Novel Collection (#3)

Oliver asks for more (chromolitho)
5218871 Oliver asks for more (chromolitho) by English School, (19th century); Private Collection; (add.info.: Oliver asks for more)

Ruth, and the beef-steak pudding (chromolitho)
5218870 Ruth, and the beef-steak pudding (chromolitho) by English School, (19th century); Private Collection; (add.info.: Ruth, and the beef-steak pudding)

Illustration for Gullivers Travels by Jonathan Swift (colour litho)
5220529 Illustration for Gullivers Travels by Jonathan Swift (colour litho) by Scheiner, Artus (1863-1938); Private Collection; (add.info.: Illustration for Gullivers Travels by Jonathan Swift)

Illustration for The Virginians by Thackeray (litho)
5216551 Illustration for The Virginians by Thackeray (litho) by English School, (19th century); Private Collection; (add.info.: The ruling passion)

Illustration for Anna Karenina: Levin and Kitty on the ice (litho)
5217903 Illustration for Anna Karenina: Levin and Kitty on the ice (litho) by Frenzeny, Paul (1840-1902); Private Collection; (add.info.: Levin and Kitty on the ice)

Illustration for Anna Karenina: Karenina takes possession of his wifes letters (litho)
5217894 Illustration for Anna Karenina: Karenina takes possession of his wifes letters (litho) by Frenzeny, Paul (1840-1902); Private Collection; (add.info)

Illustration for Disraelis Coningsby (litho)
5218981 Illustration for Disraelis Coningsby (litho) by Shepperson, Claude (1867-1921); Private Collection; (add.info.: Lord Monmouth beheld his Grandson)

Little Nell and her Grandfather on their travels (chromolitho)
5218867 Little Nell and her Grandfather on their travels (chromolitho) by English School, (19th century); Private Collection; (add.info.: Little Nell and her Grandfather on their travels)

Illustration for Jane Eyre by Charlotte Bronte (litho)
5221927 Illustration for Jane Eyre by Charlotte Bronte (litho) by Hardy, Evelyn Stuart (1865-1935); Private Collection; (add.info)

Illustration for Vanity Fair by Thackeray (litho)
5216576 Illustration for Vanity Fair by Thackeray (litho) by English School, (19th century); Private Collection; (add.info.: Colonel Crawley is Wanted)

Illustration for The Virginians by Thackeray (litho)
5216561 Illustration for The Virginians by Thackeray (litho) by English School, (19th century); Private Collection; (add.info.: A young reprobate)

Illustration for The Virginians by Thackeray (litho)
5216547 Illustration for The Virginians by Thackeray (litho) by English School, (19th century); Private Collection; (add.info.: A dancing lesson)

Illustration for The Newcomes by Thackeray (litho)
5216491 Illustration for The Newcomes by Thackeray (litho) by English School, (19th century); Private Collection; (add.info.: Newcome versus Newcome)

Illustration for Notre-Dame De Paris by Victor Hugo (colour litho)
5228803 Illustration for Notre-Dame De Paris by Victor Hugo (colour litho) by Rossi, Lucius (1846-1913); Private Collection; (add.info)

Illustration for Notre-Dame De Paris by Victor Hugo (colour litho)
5228797 Illustration for Notre-Dame De Paris by Victor Hugo (colour litho) by Rossi, Lucius (1846-1913); Private Collection; (add.info)

Illustration for Jane Eyre by Charlotte Bronte (litho)
5221930 Illustration for Jane Eyre by Charlotte Bronte (litho) by Hardy, Evelyn Stuart (1865-1935); Private Collection; (add.info.: " What can you mean)

Vaccination and its origin (engraving)
5223986 Vaccination and its origin (engraving) by English School, (19th century); Private Collection; (add.info.: Vaccination and its origin)

The Duke of Northumberland renouncing the Protestant Religion (engraving)
5224970 The Duke of Northumberland renouncing the Protestant Religion (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info)

Queen Mary at the instance of Simon Renard affiancing herself to Philip of Spain (engraving)
5224963 Queen Mary at the instance of Simon Renard affiancing herself to Philip of Spain (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info)

The pirates (litho)
5224936 The pirates (litho) by Brehm, Worth (1883-1928); Private Collection; (add.info.: The pirates. Illustration for The Adventures of Tom Sawyer by Mark Twain (Eveleigh Nash and Grayson)

Utopiensium Alphabetum (Utopian Alphabet) from the 1518 third edition of
5615730 Utopiensium Alphabetum (Utopian Alphabet) from the 1518 third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

"Mercy swoons before the Gate"from The Pilgrim
5615842 " Mercy swoons before the Gate" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) illustration by William Strang (1859-1921)

"Christian loses his burden"from The Pilgrim
5615837 " Christian loses his burden" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) illustration by William Strang (1859-1921)

"Mr Standfast"from The Pilgrims Progress From This World
5615824 " Mr Standfast" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919)

"Feeble and Ready-To-Halt bring up the rear"from The Pilgrim
5615821 " Feeble and Ready-To-Halt bring up the rear" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919)

"Christian and Hopeful in Doubting Castle"from The Pilgrim
5615811 " Christian and Hopeful in Doubting Castle" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919)

Frontispiece from the Second Part of The Pilgrims Progress From This World
5615793 Frontispiece from the Second Part of The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) showing the author dreaming of Christians family

"Now Faithful play the Man, speak for thy God"from The Pilgrim
5615788 " Now Faithful play the Man, speak for thy God" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688)

"Poor man! Where art thou now? Thy day is night. "from The Pilgrim
5615786 " Poor man! Where art thou now? Thy day is night." from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688)

