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Ojibwe Collection

"Exploring the Rich Heritage of the Ojibwe

Background imageOjibwe Collection: Lake Superior Chippewa - Apostle Islands, Wisconsin

Lake Superior Chippewa - Apostle Islands, Wisconsin
Lake Superior Chippewa - a historical band of Ojibwe Indians on one of the Apostle Islands, Wisconsin, USA. Date: circa 1924

Background imageOjibwe Collection: EXPL2A-00128

EXPL2A-00128
Landing of Jean Nicolet on the Wisconsin shore of Lake Michigan, 1634, the first European to reach that region. Hand-colored halftone of a 19th-century illustration

Background imageOjibwe Collection: Canada - Ojibwa Girl cleaning the catch

Canada - Ojibwa Girl cleaning the catch
The Ojibwa is the largest group of Native American peoples north of Mexico. They are equally divided between the United States and Canada

Background imageOjibwe Collection: The Assiniboine and Saskatchewan Exploring Expedition - Ojibway Encampment near the Falls... 1858

The Assiniboine and Saskatchewan Exploring Expedition - Ojibway Encampment near the Falls... 1858. Creator: Unknown
The Assiniboine and Saskatchewan Exploring Expedition - Ojibway Encampment near the Falls of the Rainy River, 1858. The Ojibways of the Lake of the Woods are the most warlike

Background imageOjibwe Collection: Kah-Ge-Ga-Gah-Bowh, the Ojibbeway Chief...Drury-Lane Theatre, 1850. Creator: Unknown

Kah-Ge-Ga-Gah-Bowh, the Ojibbeway Chief...Drury-Lane Theatre, 1850. Creator: Unknown
Kah-Ge-Ga-Gah-Bowh, the Ojibbeway Chief, sketched during the Temperance Meeting in Drury-Lane Theatre, 1850. Missionary minister the Rev

Background imageOjibwe Collection: Hole-in-the-Day (Younger). Chippewa, Indian delegate, 1864. Creator: Unknown

Hole-in-the-Day (Younger). Chippewa, Indian delegate, 1864. Creator: Unknown
Hole-in-the-Day (Younger). Chippewa, Indian delegate, 1864

Background imageOjibwe Collection: Ojibwa Grave-Posts (engraving)

Ojibwa Grave-Posts (engraving)
980475 Ojibwa Grave-Posts (engraving) by American School, (19th century) (after); Private Collection; (add.info.: Ojibwa Grave-Posts)

Background imageOjibwe Collection: Mide dancing garters (colour litho)

Mide dancing garters (colour litho)
980442 Mide dancing garters (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Mide dancing garters)

Background imageOjibwe Collection: Sacred Birch Bark Records (colour litho)

Sacred Birch Bark Records (colour litho)
980440 Sacred Birch Bark Records (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Sacred Birch Bark Records)

Background imageOjibwe Collection: Ojibwa Facial Decoration (colour litho)

Ojibwa Facial Decoration (colour litho)
980436 Ojibwa Facial Decoration (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Ojibwa Facial Decoration)

Background imageOjibwe Collection: Portraits of an Indian man and Native American

Portraits of an Indian man and Native American
Portrait and profile of an Indian man, Soorjo Coomar Chucherbutty, age 20, from Decca, and U-je-jock, or Pelican, age 10, son of a chief of the Ojibwe Nation, Lake Huron

Background imageOjibwe Collection: Chippewa scaffold burial (colour litho)

Chippewa scaffold burial (colour litho)
980522 Chippewa scaffold burial (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Chippewa scaffold burial)

Background imageOjibwe Collection: Jesakkid removing disease (engraving)

Jesakkid removing disease (engraving)
980438 Jesakkid removing disease (engraving) by American School, (19th century); Private Collection; (add.info.: Jesakkid removing disease. Engraving by Harold L MacDonald, 1890)

Background imageOjibwe Collection: Chippeway widow (colour litho)

Chippeway widow (colour litho)
980532 Chippeway widow (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Chippeway widow)

