Paul Dominic Collection

A Christmas Dinner on the Heights before Sebastopol. 1855. Artist: John Alfred Vinter
A Christmas Dinner on the Heights before Sebastopol. 1855. British officers round the table in a tent during the Crimean War: Captain Sir Charles Russell, Captain Charles Turner

Interior of Fort Nicholas, 1856. Artist: Edmund Walker
Interior of Fort Nicholas, 1856. The print shows an interior view of Fort of Saint Nicholas, held by Russians until 1853, when Turks stormed the enemy lines

Ditch of the Bastion Du Mat, 1856. Artist: Edmund Walker
Ditch of the Bastion Du Mat, 1856. A depiction of an episode from the Crimean War (1853 - 1856). The Bastion du Mat was a redoubt built by the French Army at the far left of the British lines

Kamiesch, 1856. Artist: Edmund Walker
Kamiesch, 1856. The print shows an episode of the Crimean War (1853 - 1856), the French Army occupying the place of Kamiesch on the west coast during the Battle of Balaclava (1854)

Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. Artist: W Trask
Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. The image depicts an episode of the Crimean War (1853 - 1856)

Cavalry Camp, 1856. A depiction of a military encampment during the Siege of Sevastopol (1854-1855), as a part of the Crimean War (1853-1856)

Camp of the 4th Division, 1856. Artist: George Brackenbury
Camp of the 4th Division, 1856. The print shows a military encampment during the Siege of Sevastopol (1854-1855), as a part of the Crimean War (1853-1856). After William Simpson (1823-1899)

Ditch of the Malakoff, Battery Gervais, and Rear of Redan, 1856. Artist: Thomas Picken
Ditch of the Malakoff, Battery Gervais, and Rear of Redan, 1856. The image depicts an important episode of the Crimean War (1853-1856)

Quarantine Cemetery and Church with French Battery No. 50, 1856. Artist: Georges McCulloch
Quarantine Cemetery and Church with French Battery No. 50, 1856. The image depicts a church and a quarantine cemetery during the Crimean War (1853-1856)

Kertch from the North, 1856. Artist: Georges McCulloch
Kertch from the North, 1856. A depiction of the expedition to Kertch by the British forces. The capture of the city of Kertch is part of the Siege of Sevastopol (1854-1855)

The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. Artists: Jonathan Needham, William Simpson
The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. A depiction of the Valley of Baidar taken from Petroskis Villa. The episode is part of the Crimean War (1853 -1856)

The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. Artist: W Trask
The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. A depiction of the Harbour of Sevastopol taken from a surrounding high ground

Fortress of Yenikale Looking Towards the Sea of Azof, 1856. Artist: Georges McCulloch
Fortress of Yenikale Looking Towards the Sea of Azof, 1856. A depiction of the Fortress of Yenikale during the Crimean War (1853-1856)

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Paul Dominic was a talented artist who captured the essence of war and its aftermath through his detailed paintings. His work provides a glimpse into the events that unfolded during the Crimean War, specifically in Sebastopol. In "A Christmas Dinner on the Heights before Sebastopol, " painted by John Alfred Vinter, Paul Dominic depicts soldiers gathered around a table, sharing a moment of respite amidst the chaos of battle. The painting showcases their camaraderie and resilience in the face of adversity. Another notable artwork is "Interior of Fort Nicholas" by Edmund Walker. Paul Dominic skillfully portrays the interior of this fort, revealing its strategic importance and highlighting the harsh conditions endured by those stationed there. "Ditch of Bastion Du Mat" also painted by Edmund Walker shows Paul Dominic's attention to detail as he captures soldiers navigating through trenches with precision. This painting serves as a testament to their determination and courage in defending their positions. One cannot overlook "Kamiesch, " another masterpiece created by Edmund Walker. Here, Paul Dominic brings to life scenes from this important port city during wartime, showcasing both military activity and civilian life coexisting amidst destruction. "The Church in Rear of Redan" offers viewers an insight into the devastating effects of shot and shell on buildings. Through William Trask's brushwork, Paul Dominic conveys not only physical damage but also emotional turmoil experienced during conflict. The cavalry camp depicted in one artwork reflects Paul Dominic's ability to capture movement and action within his paintings. He expertly portrays horses galloping across fields while soldiers prepare for battle – capturing both strength and vulnerability simultaneously. George Brackenbury's depiction of "Camp 4th Division" allows us to witness daily life at camp - soldiers going about their duties or finding moments for leisure amidst challenging circumstances – all brought to life through Paul Dominic's artistic interpretation.