Paradis Collection

Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste)
GIA745614 Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

The poem of the soul; On the mountain, a young woman accompanied by a muse climbs a
JLJ4576269 The poem of the soul; On the mountain, a young woman accompanied by a muse climbs a mountain in a lyrical atmosphere. Painting by Louis Janmot (1814-1892) 19th century

Expulsion from heaven. Adam and Eve are preceded by death, which plays on an old man, or a beggar's lyre
FLO4675675 Expulsion from heaven. Adam and Eve are preceded by death, which plays on an old man, or a beggar's lyre, as if she wanted to show her joy in the victory he obtained over man

L'echelle pour le Paradis - in "La regle de Saint Benoit de Nursie vulgarisee"
GIA5036801 L'echelle pour le Paradis - in "La regle de Saint Benoit de Nursie vulgarisee". Manuscrit original datant de 1540 environ.; (add.info)

Adam et Eve in Eden, 18th century (oil on canvas)
GIA5036069 Adam et Eve in Eden, 18th century (oil on canvas); © Giancarlo Costa

La Creation (a gauche) et Adam et Eve chasses du Paradis terrestre (Eden)
GIA5034913 La Creation (a gauche) et Adam et Eve chasses du Paradis terrestre (Eden). "Chronique" de Othon de Freising

Representation of the Degrees of Man's Age Engraving 1820 Civica raccolta delle stampe Bertarelli, Milan
BEN5478758 Representation of the Degrees of Man's Age Engraving 1820 Civica raccolta delle stampe Bertarelli, Milan; Photo © Raffaello Bencini

Red bird-of-paradise, Paradisaea rubra (near threatened), and Nias Hill myna, Gracula robusta
FLO4989392 Red bird-of-paradise, Paradisaea rubra (near threatened), and Nias Hill myna, Gracula robusta. Handcoloured copperplate stipple engraving from Dumont de Sainte-Croix's "

Paradise, 1633 (engraving)
2460643 Paradise, 1633 (engraving) by Merian, Matthaus, the Elder (1593-1650); (add.info.: Religion. Catholic Religion. The paradise. Engraving by Matthaus Merian, Germany, 1633.); Photo © CCI

ARCHIPELAGO No.2206-P
Gustaf Tidholm

The Garden of Earthly Delights. Central panel: the lovers savoring the fruits, 1503-1504 (oil on panel)
JLJ4651306 The Garden of Earthly Delights. Central panel: the lovers savoring the fruits, 1503-1504 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid

The Garden of Earthly Delights, 1503-1504 (oil on panel)
JLJ4651305 The Garden of Earthly Delights, 1503-1504 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid, Spain; (add.info.: The Garden of Earthly Delights)

The Annunciation (in the background, Adam and Eve expelled from Paradise), c. 1445 (tempera and gold on panel)
JLJ4631829 The Annunciation (in the background, Adam and Eve expelled from Paradise), c. 1445 (tempera and gold on panel) by Angelico

Happy Island: scene of fable representing boats joining guests at a banquet on the grass
JLJ4567990 Happy Island: scene of fable representing boats joining guests at a banquet on the grass. Detail of a painting on wallpaper by Paul Albert Besnard (1849-1934). 1900

Pearl fishing. Allegorical representation of the discovery of the New World
LSE4313436 Pearl fishing. Allegorical representation of the discovery of the New World. Aquatic and Indian nymphs with the riches of the sea, coral, pearl shells

Hopscotch board, Paradis (oil on canvas)
5906514 Hopscotch board, Paradis (oil on canvas) by Heyerdahl, Hans Olaf (1857-1913); 110x90 cm; Private Collection; Photo © O. Vaering

Apotheosis of the French heros who died for the homeland during the Liberte War
JLJ4650139 Apotheosis of the French heros who died for the homeland during the Liberte War, homage offered to Napoleon Bonaparte Allegorie representing the bard Ossian

Allegory of the Court of Isabelle d Este (1474-1539
JLJ4572311 Allegory of the Court of Isabelle d Este (1474-1539) Scene representing the harmony and peace of the Arts in a paradise garden. Painting by Lorenzo Costa (1460-1535) 16th century Sun

Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been
GIA745632 Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been broken, illustration from The Divine Comedy by Dante Alighieri

Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321)
GIA745615 Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 28 : The scintillating host of heaven, illustration from
GIA745612 Paradiso, Canto 28 : The scintillating host of heaven, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Girl in blue velvet jacket trimmed with skunk, with white suede gaiters. Manteau de fillette en velours bleu garni de skungs, guetres de suede blanc

The poem of the soul; The golden ladder, scene has the lyrical atmosphere
JLJ4576198 The poem of the soul; The golden ladder, scene has the lyrical atmosphere, populated with angels and the figure of God. Painting by Louis Janmot (1814-1892) 19th century

King bird-of-paradise, Cicinnurus regius, and two Suriname hummingbird species. (Le petit oiseau de Paradis, Paradisea regia, deux colibris de Surinam.) Handcoloured copperplate engraving by S

Paradiso, Canto 16 : The soul of Caddiaguida speaks of Florence
GIA745622 Paradiso, Canto 16 : The soul of Caddiaguida speaks of Florence, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 5 : The host of myriad glowing souls in the second realm
GIA745625 Paradiso, Canto 5 : The host of myriad glowing souls in the second realm, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 21 : Blessed Beatrice in the seventh circle
GIA745618 Paradiso, Canto 21 : Blessed Beatrice in the seventh circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