Background imageOjibwe Collection: Sacred bark scroll and contents (colour litho)

Sacred bark scroll and contents (colour litho)
980441 Sacred bark scroll and contents (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Sacred bark scroll and contents)

Background imageOjibwe Collection: Sacred Posts of Midewigan (colour litho)

Sacred Posts of Midewigan (colour litho)
980439 Sacred Posts of Midewigan (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Sacred Posts of Midewigan)

Background imageOjibwe Collection: Ojibwa Facial Decoration (colour litho)

Ojibwa Facial Decoration (colour litho)
980435 Ojibwa Facial Decoration (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Ojibwa Facial Decoration)

Background imageOjibwe Collection: Lake Itsaca, 1853 (colout litho)

Lake Itsaca, 1853 (colout litho)
NBY335526 Lake Itsaca, 1853 (colout litho) by Eastman, Captain Seth (1808-75) (after); Newberry Library, Chicago, Illinois

Background imageOjibwe Collection: 'Gunstock'Club, early 19th century (wood, pigments)

"Gunstock"Club, early 19th century (wood, pigments)
996106 " Gunstock" Club, early 19th century (wood, pigments) by Canadian School, (19th century); 15.4x1.6x70 cm; Art Gallery of Ontario, Toronto

Background imageOjibwe Collection: Ud-je-jock, Pelican, a Boy, 1845. Creator: George Catlin

Ud-je-jock, Pelican, a Boy, 1845. Creator: George Catlin
Ud-je-jock, Pelican, a Boy, 1845

Background imageOjibwe Collection: Au-nim-muck-kwa-um, Tempest Bird, 1845. Creator: George Catlin

Au-nim-muck-kwa-um, Tempest Bird, 1845. Creator: George Catlin
Au-nim-muck-kwa-um, Tempest Bird, 1845

Background imageOjibwe Collection: Cah-be-mub-bee, He Who Sits Everywhere, a Brave, 1835. Creator: George Catlin

Cah-be-mub-bee, He Who Sits Everywhere, a Brave, 1835. Creator: George Catlin
Cah-be-mub-bee, He Who Sits Everywhere, a Brave, 1835

Background imageOjibwe Collection: Ju-ah-kis-gaw, Woman With Her Child in a Cradle, 1835. Creator: George Catlin

Ju-ah-kis-gaw, Woman With Her Child in a Cradle, 1835. Creator: George Catlin
Ju-ah-kis-gaw, Woman With Her Child in a Cradle, 1835

Background imageOjibwe Collection: Four Dancers, 1843-1844. Creator: George Catlin

Four Dancers, 1843-1844. Creator: George Catlin
Four Dancers, 1843-1844

Background imageOjibwe Collection: Jack-o-pa (The Six), 1827. Creator: Charles Bird King

Jack-o-pa (The Six), 1827. Creator: Charles Bird King
Jack-o-pa (The Six), 1827

Background imageOjibwe Collection: Canoe Race Near Sault Ste. Marie, 1836-1837. Creator: George Catlin

Canoe Race Near Sault Ste. Marie, 1836-1837. Creator: George Catlin
Canoe Race Near Sault Ste. Marie, 1836-1837

Background imageOjibwe Collection: Big Buffalo (Chippewa), 1832-1833. Creator: Henry Inman

Big Buffalo (Chippewa), 1832-1833. Creator: Henry Inman
Big Buffalo (Chippewa), 1832-1833

Background imageOjibwe Collection: White Man in Chippewa Costume, late 19th-early 20th century. Creator: George Prince

White Man in Chippewa Costume, late 19th-early 20th century. Creator: George Prince
White Man in Chippewa Costume, late 19th-early 20th century

Background imageOjibwe Collection: Snow Shoe Dance - Ojibbeway, 1861 / 1869. Creator: George Catlin

Snow Shoe Dance - Ojibbeway, 1861 / 1869. Creator: George Catlin
Snow Shoe Dance - Ojibbeway, 1861/1869. Hunters, with songs of thanks to the Great Spirit, when the first snow of winter falls, to improve their hunting

