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Ostrich Feathers Collection (#4)

"Captivating Ostrich Feathers

Background imageOstrich Feathers Collection: Portrait of a Lady, 1889 (pastel)

Portrait of a Lady, 1889 (pastel)
ACI80683 Portrait of a Lady, 1889 (pastel) by Boldini, Giovanni (1842-1931); 183x120 cm; Gaetano Marzotto Collection, Italy; Italian, out of copyright

Background imageOstrich Feathers Collection: Gertrude - a Study (pastel on paper)

Gertrude - a Study (pastel on paper)
2956899 Gertrude - a Study (pastel on paper) by Sandys, Winifred (1875-1944); 58.42x43.18 cm; Private Collection; (add.info.: Winifred Sandys, eldest of seven daughters and three sons of Frederick)

Background imageOstrich Feathers Collection: Court dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)

Court dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)
STC102812 Court dress, fashion plate from Ackermanns Repository of Arts (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageOstrich Feathers Collection: Evening dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)

Evening dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)
STC102803 Evening dress, fashion plate from Ackermanns Repository of Arts (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageOstrich Feathers Collection: Ah! Sure such a pair was never seen so justly form d to meet by nature, pub

Ah! Sure such a pair was never seen so justly form d to meet by nature, pub
2655348 Ah! Sure such a pair was never seen so justly form d to meet by nature, pub. 1820 (hand coloured engraving) by Cruikshank

Background imageOstrich Feathers Collection: Elizabeth, Duchess of Hamilton, Brandon and Argyll, after C. Read, 1770 (mezzotint)

Elizabeth, Duchess of Hamilton, Brandon and Argyll, after C. Read, 1770 (mezzotint)
2629152 Elizabeth, Duchess of Hamilton, Brandon and Argyll, after C. Read, 1770 (mezzotint) by Finlayson, John (1730-1776); 51x35.5 cm; Private Collection; Photo eChristies Images; English

Background imageOstrich Feathers Collection: Ballgefluster, 1911 (pochoir print)

Ballgefluster, 1911 (pochoir print)
1123813 Ballgefluster, 1911 (pochoir print) by Rauth, Leo (1884-1913); Private Collection; (add.info.: Whispers at a Ball); The Stapleton Collection; German, out of copyright

Background imageOstrich Feathers Collection: Glengarry badge, c. 1874-81 (brass)

Glengarry badge, c. 1874-81 (brass)
3043109 Glengarry badge, c.1874-81 (brass) by English School, (19th century); National Army Museum, London; (add.info.: Glengarry badge, other ranks?, 41st (The Welsh) Regiment of Foot, 1874-1881

Background imageOstrich Feathers Collection: Costume for the Queen of the Sylphs in the Ballet of the Elements

Costume for the Queen of the Sylphs in the Ballet of the Elements
STC94437 Costume for the Queen of the Sylphs in the Ballet of the Elements, engraved by the Rene Gaillard (c.1719-90) c.1780 (engraving) by Martin

Background imageOstrich Feathers Collection: Costume for a demon in Armide, Psyche and several other operas

Costume for a demon in Armide, Psyche and several other operas
STC94434 Costume for a demon in Armide, Psyche and several other operas, engraved by the artist, c.1780 (coloured engraving) by Martin

Background imageOstrich Feathers Collection: The Dress Circle, published by Thomas McLean, London (coloured etching)

The Dress Circle, published by Thomas McLean, London (coloured etching)
STC188359 The Dress Circle, published by Thomas McLean, London (coloured etching) by Heath, William (1795-1840); Private Collection; (add.info)

Background imageOstrich Feathers Collection: A Bravura Air, Mandane, published by Hannah Humphrey in 1801 (hand-coloured etching)

A Bravura Air, Mandane, published by Hannah Humphrey in 1801 (hand-coloured etching)
NCO191254 A Bravura Air, Mandane, published by Hannah Humphrey in 1801 (hand-coloured etching) by Gillray, James (1757-1815); 35.5x25.2 cm; Courtesy of the Warden and Scholars of New College

Background imageOstrich Feathers Collection: Maria (b. 1460), Bianca (1461-88) and Nannina (1463-93) Medici

Maria (b. 1460), Bianca (1461-88) and Nannina (1463-93) Medici
BEN70627 Maria (b.1460), Bianca (1461-88) and Nannina (1463-93) Medici, younger sisters of Lorenzo (1449-92) and Giuliano (1453-78), detail from the Journey of the Magi cycle in the chapel

Background imageOstrich Feathers Collection: Clara: A Bravura, 1802 (coloured engraving)

Clara: A Bravura, 1802 (coloured engraving)
DEC418512 Clara: A Bravura, 1802 (coloured engraving) by English School, (19th century); 35.7x23.9 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageOstrich Feathers Collection: 'Following the Fashion: St. Jamess giving the Ton, a Soul without a Body

