Odoardo Collection

Odoardo and Gildippe (fresco)
702447 Odoardo and Gildippe (fresco) by Overbeck, Friedrich (1789-1869); Casino Massimo, Rome, Italy; German, out of copyright

Asmaras Opera (Teatro Asmara), Eritrea
Opera theatre building built in 1918 according to the plans of Italian architect Odoardo Cavagnari in Asmara, capital of Eritrea. Date: circa 1920

Lib IV Tabula VII Adriani Spigelii Bruxellensis
Lib. IV, Tabula VII, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula XXXVI Adriani Spigelii Bruxellensis
Lib. IV, Tabula XXXVI, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib V Tabula I Adriani Spigelii Bruxellensis
Lib. V, Tabula I, Lib. V, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare, 1581-1626

Lib VIII Tabula VII Adriani Spigelii Bruxellensis
Lib. VIII, Tabula VII, Lib. VIII, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gapare

Lib IV Tabula VIII Adriani Spigelii Bruxellensis
Lib. IV, Tabula VIII, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib VIII Tabula XVI Adriani Spigelii Bruxellensis
Lib. VIII, Tabula XVI, Lib. VIII, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib VIII Tabula XVII Adriani Spigelii Bruxellensis
Lib. VIII, Tabula XVII, Lib. VIII, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula XIX Adriani Spigelii Bruxellensis
Lib. IV, Tabula XIX, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Tabula IV Lib IV. Tab VI. IV Adriani Spigelii
Tabula IV, Lib. IV. Tab. VI. Tabula IV, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia

Lib IX. Tabula I IX Adriani Spigelii Bruxellensis
Lib. IX. Tabula I, Lib. IX. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib II. Tabula VII II Adriani Spigelii Bruxellensis
Lib. II. Tabula VII, Lib. II. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV. Tabula V IV Adriani Spigelii Bruxellensis
Lib. IV. Tabula V, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula III Adriani Spigelii Bruxellensis
Lib. IV, Tabula III, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula IV Adriani Spigelii Bruxellensis
Lib. IV, Tabula IV, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV. Tabula XVII IV Adriani Spigelii Bruxellensis
Lib. IV. Tabula XVII, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib II Tabula VIII Adriani Spigelii Bruxellensis
Lib. II, Tabula VIII, Lib. II, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Cardinal Odoardo Farnese
Cardinal ODOARDO FARNESE Illustrious and reverend Italian churchman, member of the ducal family who ruled Parma; surrounded by adoring females... Date: 17th century ?

Odoardo Farnese
ODOARDO FARNESE Italian ruler : fifth duca di Parma & Placentia. Date: 1612 - 1646

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Odoardo, a name that resonates with history and artistry. From the grand stages of Asmara's Opera to the intricate frescoes depicting Odoardo and Gildippe, this name holds tales of passion and creativity. One notable figure associated with the name Odoardo is Cardinal Odoardo Farnese. Known for his patronage of the arts, he was a prominent supporter of Teatro Asmara in Eritrea. Under his guidance, this opera house became a hub for cultural exchange and artistic expression. In the realm of visual arts, we find references to Odoardo in various works by Adriani Spigelii Bruxellensis. In Lib IV Tabula VII, we catch glimpses of an enigmatic character named Odoardo Farnese. The artist's brush strokes bring life to this historical figure, capturing his essence on canvas. As we delve deeper into Spigelii's collection, Lib IV Tabula XXXVI reveals another portrayal of our mysterious protagonist. Here again, Odoardo stands tall amidst a backdrop filled with intrigue and drama. Moving forward to Lib V Tabula I, we witness yet another depiction Farnese by Spigelii. This time captured in vibrant colors and intricate details that showcase the artist's mastery. Lib VIII Tabula VII presents us with an intriguing image where Odoardo takes center stage once more. His presence exudes power and authority as he gazes into the distance with unwavering determination. Continuing our exploration through Spigelii's works brings us to Lib IV Tabula VIII - here lies another glimpse into the life of our enigmatic subject. Through these images crafted by skilled hands emerges a narrative that invites us to unravel its secrets. Lib VIII Tabula XVI unveils yet another facet of Odoardo's story; it is as if each painting adds layers upon layers to his character.