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Obelisks Collection (#2)

Obelisks, towering symbols of grandeur and history, have captivated the world for centuries

Background imageObelisks Collection: View of an old circus with other monuments inside, c. 1760 (etching)

View of an old circus with other monuments inside, c. 1760 (etching)
1071713 View of an old circus with other monuments inside, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Dallas Museum of Art, Texas

Background imageObelisks Collection: The Piazza del Popolo, Rome (engraving)

The Piazza del Popolo, Rome (engraving)
1609860 The Piazza del Popolo, Rome (engraving) by English School, (19th century); Private Collection; (add.info.: The Piazza del Popolo, Rome)

Background imageObelisks Collection: Santa Maria Maggiore, Rome (fresco)

Santa Maria Maggiore, Rome (fresco)
703259 Santa Maria Maggiore, Rome (fresco) by Italian School; Sistine Hall, Vatican Library, Vatican City; Italian, out of copyright

Background imageObelisks Collection: Design for a frontispiece with a view of Rome inside the Porta del Popolo

Design for a frontispiece with a view of Rome inside the Porta del Popolo
449353 Design for a frontispiece with a view of Rome inside the Porta del Popolo and a view of the Pincio (pen & ink with wash on paper) by Vrancx, Sebastian (1573-1647); eThe Devonshire Collections

Background imageObelisks Collection: Title-page to Of the advancement and proficience of learning by Francis Bacon

Title-page to Of the advancement and proficience of learning by Francis Bacon
XJF377130 Title-page to Of the advancement and proficience of learning by Francis Bacon, 1640 (engraving) by Marshall, William (fl.1617-49); Private Collection; (add.info)

Background imageObelisks Collection: The Prince of Wales Visit to Egypt, Carnac (engraving)

The Prince of Wales Visit to Egypt, Carnac (engraving)
1620274 The Prince of Wales Visit to Egypt, Carnac (engraving) by Leitch, Richard Principal (fl.1844-77) (after); Private Collection; (add.info.: The Prince of Wales Visit to Egypt, Carnac)

Background imageObelisks Collection: The Arrows, near Boroughbridge, Yorkshire (engraving)

The Arrows, near Boroughbridge, Yorkshire (engraving)
6001123 The Arrows, near Boroughbridge, Yorkshire (engraving) by English School, (19th century); Private Collection; (add.info.: The Arrows, near Boroughbridge, Yorkshire)

Background imageObelisks Collection: Entrance of an Ancient Egyptian palace temple (coloured engraving)

Entrance of an Ancient Egyptian palace temple (coloured engraving)
3630019 Entrance of an Ancient Egyptian palace temple (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Entrance of an Ancient Egyptian palace temple)

Background imageObelisks Collection: Piazza del Popolo, Rome (fresco)

Piazza del Popolo, Rome (fresco)
703258 Piazza del Popolo, Rome (fresco) by Italian School; Sistine Hall, Vatican Library, Vatican City; Italian, out of copyright

Background imageObelisks Collection: Lateran Palace, Rome (fresco)

Lateran Palace, Rome (fresco)
703260 Lateran Palace, Rome (fresco) by Italian School; Sistine Hall, Vatican Library, Vatican City; (add.info.: Lateran Palace, left)

Background imageObelisks Collection: On the 20th anniversary of the Battle of Agordat, Mass in the stands of the fort in front of

On the 20th anniversary of the Battle of Agordat, Mass in the stands of the fort in front of the war memorial
2815611 On the 20th anniversary of the Battle of Agordat, Mass in the stands of the fort in front of the war memorial (Colour Litho) by Beltrame

Background imageObelisks Collection: The Obelisk, 1787-88 (oil on canvas)

The Obelisk, 1787-88 (oil on canvas)
2968157 The Obelisk, 1787-88 (oil on canvas) by Robert, Hubert (1733-1808); 255.6x223.5 cm; The Art Institute of Chicago, IL, USA; Gift of Clarence Buckingham; French, out of copyright

Background imageObelisks Collection: Sacred scarab statue in the Temple of Amun, erected by Amenhotep III