"Following the Fashion: St. Jamess giving the Ton, a Soul without a Body
NCO89961 " Following the Fashion: St. Jamess giving the Ton, a Soul without a Body, Cheapside aping the Mode, a Body without a Soul", pub

Background imageOstrich Feathers Collection: Unguent box in the form of a double royal cartouche, from the tomb of Tutankhamun (c

Unguent box in the form of a double royal cartouche, from the tomb of Tutankhamun (c
XZL149412 Unguent box in the form of a double royal cartouche, from the tomb of Tutankhamun (c.1370-52 BC) New Kingdom (gold plated wood inlaid with glass paste)

Background imageOstrich Feathers Collection: Opera dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)

Opera dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)
STC102898 Opera dress, fashion plate from Ackermanns Repository of Arts (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageOstrich Feathers Collection: Evening dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)

Evening dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)
STC102895 Evening dress, fashion plate from Ackermanns Repository of Arts (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageOstrich Feathers Collection: A Princely Idyl, Clara Ward, 1897 (colour litho)

A Princely Idyl, Clara Ward, 1897 (colour litho)
5669182 A Princely Idyl, Clara Ward, 1897 (colour litho) by Toulouse-Lautrec, Henri de (1864-1901); 37.9x27.6 cm; Cleveland Museum of Art, OH, USA; (add.info.: Clara Ward)

Background imageOstrich Feathers Collection: Ostrich Feathers at the Cutler Street Warehouses (b / w photo)

Ostrich Feathers at the Cutler Street Warehouses (b / w photo)
3092218 Ostrich Feathers at the Cutler Street Warehouses (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Ostrich Feathers at the Cutler Street Warehouses)

Background imageOstrich Feathers Collection: Woman with Plumed Hat, c. 1825. Creator: Unknown

Woman with Plumed Hat, c. 1825. Creator: Unknown
Woman with Plumed Hat, c. 1825

Background imageOstrich Feathers Collection: The Visit to the Spinner, c. 1495 / 1503. Creator: Israhel van Meckenem

The Visit to the Spinner, c. 1495 / 1503. Creator: Israhel van Meckenem
The Visit to the Spinner, c. 1495/1503

Background imageOstrich Feathers Collection: Photographic print of a woman sitting and a man standing, ca. 1850-1895. Creator: Unknown

Photographic print of a woman sitting and a man standing, ca. 1850-1895. Creator: Unknown
A deep purple-reddish brown photograph of African-Americans, the man standing with his hand on the back of the chair. The woman is wearing a hat with a large feather. Both subjects face the camera

Background imageOstrich Feathers Collection: Couple Seated on a Bed, c. 1495 / 1503. Creator: Israhel van Meckenem

Couple Seated on a Bed, c. 1495 / 1503. Creator: Israhel van Meckenem
Couple Seated on a Bed, c. 1495/1503

Background imageOstrich Feathers Collection: Standard Bearer for the Canton of Bern, 1521. Creator: Urs Graf

Standard Bearer for the Canton of Bern, 1521. Creator: Urs Graf
Standard Bearer for the Canton of Bern, 1521

Background imageOstrich Feathers Collection: L Indiscretion, 1788. Creator: Jean Francois Janinet

L Indiscretion, 1788. Creator: Jean Francois Janinet
L Indiscretion, 1788. [The Indiscretion]

Background imageOstrich Feathers Collection: Georgiana (Spencer), Duchess of Devonshire, 1780. Creator: Valentine Green

Georgiana (Spencer), Duchess of Devonshire, 1780. Creator: Valentine Green
Georgiana (Spencer), Duchess of Devonshire, 1780

Background imageOstrich Feathers Collection: Two Mercenaries and a Woman, 1524. Creator: Urs Graf

Two Mercenaries and a Woman, 1524. Creator: Urs Graf
Two Mercenaries and a Woman, 1524

Background imageOstrich Feathers Collection: Le Gouter. Creator: Louis Marin Bonnet

Le Gouter. Creator: Louis Marin Bonnet
Le Gouter. [Taste]

Background imageOstrich Feathers Collection: Figure Costumed as Hercules, c. 1539. Creator: Unknown

Figure Costumed as Hercules, c. 1539. Creator: Unknown
Figure Costumed as Hercules, c. 1539

Background imageOstrich Feathers Collection: A Black Man Feeding a Horse, probably 1662. Creator: Stefano della Bella

A Black Man Feeding a Horse, probably 1662. Creator: Stefano della Bella
A Black Man Feeding a Horse, probably 1662

Background imageOstrich Feathers Collection: La Mort sur un champ de bataille [Death on a Battlefield], 1648

La Mort sur un champ de bataille [Death on a Battlefield], 1648

Background imageOstrich Feathers Collection: Hungarian Cavalier. Creator: Stefano della Bella

Hungarian Cavalier. Creator: Stefano della Bella
Hungarian Cavalier

Background imageOstrich Feathers Collection: Black Groom with an Arabian Horse, 1649 / 1650. Creator: Stefano della Bella