Background imageOjibwe Collection: Three Celebrated Ball Players - Choctaw, Sioux and Ojibbeway, 1861

Three Celebrated Ball Players - Choctaw, Sioux and Ojibbeway, 1861. Tul-lock-chish-ko (of the Chocktaw), Wee-chush-ta-doo-ta (Sioux) and Ah-no-je-nahge

Background imageOjibwe Collection: A Sioux War Party, 1861 / 1869. Creator: George Catlin

A Sioux War Party, 1861 / 1869. Creator: George Catlin
A Sioux War Party, 1861/1869. Reconnoitering an Ojibbeway village, at sunset. Calhoun, upper Mississippi. 1832

Background imageOjibwe Collection: Nine Ojibbeway Indians in London, 1861 / 1869. Creator: George Catlin

Nine Ojibbeway Indians in London, 1861 / 1869. Creator: George Catlin
Nine Ojibbeway Indians in London, 1861/1869. Ah-quee-we-zaints (chief), with Pat-o-a-quat-o-wee-be, Wee-nish-ka-wee-be, Sa-mah, Gish-e-gosh-e-gee, Not-een-a-akm (interpreter)

Background imageOjibwe Collection: Ojibbeway Indians in Paris, 1861 / 1869. Creator: George Catlin

Ojibbeway Indians in Paris, 1861 / 1869. Creator: George Catlin
Ojibbeway Indians in Paris, 1861/1869. Maun-gua-daus (chief) with warriors, women and children taken to Paris as representatives from Canada in 1845

Background imageOjibwe Collection: Buffalo Chase in the Snow Drifts - Ojibbeway, 1861 / 1869. Creator: George Catlin

Buffalo Chase in the Snow Drifts - Ojibbeway, 1861 / 1869. Creator: George Catlin
Buffalo Chase in the Snow Drifts - Ojibbeway, 1861/1869

Background imageOjibwe Collection: Facsimile of an Ojibbeway Robe, 1861 / 1869. Creator: George Catlin

Facsimile of an Ojibbeway Robe, 1861 / 1869. Creator: George Catlin
Facsimile of an Ojibbeway Robe, 1861/1869. A collection of Indian totems

Background imageOjibwe Collection: Ojibbeway Indians, 1861 / 1869. Creator: George Catlin

Ojibbeway Indians, 1861 / 1869. Creator: George Catlin
Ojibbeway Indians, 1861/1869. Sha-co-pay (chief) with his sons

Background imageOjibwe Collection: An Aged Ojibbeway Chief and Three Warriors, 1861 / 1869. Creator: George Catlin

An Aged Ojibbeway Chief and Three Warriors, 1861 / 1869. Creator: George Catlin
An Aged Ojibbeway Chief and Three Warriors, 1861/1869. Gitch-e-gaw-ga-osh (elderly chief), with On-daig, I-an-be-wa-dick and Cah-be-mub-be sitting in council

Background imageOjibwe Collection: Two Ojibbeway Warriors and a Woman, 1861 / 1869. Creator: George Catlin

Two Ojibbeway Warriors and a Woman, 1861 / 1869. Creator: George Catlin
Two Ojibbeway Warriors and a Woman, 1861/1869. Ka-bes-kunk and O-ta-wa (warriors in war dess with pipes) and Ju-a-kiss-gaw (wife of Ka-bes-kunk) at the fall of St. Anthony. 1834

Background imageOjibwe Collection: Two Chippewyan Warriors and a Woman, 1855 / 1869. Creator: George Catlin

Two Chippewyan Warriors and a Woman, 1855 / 1869. Creator: George Catlin
Two Chippewyan Warriors and a Woman, 1855/1869. Gua-be-med-gwin-ne (warrior), Nin-jee (warrior) and Ha-te-qua

Background imageOjibwe Collection: Boy Chief - Ojibbeway, 1843. Creator: George Catlin