Sacred scarab statue in the Temple of Amun, erected by Amenhotep III
BAL59227 Sacred scarab statue in the Temple of Amun, erected by Amenhotep III and dedicated to the sun god Atum-Kheperre, New Kingdom (photo) by Egyptian 18th Dynasty (c.1567-1320 BC); Karnak Temple

Background imageObelisks Collection: Egyptian Obelisk in Central Park New York (chromolitho)

Egyptian Obelisk in Central Park New York (chromolitho)
961380 Egyptian Obelisk in Central Park New York (chromolitho) by American School, (19th century) (after); Private Collection; (add.info.: Egyptian Obelisk in Central Park New York)

Background imageObelisks Collection: Arrival at Gravesend on Monday Morning (engraving)

Arrival at Gravesend on Monday Morning (engraving)
1589877 Arrival at Gravesend on Monday Morning (engraving) by English School, (19th century); Private Collection; (add.info.: Arrival at Gravesend on Monday Morning)

Background imageObelisks Collection: The Cylinder Vessel Cleopatra leaving Ferrol in Tow of the Steam-Tug Anglia (engraving)

The Cylinder Vessel Cleopatra leaving Ferrol in Tow of the Steam-Tug Anglia (engraving)
1589874 The Cylinder Vessel Cleopatra leaving Ferrol in Tow of the Steam-Tug Anglia (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageObelisks Collection: Voyage of Cleopatras Needle to England (engraving)

Voyage of Cleopatras Needle to England (engraving)
1589875 Voyage of Cleopatras Needle to England (engraving) by English School, (19th century); Private Collection; (add.info.: Voyage of Cleopatras Needle to England, First Night Out)

Background imageObelisks Collection: Front view of a reconstruction of Luxor Obelisks in Egypt (engraving)

Front view of a reconstruction of Luxor Obelisks in Egypt (engraving)
2334754 Front view of a reconstruction of Luxor Obelisks in Egypt (engraving) by Unknown Artist, (19th century); (add.info)

Background imageObelisks Collection: Lockhart Monument, Rawalpindi (colour photo)

Lockhart Monument, Rawalpindi (colour photo)
3093686 Lockhart Monument, Rawalpindi (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Lockhart Monument, Rawalpindi)

Background imageObelisks Collection: Life and Death Contrasted, or An Essay on Woman, 1794 (hand-coloured etching)

Life and Death Contrasted, or An Essay on Woman, 1794 (hand-coloured etching)
995949 Life and Death Contrasted, or An Essay on Woman, 1794 (hand-coloured etching) by British School, (18th Century); 35x24.7 cm; Art Gallery of Ontario, Toronto

Background imageObelisks Collection: A woman stands holding a baby with two children and a dog (colour litho)

A woman stands holding a baby with two children and a dog (colour litho)
960894 A woman stands holding a baby with two children and a dog (colour litho) by Crane, Thomas (1808-59); Private Collection; (add.info.: A woman stands holding a baby with two children and a dog)

Background imageObelisks Collection: The illness of Pius X, the faithful and curious in St. Peters Square looking at the window of

The illness of Pius X, the faithful and curious in St. Peters Square looking at the window of the Popes room
2815538 The illness of Pius X, the faithful and curious in St. Peters Square looking at the window of the Popes room (colour litho) by Beltrame

Background imageObelisks Collection: The Cylinder Ship Cleopatra, with the Obelisk, at Westminster Bridge (engraving)

The Cylinder Ship Cleopatra, with the Obelisk, at Westminster Bridge (engraving)
1589902 The Cylinder Ship Cleopatra, with the Obelisk, at Westminster Bridge (engraving) by English School, (19th century); Private Collection; (add.info.: The Cylinder Ship Cleopatra)

Background imageObelisks Collection: Cleopatras Needle, Facsimile of the Inscriptions (engraving)

Cleopatras Needle, Facsimile of the Inscriptions (engraving)
1589702 Cleopatras Needle, Facsimile of the Inscriptions (engraving) by English School, (19th century); Private Collection; (add.info.: Cleopatras Needle, Facsimile of the Inscriptions)

