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Ombrelle Collection (#2)

"Ombrelle: A Timeless Symbol of Elegance and Protection" From the graceful strokes of Renoir's brush in "Woman with a Parasol turned to the Right

Background imageOmbrelle Collection: Femme a l ombrelle ou La Parisienne, 1913 (oil on canvas)

Femme a l ombrelle ou La Parisienne, 1913 (oil on canvas)
5667432 Femme a l ombrelle ou La Parisienne, 1913 (oil on canvas) by Delaunay, Robert (1885-1941); 122.8x90.2 cm; Private Collection; Photo © Christies Images

Background imageOmbrelle Collection: A street in Hanoi (Vietnam) and the cortege of a large mandarin, drawing by A

A street in Hanoi (Vietnam) and the cortege of a large mandarin, drawing by A
LSE4331072 A street in Hanoi (Vietnam) and the cortege of a large mandarin, drawing by A.Ferdinandus, to illustrate the story of M

Background imageOmbrelle Collection: Country entertainment Gallant Scene during a walk of nobles

Country entertainment Gallant Scene during a walk of nobles
JLJ4625989 Country entertainment Gallant Scene during a walk of nobles. Painting by Charles Gustave Housez (1822-1880) 19th century

Background imageOmbrelle Collection: French woman in summer dress, 17th century, from an engraving by Jean Saint Jean - Lithography

French woman in summer dress, 17th century, from an engraving by Jean Saint Jean - Lithography from an illustration by
FLO4616840 French woman in summer dress, 17th century, from an engraving by Jean Saint Jean - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902)

Background imageOmbrelle Collection: Venitians wearing the bauta mask, Italy 18th century, based on a painting by Giovanni Antonio

Venitians wearing the bauta mask, Italy 18th century, based on a painting by Giovanni Antonio Canal dit Canaletto
FLO4616820 Venitians wearing the bauta mask, Italy 18th century, based on a painting by Giovanni Antonio Canal dit Canaletto (1697-1768)

Background imageOmbrelle Collection: Women in the Garden, c. 1866 (oil on canvas)

Women in the Garden, c. 1866 (oil on canvas)
JLJ4567557 Women in the Garden, c.1866 (oil on canvas) by Monet, Claude (1840-1926); Musee d Orsay, Paris, France; (add.info.: at the City of Avray); Photo ePhoto Josse; French, out of copyright

Background imageOmbrelle Collection: O P Q R; O P : oeuf, ombrelle, oreiller, outil, pain, peigne, pipe

O P Q R; O P : oeuf, ombrelle, oreiller, outil, pain, peigne, pipe
DUV4225468 O P Q R; O P : oeuf, ombrelle, oreiller, outil, pain, peigne, pipe, poele; Q R : quaterne, quenouille, quilles, quinte, rasoir, rateau, registre, rotissoire - ABC of everyday things

Background imageOmbrelle Collection: O P : oeuf, ombrelle, oreiller, outil, pain, peigne, pipe, poele - ABC of everyday things

O P : oeuf, ombrelle, oreiller, outil, pain, peigne, pipe, poele - ABC of everyday things
DUV4225462 O P : oeuf, ombrelle, oreiller, outil, pain, peigne, pipe, poele - ABC of everyday things, 1890 (illustration) by French School, (19th century); 16

Background imageOmbrelle Collection: Lettre N Noeud. Gravure in 'Petit alphabet illustre'

Lettre N Noeud. Gravure in "Petit alphabet illustre"
DUV4212972 Lettre N Noeud. Gravure in " Petit alphabet illustre". Pellerin, imprimeur-editeur, epinal. Bibliotheque enfantine. Serie mignonne. Seconde moitie du 19eme siecle

Background imageOmbrelle Collection: Sun and Wind (oil on canvas)

Sun and Wind (oil on canvas)
CH202582 Sun and Wind (oil on canvas) by Frieseke, Frederick Carl (1874-1939); Private Collection; Photo eChristies Images; American, out of copyright

Background imageOmbrelle Collection: Portrait of the Marquise Elena Grimaldi Cattaneo - Painting by Antoine Van Dyck

Portrait of the Marquise Elena Grimaldi Cattaneo - Painting by Antoine Van Dyck
XEE5033330 Portrait of the Marquise Elena Grimaldi Cattaneo - Painting by Antoine Van Dyck (1599-1641), Oil on canvas, 1623, 242, 9x138, 5 cm - Widener Collection, National Gallery of Art

Background imageOmbrelle Collection: The two sisters or 'portraits in a park'

The two sisters or "portraits in a park"
JLJ4644890 The two sisters or " portraits in a park" Painting by Jacques Joseph (Jacques-Joseph) Tissot dit James Tissot (1836-1902), 1863. Dim

Background imageOmbrelle Collection: Assyrian: King and suite, 1866 (coloured engraving)

