and the siege of Paris by the Vikings, 885-886 (chromolitho) by French School, (19th century); Private Collection; (add.info)

The Normans, retreating, are stayed and turned by William, who discloses his face
LLM456993 The Normans, retreating, are stayed and turned by William, who discloses his face, to counteract the Rumour of his Having Fallen by Maclise

Incident in the siege of Paris: Defending the bridge and tower against the Norman hosts (engraving)
653964 Incident in the siege of Paris: Defending the bridge and tower against the Norman hosts (engraving) by English School

William the First, engraved by J. Fittler, illustration from David Humes
STC429646 William the First, engraved by J. Fittler, illustration from David Humes The History of England, pub. by R. Bowyer, London

Annular stones of the Normans (chromolitho)
2788780 Annular stones of the Normans (chromolitho) by European School, (19th century); Private Collection; (add.info.: Annular stones of the Normans)

The Norman Stone, Battle Abbey, Sussex (b / w photo)
3093859 The Norman Stone, Battle Abbey, Sussex (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Norman Stone, Battle Abbey, Sussex)

Landing of Julius Caesar in Britain, 54BC
A standard-bearer of the 10th legion in bearskin leads Roman infantry onto a beach at Sandwich, 54BC. Julius Caesar in breastplate and coat stands on board an anachronistic steamboat

Water-tilting, illustration from Hutchinsons Story of the British Nation
STC363642 Water-tilting, illustration from Hutchinsons Story of the British Nation, c.1920 (litho) by Payne, Henry (Harry) (1868-1940) (after); Private Collection; (add.info)

William the Conquerors march into Wales, 1081 (litho)
STC358127 William the Conquerors march into Wales, 1081 (litho) by Valda, John Harris (d.1941); Private Collection; (add.info.: William the Conqueror (1028-87); ); The Stapleton Collection; English

Normans construct fortifications at Hastings, Bayeux Tapestry (wool embroidery on linen)
XIR183137 Normans construct fortifications at Hastings, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

Harold comes before King Edward, Bayeux Tapestry (wool embroidery on linen)
XIR183124 Harold comes before King Edward, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

King William I, Normans, Architecture, Laws, Art, Learning
King William I (The Conqueror), Normans, architecture, laws, art and learning. (4 of 4) 11th century

The surrender of Bamborough Castle, 1095, illustration from Hutchinson
STC363637 The surrender of Bamborough Castle, 1095, illustration from Hutchinsons Story of the British Nation, c.1920 (litho) by Mackinlay, M

The combat between William and Robert at Gerberoy AD1079, 1920s (litho)
833102 The combat between William and Robert at Gerberoy AD1079, 1920s (litho) by Mackinlay, M. (fl.1920); Private Collection; (add.info.: Illustration from Hutchinsons Story of the British Nation)

Duke William leads his knights into battle, Bayeux Tapestry (wool embroidery on linen)
619964 Duke William leads his knights into battle, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

Duke William exhorts his troops to prepare themselves manfully
XIR183142 Duke William exhorts his troops to prepare themselves manfully and prudently for the battle against the English army, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist

The Normans pull their ships to the sea, Bayeux Tapestry (wool embroidery on linen)
XIR183128 The Normans pull their ships to the sea, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

Earl Harold rides from Bosham to London, Bayeux Tapestry (wool embroidery on linen)
XIR183123 Earl Harold rides from Bosham to London, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

William the Conqueror, King Harold, Battle of Hastings
Portraits of William the Conqueror and King Harold, opponents in the Battle of Hastings of 1066, with the Seal of Battle Abbey, a view of the coast where the Normans landed, and Pevensey Castle

Norman servants prepare a banquet for William and Bishop Odo blesses the meal
XIR187008 Norman servants prepare a banquet for William and Bishop Odo blesses the meal, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

The Eve before the Battle. Pious Observance of the Normans
LLM456990 The Eve before the Battle. Pious Observance of the Normans by Maclise, Daniel (1806-70) (after); Private Collection; (add.info.: The Eve before the Battle. Pious Observance of the Normans)

Robin Hood and Guy of Gisborne
LLM455722 Robin Hood and Guy of Gisborne by Crane, Walter (1845-1915); Private Collection; (add.info.: Robin Hood and Guy of Gisborne)

Harold is sent with his men to Normandy by Edward the Confessor
451817 Harold is sent with his men to Normandy by Edward the Confessor, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

The first charge at Hastings: Taillefer the minstrel sword-juggler rode from the ranks
STC293121 The first charge at Hastings: Taillefer the minstrel sword-juggler rode from the ranks singing and tossing his sword in the air, 1066

Manners of the Normans. --Coronation of William the Conqueror (engraving)
655224 Manners of the Normans.--Coronation of William the Conqueror (engraving) by English School, (19th century); Private Collection; (add.info)

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The Normans, a powerful medieval civilization, left an indelible mark on history through their conquests and cultural influence. The Bayeux Tapestry stands as a testament to their triumph in the Norman Conquest, depicting scenes of battle and victory. In this intricate artwork, we catch a glimpse of the bravery and determination that defined these warriors. Feasting was not only depicted in tapestries but also played a significant role in Norman society. A detail from the Bayeux Tapestry showcases a lavish feast where nobles gathered to celebrate their victories, and is here that bonds were forged and alliances solidified. One cannot discuss the Normans without mentioning William I, known as William the Conqueror. This formidable leader spearheaded the invasion of England in 1066, forever changing its course. His legacy lives on through architectural marvels like Leeds Castle, which he rebuilt into a stone fortress during his reign. Religion held great importance for the Normans as well; St Albans Cathedral stands tall as evidence of their devotion. This magnificent structure reflects both Norman architecture and religious fervor, serving as a reminder of their spiritual impact. The Battle of Hastings remains one of history's most pivotal moments – it marked William's decisive victory over Harold II and secured his place on England's throne. This clash between Saxon and Norman forces altered English history forever. Beyond military might, artistry flourished under Norman rule too. The Palace of the Normans boasted Byzantine mosaics at Palatine Chapel—a testament to their appreciation for beauty even amidst power struggles. William I was succeeded by three more kings: William II, Henry I, and Stephen—forming what became known as "the four Norman kings. " Each ruler left behind his own unique imprint on England’s landscape during this transformative era. From landing on English shores to establishing themselves firmly within its borders—the story of the Normans is one filled with ambition, conquest, and cultural fusion.