Black Groom with an Arabian Horse, 1649 / 1650. Creator: Stefano della Bella
Black Groom with an Arabian Horse, 1649/1650

Background imageOstrich Feathers Collection: A Black Horseman. Creator: Stefano della Bella

A Black Horseman. Creator: Stefano della Bella
A Black Horseman

Background imageOstrich Feathers Collection: Group Of Fan Dancers

Group Of Fan Dancers
UNITED STATES - CIRCA 1930s: Group Of Fan Dancers Standing At Top Of Stairs, In Front Of Entrance To Traveling Show, With A Curtain Reading " Girlesk Revue". (Photo by H)

Background imageOstrich Feathers Collection: Portrait of Robert Devereux, 2nd Earl of Essex, 1600-1700

Portrait of Robert Devereux, 2nd Earl of Essex, 1600-1700

Background imageOstrich Feathers Collection: Mrs. Robert Blencowe, c. 1792. Creator: Thomas Lawrence

Mrs. Robert Blencowe, c. 1792. Creator: Thomas Lawrence
Mrs. Robert Blencowe, c. 1792

Background imageOstrich Feathers Collection: Three Figures Dressed for a Masquerade, c. 1740s. Creator: Louis-Joseph Le Lorrain

Three Figures Dressed for a Masquerade, c. 1740s. Creator: Louis-Joseph Le Lorrain
Three Figures Dressed for a Masquerade, c. 1740s

Background imageOstrich Feathers Collection: Elizabeth Stevens Carle, c. 1783 / 1784. Creator: Joseph Wright

Elizabeth Stevens Carle, c. 1783 / 1784. Creator: Joseph Wright
Elizabeth Stevens Carle, c. 1783/1784

Background imageOstrich Feathers Collection: Madame David, 1813. Creator: Jacques-Louis David

Madame David, 1813. Creator: Jacques-Louis David
Madame David, 1813

Background imageOstrich Feathers Collection: Edward VI as a Child, probably 1538. Creator: Hans Holbein the Younger

Edward VI as a Child, probably 1538. Creator: Hans Holbein the Younger
Edward VI as a Child, probably 1538

Background imageOstrich Feathers Collection: The Concert, 1623. Creator: Gerrit van Honthorst

The Concert, 1623. Creator: Gerrit van Honthorst
The Concert, 1623

Background imageOstrich Feathers Collection: First Landing of Christopher Columbus, 1800 / 1805. Creator: Frederick Kemmelmeyer

First Landing of Christopher Columbus, 1800 / 1805. Creator: Frederick Kemmelmeyer
First Landing of Christopher Columbus, 1800/1805

Background imageOstrich Feathers Collection: Ugolino Martelli, mid 16th century. Creator: Unknown

Ugolino Martelli, mid 16th century. Creator: Unknown
Ugolino Martelli, mid 16th century

Background imageOstrich Feathers Collection: Marie-Antoinette, after 1783. Creator: Elisabeth Louise Vigee-LeBrun

Marie-Antoinette, after 1783. Creator: Elisabeth Louise Vigee-LeBrun
Marie-Antoinette, after 1783

Background imageOstrich Feathers Collection: Madame du Barry, 1782. Creator: Elisabeth Louise Vigee-LeBrun

Madame du Barry, 1782. Creator: Elisabeth Louise Vigee-LeBrun
Madame du Barry, 1782




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"Captivating Ostrich Feathers: A Timeless Symbol of Elegance and Power" From the grand portraits of historical figures like Field Marshal Lord Roberts to the mythical heroes depicted by Hendrik Goltzius, they have long held a place in art and culture. These magnificent plumes, with their graceful curves and ethereal softness, have been used throughout history to adorn garments and accessories, symbolizing status, strength, and beauty. In Lucas Cranach the Elder's masterpiece "Saint Maurice, " we see the regal figure adorned with a majestic ostrich feather headdress, signifying his noble stature. Similarly, in the 19th-century depiction of "A Wellington Boot- or the Head of the Armye, " an imposing military leader proudly wears an ostentatious hat embellished with these luxurious feathers as a mark of authority. But they can not limited to formal occasions alone. In more lighthearted depictions such as "The Featherd Fair in a Fright" or Kate Carney's Lambeth Walk performance at London's music hall, they add a touch of whimsy and playfulness to entertain audiences. Beyond artistry lies cultural significance. The Pokot warriors celebrate their Atelo ceremony by adorning themselves with cheetah skin while surrounded by young women; here too, ostrich feathers find their place amidst this vibrant display of tradition and community spirit. Even fashion has embraced these enchanting plumes. Princess Charlotte Augusta dons them gracefully in her 19th-century portrait captured by Henry Thomas Ryall while Mrs. Bryan Cooke exudes elegance wearing an exquisite gown accentuated by delicate feather details created by George Romney. Throughout centuries and across continents, from Renaissance engravings depicting male costumes to pochoir prints showcasing Les Belles Sauvagesses de 1920 or Le Depart pour le Casino pub. , they have remained timeless symbols of allure and grandeur.