Assyrian: King and suite, 1866 (coloured engraving)
XEE702570 Assyrian: King and suite, 1866 (coloured engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info)

Background imageOmbrelle Collection: Woman with a Parasol, c. 1906 (oil on canvas)

Woman with a Parasol, c. 1906 (oil on canvas)
CH198713 Woman with a Parasol, c. 1906 (oil on canvas) by Frieseke, Frederick Carl (1874-1939); Private Collection; (add.info)

Background imageOmbrelle Collection: The Crossing Sweeper

The Crossing Sweeper
CHG28386 The Crossing Sweeper by Horsley, John Callcott (1817-1903); Private Collection; eCider House Galleries, Ltd. Bletchingley, Surrey, UK; English, out of copyright

Background imageOmbrelle Collection: King Louis XIV (1638-1715) and Queen Marie-Therese of Austria (1638-1683

King Louis XIV (1638-1715) and Queen Marie-Therese of Austria (1638-1683
JLJ4646240 King Louis XIV (1638-1715) and Queen Marie-Therese of Austria (1638-1683) walking in front of the castle of Vincennes in 1669 Painting by Adam Frans Van der Meulen (1632-1690), 1669 Sun

Background imageOmbrelle Collection: The Promenade: fashionable tourists strolling outside Cracknill Shells, Pebbles and Curiosities Shop

The Promenade: fashionable tourists strolling outside Cracknill Shells, Pebbles and Curiosities Shop
FLO4690569 The Promenade: fashionable tourists strolling outside Cracknill Shells, Pebbles and Curiosities Shop. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C

Background imageOmbrelle Collection: The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a

The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street
FLO4690136 The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrifs office

Background imageOmbrelle Collection: Portrait of a lady in a striped jacket with a parasol

Portrait of a lady in a striped jacket with a parasol
GG80905 Portrait of a lady in a striped jacket with a parasol by Sain, Edouard Alexandre (1830-1910); Private Collection; Photo eGavin Graham Gallery, London, UK; French, out of copyright

Background imageOmbrelle Collection: Girl with a sunshade, 1879 (oil on canvas)

Girl with a sunshade, 1879 (oil on canvas)
FIT69700 Girl with a sunshade, 1879 (oil on canvas) by Bastien-Lepage, Jules (1848-84); 39.1x28.2 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Background imageOmbrelle Collection: Walk in the Garden Painting by Silvestro Lega (18126-1895) 19th century Florence

Walk in the Garden Painting by Silvestro Lega (18126-1895) 19th century Florence
JLJ4571761 Walk in the Garden Painting by Silvestro Lega (18126-1895) 19th century Florence, Museum of Modern Art by Lega, Silvestro (1826-95); Galleria d Arte Moderna, Palazzo Pitti, Florence

Background imageOmbrelle Collection: In the garden A young woman with an umbrella and surrounded by flowers

In the garden A young woman with an umbrella and surrounded by flowers
JLJ4614360 In the garden A young woman with an umbrella and surrounded by flowers. Painting by Joseph Bail (1862-1921) 20th century

Background imageOmbrelle Collection: King Louis XIV (1638-1715) and Queen Marie-Therese of Austria (1638-1683

King Louis XIV (1638-1715) and Queen Marie-Therese of Austria (1638-1683
JLJ4646244 King Louis XIV (1638-1715) and Queen Marie-Therese of Austria (1638-1683) walking in front of the castle of Vincennes in 1669 detail of the Painting by Adam Frans Van der Meulen (1632-1690)

Background imageOmbrelle Collection: The Sands: tourists in a barouche drawn by donkeys on the beach

The Sands: tourists in a barouche drawn by donkeys on the beach. Handcoloured copperplate engraving by Thomas
FLO4690550 The Sands: tourists in a barouche drawn by donkeys on the beach. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J

Background imageOmbrelle Collection: Woman with umbrella and man in frock coat in a garden, fashion plate from

Woman with umbrella and man in frock coat in a garden, fashion plate from
473294 Woman with umbrella and man in frock coat in a garden, fashion plate from Journal des Dames et des Modes, 5 June, 1836 (colour litho) by French School

Background imageOmbrelle Collection: Walk on the water. Boat with canopy. Painting by Eugene Louis Lami (1800-1890)

Walk on the water. Boat with canopy. Painting by Eugene Louis Lami (1800-1890)
JLJ4690884 Walk on the water. Boat with canopy. Painting by Eugene Louis Lami (1800-1890), 18th century. Chantilly, Musee Conde by Lami, Eugene-Louis (1800-90); Musee Conde, Chantilly

Background imageOmbrelle Collection: The Spa Wells: Tourists drinking the spa water from the wells at Scarborough Spaw

