Paul Rembrandt Van Ryn Collection

Aristotle with a Bust of Homer, 1653. Creator: Rembrandt Harmensz van Rijn
Aristotle with a Bust of Homer, 1653

Self-portrait wearing a hat and two Chains, 1642. Creator: Rembrandt Harmensz van Rijn
Self-portrait wearing a hat and two Chains, 1642.

Christ driving the money changers from the Temple, 1635. Creator: Rembrandt Harmensz van Rijn
Christ driving the money changers from the Temple, 1635.

Christ at Emmaus: the smaller plate, 1634. Creator: Rembrandt Harmensz van Rijn
Christ at Emmaus: the smaller plate, 1634.

Joseph's coat brought to Jacob, c.1633. Creator: Rembrandt Harmensz van Rijn
Joseph's coat brought to Jacob, c.1633. The tragic consequences, when Joseph's brothers turned against him, are described in Genesis 37:12-35

Self-portrait etching at a window, 1648. Creator: Rembrandt Harmensz van Rijn
Self-portrait etching at a window, 1648.

Clement de Jonghe, printseller, 1651. Creator: Rembrandt Harmensz van Rijn
Clement de Jonghe, printseller, 1651.

A blind hurdy-gurdy player and family receiving alms, 1648. Creator: Rembrandt Harmensz van Rijn
A blind hurdy-gurdy player and family receiving alms, 1648.

Beggar with a wooden leg, c.1630. Creator: Rembrandt Harmensz van Rijn
Beggar with a wooden leg, c.1630.

Beggar in a high cap, standing and leaning on a stick, c.1629. Creator: Rembrandt Harmensz van Rijn
Beggar in a high cap, standing and leaning on a stick, c.1629.

Peasant family on the tramp, c.1652. Creator: Rembrandt Harmensz van Rijn
Peasant family on the tramp, c.1652.

Self-portrait in a cap and scarf with the face dark: bust, 1633. Creator: Rembrandt Harmensz van Rijn
Self-portrait in a cap and scarf with the face dark: bust, 1633. To some extent this work reflects Rembrandt's status, showing him wearing a cap and scarf

Old beggar woman with a gourd, c.1629. Creator: Rembrandt Harmensz van Rijn
Old beggar woman with a gourd, c.1629. Enveloped in partial darkness and clad in ragged clothes, the old beggar woman turns away from the viewer

The crucifixion: small plate, c.1635. Creator: Rembrandt Harmensz van Rijn
The crucifixion: small plate, c.1635. Presenting the viewer with a sensitive interpretation of Christ on the Cross, close attention has been paid to the intricate features on the figures

Menasseh ben Israel, 1636. Creator: Rembrandt Harmensz van Rijn
Menasseh ben Israel, 1636. Manoel Dias Soeiro (1604-57), better known by his Hebrew name Menasseh/ Manasseh ben Israel also, Menasheh ben Yossef ben Yisrael, was a Portuguese rabbi, kabbalist

Bearded old man in a high fur cap, with eyes closed, c.1635. Creator: Rembrandt Harmensz van Rijn
Bearded old man in a high fur cap, with eyes closed, c.1635. Sunken shadows follow the old man's weathered face, undulating over his aged skin and full beard

Self-portrait with Saskia, 1636. Creator: Rembrandt Harmensz van Rijn
Self-portrait with Saskia, 1636. The artist and his wife are shown wearing historical clothing. Rembrandt wears a fanciful 16th-century style plumed beret tilted at a jaunty angle

Man drawing from a cast, c.1641. Creator: Rembrandt Harmensz van Rijn
Man drawing from a cast, c.1641.

The strolling musicians, c.1635. Creator: Rembrandt Harmensz van Rijn
The strolling musicians, c.1635. A sympathetic inquiry into the lives of impoverished people, including beggars. Two musicians, one playing a hurdy gurdy, and the other the bagpipes

Bust of an old man with flowing beard and white sleeve, c.1630. Creator: Rembrandt Harmensz van Rijn
Bust of an old man with flowing beard and white sleeve, c.1630. A bust-length image of an elderly man with a beard and large forehead, his body facing to the right

Betty Nansen, 1905. Creator: Anders Leonard Zorn
Betty Nansen, 1905. Betty Nansen (1873-1943) was a celebrated Danish actress (both stage and film) and director; one of Copenhagen's principal theatres - which she herself managed - bears her

Jan Lutma, goldsmith, 1656. Creator: Rembrandt Harmensz van Rijn
Jan Lutma, goldsmith, 1656. Although Jan Lutma (c. 1584-1669) was already an elderly man when he was portrayed, he was probably still working as a silversmith

The stoning of St Stephen, 1635, Netherlands. Creator: Rembrandt Harmensz van Rijn
The stoning of St Stephen, 1635, Netherlands.

Christ healing the sick ('The hundred guilder print'), 1775. Creator: William Baillie
Christ healing the sick ('The hundred guilder print'), 1775.