The death of Saint Vincent of Zaragoza in 304 Miniature taken from "
JLJ4593505 The death of Saint Vincent of Zaragoza in 304 Miniature taken from " Breviarium Parisiense" (Breviaire de Paris) known as Breviaire de Charles V illustrated by Jean Le Noir (man)

Paradiso, Canto 21 : The luminous souls sing, illustration from
GIA745793 Paradiso, Canto 21 : The luminous souls sing, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 8 : Charles Martel addresses Dante and Beatrice
GIA745749 Paradiso, Canto 8 : Charles Martel addresses Dante and Beatrice, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 14 : Dante and Beatrice translated to the sphere of Mars
GIA745621 Paradiso, Canto 14 : Dante and Beatrice translated to the sphere of Mars, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 18 : Dante and Beatrice translated to the sphere of Jupiter
GIA745620 Paradiso, Canto 18 : Dante and Beatrice translated to the sphere of Jupiter, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 26 : St John examines Dante concerning love
GIA745617 Paradiso, Canto 26 : St John examines Dante concerning love, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 27 : The heavenly host singing "Gloria In Excelsis Deo"
GIA745611 Paradiso, Canto 27 : The heavenly host singing " Gloria In Excelsis Deo", illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Study for Paradis Perdu, (oil on canvas)
989910 Study for Paradis Perdu, (oil on canvas) by Cabanel, Alexandre (1823-89); 61x45.7 cm; Private Collection; (add.info.: Study for Paradis Perdu. Alexandre Cabanel (1824-1889). Oil on canvas

Le paradis des vieux auteurs (engraving)
1094556 Le paradis des vieux auteurs (engraving) by French School, (19th century); Private Collection; (add.info.: Le paradis des vieux auteurs)

Paradiso, Canto 14 : Dante and Beatrice see the angels with Christ on the cross
GIA745624 Paradiso, Canto 14 : Dante and Beatrice see the angels with Christ on the cross, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 18 : In the sphere of Jupiter, the blessed souls circle to form letters
GIA745623 Paradiso, Canto 18 : In the sphere of Jupiter, the blessed souls circle to form letters, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 12 : The rings of glorified souls in the sun
GIA745619 Paradiso, Canto 12 : The rings of glorified souls in the sun, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 21 : Beatrice and Dante in the sphere of Saturn
GIA745616 Paradiso, Canto 21 : Beatrice and Dante in the sphere of Saturn, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 19 : The blessed souls form an eagle in the sky
GIA745613 Paradiso, Canto 19 : The blessed souls form an eagle in the sky, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

The poem of the soul; L ideal, a young woman raised in the air above a mountain
JLJ4576408 The poem of the soul; L ideal, a young woman raised in the air above a mountain landscape and accompanied by a muse in a lyrical atmosphere

The poem of the soul; The flight of the soul, a young woman raised in the air above a
JLJ4576328 The poem of the soul; The flight of the soul, a young woman raised in the air above a green landscape and accompanied by a muse in a lyrical atmosphere

The original sin, Adam and Eve expelled from Paradise Miniature in "
JLJ4587889 The original sin, Adam and Eve expelled from Paradise Miniature in " The very rich hours of the Duke of Berry" by Pol De Limburg (15th century)

The Earth Paradise Different animals cohabiting in the Garden of Eden
JLJ4644956 The Earth Paradise Different animals cohabiting in the Garden of Eden, at the bottom to the left, God creates Eve from a side of Adam

Hawaii, Oahu, Waikiki, View of Waikiki at night

Le Nebuleux bird of paradise, Paradisea nigricans.. Named by Levaillant for its cloudy white feathers. Shaw describes it as an ally of the twelve-wired bird-of-paradise, Seleucidis melanoleucus

MARIE PARADIS (1778-1839). French mountaineer and first woman to climb Mont Blanc. Drawing by Henri Deville, c1830

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"Paradis: A Journey through Heavenly Realms and Earthly Delights" In Paradiso, Canto 31, the saintly throng forms a celestial rose in the empyrean, showcasing the divine beauty that awaits. As we delve into this poem of the soul, a young woman accompanied by a muse ascends the mountain, symbolizing our quest for enlightenment. The Garden of Earthly Delights beckons with its tantalizing allure. In its central panel, lovers savor fruits amidst an enchanting landscape painted in 1503-1504. This oil on panel masterpiece invites us to indulge in earthly pleasures while contemplating their transient nature. Within The Annunciation painting from c. 1445, Adam and Eve's expulsion from Paradise serves as a poignant backdrop. It reminds us of humanity's fallibility and our eternal longing to return to that idyllic state. Le Nebuleux bird of paradise (Paradisea nigricans) captivates with its vibrant plumage and graceful presence. Its existence embodies both exoticism and ethereal charm. Happy Island transports us to a fabled scene where boats converge upon guests at a grassy banquet. Paul Albert Besnard's wallpaper painting from 1900 evokes joyous camaraderie amidst natural splendor—a glimpse into an earthly paradise. The Last Judgement predella panel depicts Heaven and Hell—two contrasting realms awaiting souls after death's embrace. Through tempera on panel artistry dating back to 1460-65, it provokes contemplation about life's choices and ultimate destinations. Pearl fishing allegorically represents the discovery of the New World—an aquatic realm teeming with riches beyond imagination. Jacopo Zucchi's artwork from around 1590 showcases Indian nymphs adorned with coral and pearl shells—a testament to exploration yielding bountiful treasures. A hopscotch board titled "Paradis" painted on canvas invites us to play and relish in simple pleasures.