Other Important Men Collection (#3)

ACA-F-016846-0000
Tapestry with the Crucifixtion in the Pinacoteca Comunale in Forl Forl Piancoteca Comunale Tapestry Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Pieta, sculpture by Antonio Begarelli, in the Church of San Pietro, Modena Modena Church of San Pietro Sculptural Group High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

The Magi in the stable of Bethlehem by Gaudenzio Ferrari, located in the fifth Chapel of the Sacro Monte, in Varallo Sesia

The Deposition of Christ, sculpture by Antonio Begarelli, in the Church of Sant'Agostino, Modena Modena Church of Sant'Agostino Sculptural Group High Renaissance, Renaissance

The Dream and the Adoration of the Magi; lunette of the Main Doorway of the church of St.Mercuriale, piazza Saffi, Forli Forl Piazza Saffi Lunette Romanesque, Middle Ages, Europe

The Portal of the Virgin, right detail of the lunette, by Benedetto Antelami, at the Baptistry of Parma Parma Low Relief, Basrelief Romanesque, Middle Ages, Europe, First and Second Millennium A.D

Adoration of the Magi, detail, marble, Giovanni Bonazza (1654-1736), Chapel of the Rosary, Basilica of Santi Giovanni and Paolo, Venice Venice Basilica of SS

Christ Before Pilate; detail of the silver dossal of San Jacopo depicting the stories of the Life of Christ. Work by Jacopo d'Ognabene in the Cathedral of Pistoia Pistoia Cathedral Low Relief

The Adoration of the Magi and the Annunciation; two bas-reliefs from the pulpit. Work by Guido da Como preserved in the church of St Bartolomeo in Pantano in Pistoia Pistoia Church of St Bartolomeo

The Adoration of the Magi. Bas relief from the door lintel of the Church of Saint Andrew in Pistoia Pistoia Low Relief, Basrelief Romanesque, Middle Ages, Europe, First and Second Millennium A.D

The main portal of the church of Sant'Andrea in Pistoia Pistoia Architrave, Lunette Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

Christ Being Brought Before Pilate, in the Convento di San Vivaldo, on the outskirts of Montaione Montaione Convento di San Vivaldo Sculptural Group High Renaissance, Renaissance

The Adoration of the Magi, pulpit by Nicola Pisano, Siena Cathedral Siena Cathedral High Relief Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

Bas-relief representing Stories from the Virgin, work preserved in Siena Cathedral Siena Cathedral Low Relief, Basrelief Middle Ages, Europe, First and Second Millennium A.D

Panel portraying St John the Baptist led by Herod. Sculptural work by Lorenzo Ghiberti, part of the Baptismal Font from Siena Baptistry Siena Baptistry Low Relief, Basrelief Early Renaissance

Panel of the pulpit with the Betrayal of Judas and the Flagellation, detail, marble, Giovanni Pisano (1248 ca.-1315), Cathedral, Pisa Pisa Cathedral Relief Gothic, Middle Ages, Europe

The Adoration of the Magi, detail of the pulpit by Giovanni Pisano preserved in Pisa Cathedral Pisa Cathedral Relief Gothic, Middle Ages, Europe, First and Second Millennium A.D

Altar of the Magi, located in the Chapel of the Magi in the cathedral in Orvieto, based on a design by Sanmicheli, and carried out by Sanmicheli

The Visitation, the Adoration of the Magi and the Flight to Egypt. Detail of the bas-relief depicting evangelic stories, by Lorenzo Maitani

Epiphany; glazed terracotta, school of the della Robbia, preserved in the church of Santa Cecilia in Citt di Castello, Perugia Citta di Castello Church of Santa Cecilia High Relief

Feast of Herod, detail by Antonio di Salvi, part of the silver altar of the Baptistry of San Giovanni in Florence. Today the work is preserved in the Museum of The Opera del Duomo of S

St. John the Baptist before Herod, detail by Betto di Geri and Leonardo di Ser Giovanni, part of the silver altar of the Baptistry of San Giovanni in Florence

Christ before Pilate, one of the bas-reliefs depicting the mysteries of the Passion, by Giambologna, in the Cappella della Madonna del Soccorso, Basilica of the Santissima Annunziata

Piet Bandini, marble, Michelangelo Buonarroti (1475-1564), Museo dell'Opera del Duomo of Santa Maria del Fiore, Florence Florence Museo dell'Opera del Duomo of Santa Maria del Fiore

Christ in front of Herod, tapestry, Gasparre Panini, designed by Ludovico Cigoli (1559-1613), the Uffizi Gallery, Florence Florence the Uffizi Gallery Tapestry High Renaissance, Renaissance

