Paul Du Pont Collection

Gaspar de Crayer. Creator: Paulus Pontius
Gaspar de Crayer

Cornelis van Poelenburgh, probably 1626/1641. Creator: Paulus Pontius
Cornelis van Poelenburgh, probably 1626/1641

Hendrick van Balen, probably 1626/1641. Creator: Paulus Pontius
Hendrick van Balen, probably 1626/1641

Saint Rosalia Crowned by the Child Jesus. Creator: Paulus Pontius
Saint Rosalia Crowned by the Child Jesus

Nine Heads. Creator: Paulus Pontius
Nine Heads

Title Page. Creator: Paulus Pontius
Title Page

Gerrit van Honthorst, probably 1626/1641. Creator: Paulus Pontius
Gerrit van Honthorst, probably 1626/1641

Paulus Pontius, probably 1626/1641. Creator: Paulus Pontius
Paulus Pontius, probably 1626/1641

Christ on the Cross, 1631. Creator: Paulus Pontius
Christ on the Cross, 1631

Henricus Steenwyck, before 1641. Creator: Paulus Pontius
Henricus Steenwyck, before 1641

Peter Paul Rubens, probably 1626/1641. Creator: Paulus Pontius
Peter Paul Rubens, probably 1626/1641

Adriaen van Stalbemt, probably 1626/1641. Creator: Paulus Pontius
Adriaen van Stalbemt, probably 1626/1641

Rubens and van Dyck, a Double Portrait. Creator: Paulus Pontius
Rubens and van Dyck, a Double Portrait

Constantijn Huygens, probably 1626/1636. Creator: Paulus Pontius
Constantijn Huygens, probably 1626/1636

Gaspar de Gusman, Count of Olivares, c. 1626. Creator: Paulus Pontius
Gaspar de Gusman, Count of Olivares, c. 1626

Isabella Clara Eugenia, Infanta of Spain. Creator: Paulus Pontius
Isabella Clara Eugenia, Infanta of Spain

Jesus Christ Appearing to Saint Roch, 1626. Creator: Paulus Pontius
Jesus Christ Appearing to Saint Roch, 1626

Daniel Segers, Jesuit Priest. Creator: Paulus Pontius
Daniel Segers, Jesuit Priest

The Assumption of the Virgin, 1624. Creator: Paulus Pontius
The Assumption of the Virgin, 1624

Simon de Vos, probably 1626/1641. Creator: Paulus Pontius
Simon de Vos, probably 1626/1641

Philip, Lord of Ravel, 1631. Creator: Paulus Pontius
Philip, Lord of Ravel, 1631

Portrait of Paulus Pontius, Flemish engraver and painter, 1603-1658
6338834 Portrait of Paulus Pontius, Flemish engraver and painter, 1603-1658 by Engleheart, Francis (1755-1849); (add.info.: Portrait of Paulus Pontius, Flemish engraver and painter, 1603-1658)

Paulus Pontius, probably 1626 / 1641. Creator: Anthony van Dyck
Paulus Pontius, probably 1626/1641

Jan van der Wouwer, probably 1626 / 1636. Creator: Anthony van Dyck
Jan van der Wouwer, probably 1626/1636

Portrait of Elisabeth of Bourbon, Queen of Spain, 1632. 1632. Creator: Paulus Pontius
Portrait of Elisabeth of Bourbon, Queen of Spain, 1632

Three Studies of Ecorches, after 1640. after 1640. Creator: Paulus Pontius
Three Studies of Ecorches, after 1640

Portrait of Nicholaes Rockox, 1639. 1639. Creator: Paulus Pontius
Portrait of Nicholaes Rockox, 1639

Portrait of Philip IV, 1630. 1630. Creator: Paulus Pontius
Portrait of Philip IV, 1630

Portrait of Peter Paul Rubens, aged 46, 1630. 1630. Creator: Paulus Pontius
Portrait of Peter Paul Rubens, aged 46, 1630

Holy Family with Saint Anne, ca. 1620-70. ca. 1620-70. Creator: Paulus Pontius
Holy Family with Saint Anne, ca. 1620-70

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Paulus Pontius (1603-1658): A Versatile Artist's Legacy in Art History Paulus Pontius, a Flemish engraver and painter, left an indelible mark on European art during the 17th century. Known for his meticulous attention to detail and mastery of various techniques, Pontius' oeuvre spans a wide range of genres, from portraits to religious scenes. Anthony van Dyck's portraits of Paulus Pontius (circa 1626/1641) and Jan van der Wouwer (circa 1626/1636) offer a glimpse into the artist's youth, capturing their youthful charm and artistic promise. Pontius' portraits of Elisabeth of Bourbon, Queen of Spain (1632), and Nicholaes Rockox (1639) showcase his ability to convey the sitters' personalities and nobility, while his depictions of Philip IV (1630) and Peter Paul Rubens (1630) pay homage to the power and influence of these historical figures. In his religious works, such as the Holy Family with Saint Anne (ca. 1620-70), Pontius demonstrates his deep understanding of the human form and spirituality. His studies of eccorches (after 1640) reveal his fascination with anatomy and the intricacies of the human body. Pontius' equestrian portrait of Cardinal-Infante Ferdinand of Austria (ca. 1640-53) showcases his skill in capturing the grandeur and majesty of the subject on horseback. Through his art, Paulus Pontius continues to captivate audiences and inspire artists to this day.