The stoning of St Stephen, 1635. Creator: Rembrandt Harmensz van Rijn
The stoning of St Stephen, 1635.

Bearded man, in a furred oriental cap and robe, 1631. Creator: Rembrandt Harmensz van Rijn
Bearded man, in a furred oriental cap and robe, 1631. Bearded man, in a furred oriental cap and robe is traditionally said to be a portrait of the artist's father

Old man with beard, fur cap, and velvet cloak, c.1631. Creator: Rembrandt Harmensz van Rijn
Old man with beard, fur cap, and velvet cloak, c.1631. An old man, seen in half-length portrait, is sitting in a chair with a heavy velvet cloak draped around his shoulders.

Man Reading, c1648. Creator: Rembrandt Harmensz van Rijn
Man Reading, c1648. For centuries, this painting was thought to portray an individual, but recent research suggests it may be a tronie--a type of image in which seventeenth-century Dutch artists

Vertumnus and Pomona. Creator: Rembrandt Harmensz van Rijn
Vertumnus and Pomona

Young man kneeling before a standing man in oriental dress. Creator: Rembrandt Harmensz van Rijn
Young man kneeling before a standing man in oriental dress

Two studies of one woman. Creator: Rembrandt Harmensz van Rijn
Two studies of one woman

Three cottages by a road, c.1640. Creator: Rembrandt Harmensz van Rijn
Three cottages by a road, c.1640

Three studies of a man seen in profile. Creator: Rembrandt Harmensz van Rijn
Three studies of a man seen in profile

Three studies of an archer. Creator: Rembrandt Harmensz van Rijn
Three studies of an archer

Three women in a landscape. Creator: Rembrandt Harmensz van Rijn
Three women in a landscape

Tobit and Anna with the goat. Creator: Rembrandt Harmensz van Rijn
Tobit and Anna with the goat

Tobias catches the fish. Creator: Rembrandt Harmensz van Rijn
Tobias catches the fish

"The Kitchen Maid", 1651. Creator: Rembrandt Harmensz van Rijn. "The Kitchen Maid", 1651
"The Kitchen Maid", 1651

St Peter, 1632. Creator: Rembrandt Harmensz van Rijn
St Peter, 1632

Sleeping lion. Creator: Rembrandt Harmensz van Rijn
Sleeping lion

Sleeping woman at an open window, c.1655. Creator: Rembrandt Harmensz van Rijn
Sleeping woman at an open window, c.1655

Seated youth. Creator: Rembrandt Harmensz van Rijn
Seated youth

Sitting old man, c.1630. Creator: Rembrandt Harmensz van Rijn
Sitting old man, c.1630

Selfportrait, 1630. Creator: Rembrandt Harmensz van Rijn
Selfportrait, 1630

Rebekah's departure. Creator: Rembrandt Harmensz van Rijn
Rebekah's departure

The presentation in the temple. Creator: Rembrandt Harmensz van Rijn
The presentation in the temple

Portrait of an Old Woman, 1655. Creator: Rembrandt Harmensz van Rijn
Portrait of an Old Woman, 1655

Portrait of an Old Man, 1655. Creator: Rembrandt Harmensz van Rijn
Portrait of an Old Man, 1655

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"Paul Rembrandt van Ryn: A Glimpse into the Master's World" Step into the captivating world of Paul Rembrandt van Ryn, a renowned artist whose works have left an indelible mark on art history. From his iconic self-portraits to his poignant biblical scenes, each masterpiece tells a story that transcends time. In "Aristotle with a Bust of Homer, " painted in 1653, we witness Rembrandt's mastery in capturing the essence of intellectualism and wisdom. The intricate details and play of light showcase his technical brilliance. As we delve deeper into his early years, "Rembrandt as a Young Man" reveals an enigmatic figure full of potential. Though the creator remains unknown, this portrait hints at the talent that would later blossom. Moving forward to "Jacobs Farewell to Benjamin, " created around 1650-60 by an anonymous artist, we are transported to a scene filled with emotion and familial bonds, and is through these lesser-known works that we gain insight into Rembrandt's influences and inspirations. "The Raising of Lazarus, " another mysterious creation from 1630-35 by an unknown artist, showcases Rembrandt's fascination with biblical narratives. With its dramatic composition and expressive brushwork, it leaves us captivated by the power of faith and resurrection. Amongst these timeless pieces lies "Young Man in a Turban, " dating back to approximately 1650. Its rich colors and intricate textures demonstrate Rembrandt's ability to capture not only physical likeness but also inner depth. In contrast, "Old Man with a Gold Chain" from 1631 unveils Rembrandt's skill in portraying age and character through portraiture. The meticulous attention given to every wrinkle speaks volumes about his dedication as an artist. Shifting our focus towards women subjects brings us to "Young Woman at an Open Half-Door" from 1645.