He that will enter in must first without Stand knocking at the Gate
5615781 He that will enter in must first without Stand knocking at the Gate..." from The Pilgrims Progress From This World

Title page from 1847 first edition of Wuthering Heights
5615773 Title page from 1847 first edition of Wuthering Heights by Emily BrontA (1818-1848) published under her pseudonym Ellis Bell by publisher Thomas Cautley Newby, London

Printers mark of Johann Frobens (c. 1460 -1527) showing two hands holding
5615734 Printers mark of Johann Frobens (c.1460 -1527) showing two hands holding the caduceus from the 1518 third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Title page of the first edition of Spanish novelist Miguel de Cervantes Los trabajos de Persiles y Sigismunda
5208267 Title page of the first edition of Spanish novelist Miguel de Cervantes Los trabajos de Persiles y Sigismunda (The Works of Persiles and Sigismunda), 1617 (litho) by German School

Philinen crowning Wilhelm Meister with a wreath: scene from Johann Wolfgang Goethes novel Wilhelm Meisters Lehrjahre
5208088 Philinen crowning Wilhelm Meister with a wreath: scene from Johann Wolfgang Goethes novel Wilhelm Meisters Lehrjahre (engraving) by European School

Illustration for A Christmas Carol by Charles Dickens (colour litho)
5207133 Illustration for A Christmas Carol by Charles Dickens (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: " Bear but a touch of my hand there)

Illustration for The History of Henry Esmond by Thackeray (litho)
5208769 Illustration for The History of Henry Esmond by Thackeray (litho) by Browne, Gordon Frederick (1858-1932) (after); Private Collection; (add.info)

Illustration for The History of Henry Esmond by Thackeray (colour litho)
5208768 Illustration for The History of Henry Esmond by Thackeray (colour litho) by Browne, Gordon Frederick (1858-1932) (after); Private Collection; (add.info.: " You recommend me boots)

Without pausing to think, Dorcas made a rush towards him (colour litho)
5208410 Without pausing to think, Dorcas made a rush towards him (colour litho) by Stacey, W.S. (1846-1929); Private Collection; (add.info.: Without pausing to think, Dorcas made a rush towards him)

The last of Lady Scrope (colour litho)
5208402 The last of Lady Scrope (colour litho) by Stacey, W.S. (1846-1929); Private Collection; (add.info.: The last of Lady Scrope)

Illustration for Northanger Abbey by Jane Austen (litho)
5211491 Illustration for Northanger Abbey by Jane Austen (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Northanger Abbey by Jane Austen (Macmillan)

Illustration for Sense and Sensibility by Jane Austen (colour litho)
5210465 Illustration for Sense and Sensibility by Jane Austen (colour litho) by Mills, Arthur Wallis (1878-1940); Private Collection; (add.info.: Found him with some surprise to be her brother)

Illustration for Persuasion by Jane Austen (litho)
5211946 Illustration for Persuasion by Jane Austen (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Persuasion by Jane Austen (Macmillan)

Bishop Gardiners conferance with Jane, in the Beauchamp Tower (engraving)
5224967 Bishop Gardiners conferance with Jane, in the Beauchamp Tower (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: Bishop Gardiners conferance with Jane)

The Death Warrant (engraving)
5224950 The Death Warrant (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: The Death Warrant)

Cuthbert Cholmondeley surprised by the appearance of a mysterious figure in the dungeon adjoining the Devilin Tower
5224979 Cuthbert Cholmondeley surprised by the appearance of a mysterious figure in the dungeon adjoining the Devilin Tower (engraving) by Cruikshank

Queen Jane interposing between Northumberland and Simon Renard (engraving)
5224978 Queen Jane interposing between Northumberland and Simon Renard (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info)

Feckenham offering Jane a pardon, on her way to Trial (engraving)
5224958 Feckenham offering Jane a pardon, on her way to Trial (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: Feckenham offering Jane a pardon, on her way to Trial)

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"Captivating Moments Unveiled: A Glimpse into the World of Novels" In PRIDE & PREJUDICE, 1894, Elizabeth Bennet finds herself eavesdropping on Mr. Darcy's conversation at the grand Ball, igniting a spark of curiosity. Lord Walter Rothschild sets an intriguing trap with zebra-drawn patterns, captivating all who dare to venture near. AUSTEN: PERSUASION paints a haunting image as someone gazes upon another with a face as pale as their own, revealing hidden emotions and secrets. VERNE: 20, 000 LEAGUES takes us deep beneath the ocean's surface where only one arm wriggles in the air menacingly - a mysterious creature lurking in the depths. AUSTEN: PERSUASION transports us back to 1898 when two souls lock eyes, their pallid faces mirroring each other's anguish and longing for something more profound. The JAPAN: TALE OF GENJI unveils Niou-no-miya entwined with Prince Genji's sixth daughter - forbidden love blossoming amidst societal constraints and expectations. PRIDE & PREJUDICE introduces Mrs. Long and her nieces; characters that add depth to Austen's enchanting tale of love and social conventions. Hugh Thomson's illustrations in PRIDE & PREJUDICE (1894) bring Jane Austen's words to life, capturing every nuance of emotion within its pages. Bob Cratchit's Christmas Dinner from Charles Dickens' A Christmas Carol is depicted by Edwin Austin Abbey; it showcases warmth and compassion even during challenging times. Sir Thomas More presents Utopia through woodcuts in his third edition from 1518 - offering readers an escape into an idealized world filled with hope and harmony. EMMA (1896) by Austen unravels a moment frozen in time as a character pauses, contemplating the question that could change their fate forever.