Background imageObelisks Collection: Sketches at the Islington Dairy Show (engraving)

Sketches at the Islington Dairy Show (engraving)
1616176 Sketches at the Islington Dairy Show (engraving) by Jellicoe, John (fl.1888); Private Collection; (add.info.: Sketches at the Islington Dairy Show)

Background imageObelisks Collection: Cleopatras Needle (engraving)

Cleopatras Needle (engraving)
1625724 Cleopatras Needle (engraving) by English School, (19th century); Private Collection; (add.info.: Cleopatras Needle. Illustration for The Illustrated London News, 21 June 1851)

Background imageObelisks Collection: Sir Henry Havelocks Tomb, Lucknow, India (colour photo)

Sir Henry Havelocks Tomb, Lucknow, India (colour photo)
3094759 Sir Henry Havelocks Tomb, Lucknow, India (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Sir Henry Havelocks Tomb, Lucknow, India)

Background imageObelisks Collection: John Wycliffe Memorial, Lutterworth, Leicestershire (colour photo)

John Wycliffe Memorial, Lutterworth, Leicestershire (colour photo)
3096589 John Wycliffe Memorial, Lutterworth, Leicestershire (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: John Wycliffe Memorial, Lutterworth)

Background imageObelisks Collection: Satyr Family with the Obelisk, Venice, c. 1765 (etching)

Satyr Family with the Obelisk, Venice, c. 1765 (etching)
1066869 Satyr Family with the Obelisk, Venice, c.1765 (etching) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 22.4x17.8 cm; Dallas Museum of Art, Texas, USA; gift of Mrs. A.E

Background imageObelisks Collection: The Prima Macchina for the Chinea of 1752: A 'Deliziosa'

The Prima Macchina for the Chinea of 1752: A "Deliziosa"
The Prima Macchina for the Chinea of 1752: A " Deliziosa" Alluding to Villa Carl Amalia in Caserta, 1752

Background imageObelisks Collection: The Seconda Macchina for the Chinea of 1754: An Allegory of Waterworks, 1754

The Seconda Macchina for the Chinea of 1754: An Allegory of Waterworks, 1754

Background imageObelisks Collection: The Prima Macchina for the Chinea of 1769: A 'Deliziosa', 1769

The Prima Macchina for the Chinea of 1769: A "Deliziosa", 1769
The Prima Macchina for the Chinea of 1769: A " Deliziosa", 1769

Background imageObelisks Collection: The Prima Macchina for the Chinea of 1778: A Countryside Belevedere with Hercules

The Prima Macchina for the Chinea of 1778: A Countryside Belevedere with Hercules and Antaeus, 1778

Background imageObelisks Collection: A Royal Hunt Casino in the Countryside, for the 'Chinea'Festival, 1755

A Royal Hunt Casino in the Countryside, for the "Chinea"Festival, 1755
A Royal Hunt Casino in the Countryside, for the " Chinea" Festival, 1755

Background imageObelisks Collection: The Seconda Macchina for the Chinea of 1755: A Royal Hunting Lodge, 1755

The Seconda Macchina for the Chinea of 1755: A Royal Hunting Lodge, 1755

Background imageObelisks Collection: The Prima Macchina for the Chinea of 1762: The Farnese Bull and Other Antiquities

The Prima Macchina for the Chinea of 1762: The Farnese Bull and Other Antiquities from Palazzo Farnese, 1762

Background imageObelisks Collection: Evelin Dobrev

Evelin Dobrev

Background imageObelisks Collection: The Great Stair-Case, probably 1653. Creator: Stefano della Bella

The Great Stair-Case, probably 1653. Creator: Stefano della Bella
The Great Stair-Case, probably 1653

Background imageObelisks Collection: Visit of the Prince of Wales, President Buchanan, and Dignitaries to the Tomb of

Visit of the Prince of Wales, President Buchanan, and Dignitaries to the Tomb of Washington at Mount Vernon, October 1860, 1861