Boy Chief - Ojibbeway, 1843. Creator: George Catlin
Boy Chief - Ojibbeway, 1843

Background imageOjibwe Collection: Placket, late 1800s. Creator: Unknown

Placket, late 1800s. Creator: Unknown
Placket, late 1800s. In the 1800s, native peoples began to use European fabrics to fashion fine formal garments; they favored sturdy cloth, such as velvet and wool broadcloth

Background imageOjibwe Collection: Placket and Cuffs, late 1800s. Creator: Unknown

Placket and Cuffs, late 1800s. Creator: Unknown
Placket and Cuffs, late 1800s. In the 1800s, native peoples began to use European fabrics to fashion fine formal garments; they favored sturdy cloth, such as velvet and wool broadcloth

Background imageOjibwe Collection: Bandolier (Shoulder) Bag, 1880s?. Creator: Unknown

Bandolier (Shoulder) Bag, 1880s?. Creator: Unknown
Bandolier (Shoulder) Bag, 1880s?. Inspired perhaps by British ammunition pouches, bandolier bags evolved from smaller native bags, similar to another in this case, to become one of the flashiest

Background imageOjibwe Collection: Cuff, late 1800s. Creator: Unknown

Cuff, late 1800s. Creator: Unknown
Cuff, late 1800s. In the 1800s, native peoples began to use European fabrics to fashion fine formal garments; they favored sturdy cloth, such as velvet and wool broadcloth

Background imageOjibwe Collection: American Native

American Native
Antique illustration of a American Native

Background imageOjibwe Collection: Faces of racial types, Bengali and Ojibwe

Faces of racial types, Bengali and Ojibwe
Faces of racial types. At the top is a 20 year old man from Bengal, India. Below is a 10 year old boy, son of an Ojibwe chief, North America. Date: 1849

Background imageOjibwe Collection: EDMONIA LEWIS (c1844-1907). American sculptor. Photograph, c1870

EDMONIA LEWIS (c1844-1907). American sculptor. Photograph, c1870

Background imageOjibwe Collection: EDMONIA LEWIS (c1844-1907). African / Native-American sculptor

EDMONIA LEWIS (c1844-1907). African / Native-American sculptor
EDMONIA LEWIS (c1844-1907). African/Native-American sculptor. Photograph, late 19th century




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"Exploring the Rich Heritage of the Ojibwe: From Lake Superior Chippewa to Canada's Ojibwa Girl and Beyond" Step into a captivating journey through time as we delve into the fascinating world of the Ojibwe people. From their ancestral lands in Apostle Islands, Wisconsin, overlooking majestic Lake Superior, to their presence in Canada, this caption will take you on an enlightening tour. EXPL2A-00128 showcases the deep connection between the Ojibwe and Apostle Islands, where they have thrived for generations. Discover their harmonious relationship with nature and how it has shaped their way of life. In Canada, witness a young Ojibwa girl meticulously cleaning her catch—a testament to their resourcefulness and respect for sustenance from Mother Earth. This image captures a moment frozen in time that reflects both tradition and resilience. Hole-in-the-Day (Younger), an influential Chippewa leader who served as an Indian delegate in 1864, emerges from history's shadows. His enigmatic portrait reminds us of his pivotal role in shaping relations between indigenous communities and colonial powers during a tumultuous era. Transport yourself back to 1763 when Ojibwe Indians surprised British forces at Fort Michilimackinac. This vividly colored lithograph depicts a historic event that highlights Native American resistance against encroachment on their lands—an inspiring tale of bravery etched forever in our collective memory. Marvel at intricately carved Ojibwa Grave-Posts—engravings that honor ancestors with reverence and grace. These sacred markers serve as reminders of enduring legacies passed down through generations—a testament to cultural continuity amidst changing times. Witness Mide dancing garters come alive through vibrant colors captured by lithography—the rhythmic movements symbolizing spiritual connections within traditional ceremonies—a celebration of unity among community members bound by shared beliefs.