Oconnor Collection (#51)

Beaconsfield hurling team, South Africa, 1907
Beaconsfield hurling team, Kimberley, Cape Colony, Griqualand West, South Africa. They were gold medal winners. Date: 1907

Bedford, Eastern Cape, Cape Colony, South Africa
O Connors Commercial Hotel, Bedford, Eastern Cape, Cape Colony, South Africa. Date: circa 1905

An Old Mill, c1840. Artist: James Arthur O Connor
An Old Mill, c1840. Painting held at the Russell-Cotes Art Gallery & Museum, Bournemouth. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Victors of the Western Desert in Conference, 1941. General Sir Archibald Wavell (1883-1950) and Major-General R. N. O Connor (1889?-981) discussing the final assault on Bardia, January 5th, 1941

Thomas Power O Connor, Irish journalist and politician, 1926. Artist: Alick P F Ritchie
Thomas Power O Connor, Irish journalist and politician, 1926. Portrait of O Connor (1848-1929). Cigarette card with straight-line caricature, issued by John Player & Sons

Feargus Edward O Connor, (1794-1855), 19th century. Portrait of the Irish Chartist leader and advocate of the Land Plan. Illustration from The Life and Times of Queen Victoria, by Robert Wilson

Thomas Power O Connor, Irish journalist and MP, 1910. Artist: John Henry Frederick Bacon
Thomas Power O Connor, Irish journalist and MP, 1910. TP O Connor (1848-1929) was a prominent Irish nationalist political figure. Supplement to The Bookman, 1910

Mass meeting of Chartists on Kennington Common, London, 10 April 1848. In centre is the wagon carrying Feargus O Connor and the other delegates

Caricature of Sir William Harcourt, Liberal politician
Caricature of Sir William George Granville Venables Vernon Harcourt (1827-1904), Liberal politician, at this time Home Secretary in Gladstones government

The happiest new year of all - Music Sheet Cover by Desmond O Connor, Mowriel Watson and Jack Denby, recorded and broadcast by Vera Lynn

William Ulick O Connor Cuffe, Vanity Fair, Ape
WILLIAM ULICK OCONNOR CUFFE, 4th Earl of Desart (1845-1898). Caption: Chesterfield Letters Date: 1845 - 1898

Scene in Co. Wicklow (1820). O Connor, James Arthur 1792-1841. Date: 1820

Castle Arras, near Alf, on the Moselle (c. 1833). O Connor, James Arthur 1792-1841. Date: 1833 (circa)

Wooded Glen with Angler (1831). O Connor, James Arthur 1792-1841. Date: 1831

The Market Place, Vicenza (1881). O Connor, John 1830-1889. Date: 1881

The Royal Visit to Jamaica
The Queen holds her first investiture outside Britain: the Chief Justice of Jamaica, Sir Kenneth O Connor, Kneeling to receive the accolade on 27th November 1953

The Australian Cricket Team who toured England to compete for the Ashes in 1909

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Capturing the Soul of Jazz: Brian O'Connor's Iconic Artwork" Step into the vibrant world of jazz through the lens of artist Brian O'Connor. In 1994, Ronnie Scott's in London came alive with the mesmerizing performances by legendary saxophonist Ronnie Scott himself. O'Connor skillfully immortalized this moment, his brushstrokes breathing life into each stroke. In another masterpiece, a field becomes an unexpected stage as JCB Extradig diggers take center stage. With meticulous detail, O'Connor captures their power and grace in a display that transcends mere machinery. Transporting us back to 1984 at Ronnie Scott's once again, we find ourselves immersed in Art Blakey's captivating performance. The energy emanating from Blakey is palpable as O'Connor expertly translates it onto canvas. Jazz Cafe London witnessed Jackie McLean's unforgettable presence in April 1991. Through O'Connor's artistry, we are transported to that very night - feeling every note reverberate through our souls. Toots Thielemans' enchanting melodies filled Ronnie Scotts in 1978; his harmonica became an extension of his soul. And there was Brian O'Connor capturing every nuance on canvas - a testament to both musician and artist alike. Joe Pass graced Soho's Ronnie Scotts in 1984 with his virtuoso guitar skills. As if frozen mid-performance, Pass comes alive under O'Connor’s skilled hand - forever etched within this timeless piece. Miles Davis took center stage at Royal Festival Hall in London during that fateful year of 1989. The air crackled with anticipation as Davis unleashed his musical genius upon captivated audiences – all captured by the masterful strokes of Brian O’Connor’s brush. Fairfield Halls saw Tony Bennett and Ralph Sharon create magic together in March 1988 – their voices blending seamlessly like a perfectly harmonized melody.