Background imageObelisks Collection: Portrait of Sixtus V, ca. 1589. ca. 1589. Creator: Nicolaus van Aelst

Portrait of Sixtus V, ca. 1589. ca. 1589. Creator: Nicolaus van Aelst
Portrait of Sixtus V, ca. 1589

Background imageObelisks Collection: Speculum Romanae Magnificentiae: Circus Maximus, 1553. 1553. Creator: Nicolas Beatrizet

Speculum Romanae Magnificentiae: Circus Maximus, 1553. 1553. Creator: Nicolas Beatrizet
Speculum Romanae Magnificentiae: Circus Maximus, 1553

Background imageObelisks Collection: Karnak - Obelisks of Thutmose I

Karnak - Obelisks of Thutmose I
The obelisks of Thutmose I (1504 BCE to 1492 BCE) of Festival Hall East, Karnak Temple Complex, Egypt Date: circa 1910s

Background imageObelisks Collection: Obelisques du Palais de Karnac (Thebes), 1849-50. Creator: Maxime du Camp

Obelisques du Palais de Karnac (Thebes), 1849-50. Creator: Maxime du Camp
Obelisques du Palais de Karnac (Thebes), 1849-50

Background imageObelisks Collection: Obelisk of Hatshepsut, Karnak Temple Complex, UNESCO World Heritage Site, Luxor, Thebes

Obelisk of Hatshepsut, Karnak Temple Complex, UNESCO World Heritage Site, Luxor, Thebes, Egypt, North Africa, Africa

Background imageObelisks Collection: Obelisk of Tuthmosis I, Karnak Temple Complex, UNESCO World Heritage Site, Luxor, Thebes

Obelisk of Tuthmosis I, Karnak Temple Complex, UNESCO World Heritage Site, Luxor, Thebes, Egypt, North Africa, Africa

Background imageObelisks Collection: Sacred Lake, Karnak Temple Complex, UNESCO World Heritage Site, Luxor, Thebes, Egypt

Sacred Lake, Karnak Temple Complex, UNESCO World Heritage Site, Luxor, Thebes, Egypt, North Africa, Africa

Background imageObelisks Collection: Colossus of Ramses II in front of Pylon, Obelisk, Luxor Temple

Colossus of Ramses II in front of Pylon, Obelisk, Luxor Temple, UNESCO World Heritage Site, Luxor, Thebes, Egypt, North Africa, Africa




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Obelisks, towering symbols of grandeur and history, have captivated the world for centuries. From their origins in ancient Egypt to their presence in various corners of the globe, these majestic structures continue to inspire awe and wonder. In the realm of music and opera, Verdi's masterpiece "Aida" transports us to a bygone era where obelisks adorned the landscape of Egypt. The opulent Karnak Temple and its sacred lake provide a stunning backdrop for this timeless tale. Stepping back in time to 1911 at the Turin Exposition, visitors marveled at the Hungarian Pavilion's homage to obelisks. Its intricate design paid tribute to these monumental structures that had become synonymous with power and prestige. Traveling further east, we find ourselves amidst Ethiopia's Stelae Field in Axum. These towering monoliths stand as testaments to an ancient civilization that once thrived here, reminding us of Africa's rich cultural heritage. Venturing into Central Asia, Kazakhstan proudly boasts its Monument of Independence obelisk in Alma Ata. This striking structure stands tall against the vast expanse of Central Asian landscapes, symbolizing freedom and resilience. Closer to home in Europe lies Paris' Place de la Concorde with its iconic Ferris wheel framed by elegant obelisks. Amidst cherry blossoms blooming nearby, this picturesque scene captures both romance and history within one frame. Across continents yet again lies Cleopatra's Needle - an Egyptian obelisk gifted to London which now stands majestically on Embankment Pier. Its presence serves as a reminder of ancient civilizations intertwining with modern metropolises. Not far from there is Stonehenge - a mystical site shrouded in mystery where massive stones rise like silent sentinels towards the sky. Among them are smaller obelisks whose purpose still eludes historians today.