The Spa Wells: Tourists drinking the spa water from the wells at Scarborough Spaw
FLO4690519 The Spa Wells: Tourists drinking the spa water from the wells at Scarborough Spaw. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J

Background imageOmbrelle Collection: Breton Women in the Shade, 1892 (oil on canvas)

Breton Women in the Shade, 1892 (oil on canvas)
XIR38918 Breton Women in the Shade, 1892 (oil on canvas) by Bernard, Emile (1868-1941); 81x105 cm; Musee d Orsay, Paris, France; French, out of copyright

Background imageOmbrelle Collection: Woman with a Parasol, 1893 (oil on canvas)

Woman with a Parasol, 1893 (oil on canvas)
XIR82329 Woman with a Parasol, 1893 (oil on canvas) by Signac, Paul (1863-1935); 81x65 cm; Musee d Orsay, Paris, France; (add.info.: possibly the artists wife, Berthe; ); French, out of copyright

Background imageOmbrelle Collection: The Parasol, 1777 (oil on canvas)

The Parasol, 1777 (oil on canvas)
XJL38624 The Parasol, 1777 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 104x152 cm; Prado, Madrid, Spain; Spanish, out of copyright

Background imageOmbrelle Collection: Portrait of Lise, 1867 (oil on canvas)

Portrait of Lise, 1867 (oil on canvas)
XIR30330 Portrait of Lise, 1867 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 182x118 cm; Museum Folkwang, Essen, Germany; French, out of copyright

Background imageOmbrelle Collection: The Parasol, 1777 (oil on canvas) (detail of 38624)

The Parasol, 1777 (oil on canvas) (detail of 38624)
XJL779015 The Parasol, 1777 (oil on canvas) (detail of 38624) by Goya y Lucientes, Francisco Jose de (1746-1828); 104x152 cm; Prado, Madrid, Spain; Spanish, out of copyright

Background imageOmbrelle Collection: Young Woman with a Parasol on a Jetty (oil on canvas)

Young Woman with a Parasol on a Jetty (oil on canvas)
XIR218727 Young Woman with a Parasol on a Jetty (oil on canvas) by Helleu, Paul Cesar (1859-1927); Musee des Arts Decoratifs, Paris

Background imageOmbrelle Collection: Woman with a Parasol on the Beach, 1880 (oil on canvas)

Woman with a Parasol on the Beach, 1880 (oil on canvas)
XIR192465 Woman with a Parasol on the Beach, 1880 (oil on canvas) by Boudin, Eugene Louis (1824-98); Musee Eugene Boudin, Honfleur, France; (add.info.: La Femme a l Ombrelle sur la Plage; ); French

Background imageOmbrelle Collection: Portrait of Lise, 1867 (oil on canvas) (detail of 30330)

Portrait of Lise, 1867 (oil on canvas) (detail of 30330)
XIR203398 Portrait of Lise, 1867 (oil on canvas) (detail of 30330) by Renoir, Pierre Auguste (1841-1919); Museum Folkwang, Essen, Germany; French, out of copyright

Background imageOmbrelle Collection: Woman with Parasol turned to the Left, 1886 (oil on canvas)

Woman with Parasol turned to the Left, 1886 (oil on canvas)
XIR16615 Woman with Parasol turned to the Left, 1886 (oil on canvas) by Monet, Claude (1840-1926); 131x88 cm; Musee d Orsay, Paris




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"Ombrelle: A Timeless Symbol of Elegance and Protection" From the graceful strokes of Renoir's brush in "Woman with a Parasol turned to the Right, 1886" to Monet's vibrant depiction of a sunny day in "Garden at Sainte Adresse, 1867, " the ombrelle has long been an iconic accessory that transcends time and cultures. In Impressionist masterpieces like "Woman with Parasol turned on the left, 1886, " we see how this delicate umbrella-like parasol not only shields its bearer from the sun but also adds a touch of sophistication to their ensemble. It becomes a symbol of femininity and grace. The allure continues as we step onto balconies adorned with two young women holding fans and umbrellas, accompanied by a dapper man sporting a stylish tie. The ombrelle becomes an essential part of social gatherings, protecting against both harsh sunlight and prying eyes. But it is not just within European art that we find this enchanting accessory. In Marie Bashkirtseff's captivating black-and-white photograph from c. 1870, she poses confidently with her ombrelle held high—a testament to its empowering nature. Traveling further eastward, we encounter scenes like "A street in Hanoi (Vietnam) and the cortege of a large mandarin. " Here, amidst cultural diversity, even high-ranking officials find solace under the shelter provided by their ornate ombrelles. Across centuries and continents alike, whether it be during country entertainment or depicted in historical engravings such as "French woman in summer dress" or lithographs inspired by Venetian masks worn in Italy during the 18th century—the ombrelle remains an enduring symbol of fashion-forward sensibility.