Adoration of the Magi, work by Camillo Procaccini, conserved at the Galleria Estense in Modena
3567554 Adoration of the Magi, work by Camillo Procaccini, conserved at the Galleria Estense in Modena by Procaccini, Camillo (c.1560-1629); Galleria e Museo Estense, Modena

Herods Banquet. Episode from the predella of the Tabernacle of the Holy Sacrament
3573869 Herods Banquet. Episode from the predella of the Tabernacle of the Holy Sacrament by Botticini, Francesco (1446-97) & Raffaello (1477-c.1520); Museo della Collegiata di Sant Andrea, Empoli

Two Kings, detail from the Adoration of the Magi (fresco)
3574005 Two Kings, detail from the Adoration of the Magi (fresco) by Tolmezzo, Gianfrancesco da (c.1450-after 1511); Church of Sant Antonio Abate, Barbeano, Spilimbergo

The Adoration of the Magi
3573845 The Adoration of the Magi by Campi, Bernardino (1522-c.1590); Basilica of Santa Maria della Croce, Crema, Lombardy, Italy; (add.info.: Artist: Campi)

Illumination depicting Mary received by the virgins of the Temple, in the Codex De Predis (c. 15v)
3564932 Illumination depicting Mary received by the virgins of the Temple, in the Codex De Predis (c.15v) by Predis, Cristoforo de (1440-86); Biblioteca Reale, Turin, Piedmont

Adoration of the Magi. Panel, part of the dismantled "retablo"of the Church of Santa Maria degli Angeli in
3573991 Adoration of the Magi. Panel, part of the dismantled " retablo" of the Church of Santa Maria degli Angeli in Bortigali, Sardinia by Italian School

Adoration of the Magi, drawing by Andrea del Sarto. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence
3565919 Adoration of the Magi, drawing by Andrea del Sarto. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence by Sarto, Andrea del (1486-1530); Gabinetto dei Disegni e Stampe

The Adoration of the Magi, central detail (fresco)
3573772 The Adoration of the Magi, central detail (fresco) by Aliberti, Giancarlo (1670-1727); Church of San Martino, Asti, Piedmont

Sorrowful female figure, detail of the Deposition (polychrome terracotta)
3573760 Sorrowful female figure, detail of the Deposition (polychrome terracotta) by Ferraro, Antonino (fl.1552-98); Church of St

Sorrowful female figure, detail of the Deposition (polychrome terracotta)
3573761 Sorrowful female figure, detail of the Deposition (polychrome terracotta) by Ferraro, Antonino (fl.1552-98); Church of St

Nicodemus, detail of the Deposition (polychrome terracotta)
3573759 Nicodemus, detail of the Deposition (polychrome terracotta) by Ferraro, Antonino (fl.1552-98); Church of St. Augustine, Caltabellotta, Agrigento, Sicily, Italy; (add.info.: Artist: Ferraro)

Pieta; drawing by Raphael. The Louvre, Paris
3575551 Pieta; drawing by Raphael. The Louvre, Paris by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Louvre, Paris, France; (add.info.: Note)

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In the world of art, there are countless masterpieces that depict the stories and events surrounding Jesus Christ. While these works often focus on the central figures like Mary, Joseph, and Jesus himself, it is important not to overlook the presence of other significant men in these narratives. One such example can be found in Camillo Procaccini's "Adoration of the Magi, " a stunning work conserved at the Galleria Estense in Modena. In this painting, we see three wise men who traveled from afar to pay homage to the newborn King. Their regal attire and expressions of adoration remind us of their importance in this sacred story. Another intriguing portrayal can be seen in "Herod's Banquet, " an episode from the predella of the Tabernacle of Holy Sacrament. This scene depicts Herod Antipas hosting a lavish feast while contemplating his sinister plan to kill all male infants born around Bethlehem. It serves as a stark reminder that not all men played positive roles during this time. Moving on from Herod's wickedness, let us turn our attention to another depiction titled "Two Kings. " This detail comes from a fresco depicting The Adoration of Magi and showcases two kings with distinct personalities – one humble and reverent, while the other exudes confidence and authority. These contrasting portrayals highlight different aspects of masculinity within this religious context. As we delve deeper into artistic interpretations, Andrea del Sarto's drawing titled "Adoration of Magi" captures our imagination with its intricate details housed at Gabinetto dei Disegni e delle Stampe in Uffizi Gallery Florence. Delving beyond just focusing on Mary or baby Jesus' faces; it allows us to appreciate how various individuals were drawn together by faith during such significant events. Not limited solely to biblical scenes but also encompassing moments after Christ's crucifixion is polychrome terracotta artwork.