Pazzi Collection

The Pazzi Madonna (Virgin and Child) Marble, c1417-18. Donatello (c1386-1466) Florentine sculptor. Italian

Saint Mary Magdalene of Pazzi (1566-1607). Italian Carmelite mystic and saint. Engraving by Capuz, 1852. Colored

Francesco Primaticcio from the Abate Primaticcio or the Bologna picturesque and architect, 1752. Private Collection

The Palazzo Pazzi (Palazzo della Congiura or Palazzo Pazzi-Quaratesi) - a Renaissance-style palace in Florence, Tuscany, Italy

The Pazzi conspiracy. Artist: Ussi, Stefano (1822-1901)
The Pazzi conspiracy. Private Collection

The Pazzi Madonna (Virgin and Child), c1417-18 (marble)
542799 The Pazzi Madonna (Virgin and Child), c1417-18 (marble) by Donatello, (c.1386-1466); (add.info.: Donatello (c1386-1466) Florentine sculptor. Italian.); Universal History Archive/UIG

Julien de Medicis assassine par les Pazzi, Bronze (engraving)
3645398 Julien de Medicis assassine par les Pazzi, Bronze (engraving) by French School, (19th century); Private Collection; (add.info.: Julien de Medicis assassine par les Pazzi, Bronze)

Council of Trent, Session XIV, drawing by Giovanni Domenico Campiglia and engraving by Pietro Pazzi

Medal In Commemoration Of The Pazzi Conspiracy 1478 Illustration From The Book Life And Times Of Girolamo Savonarola Published 1909

Pietro Perugino (1446 / 1450A?i?1523). Italian Renaissance pa
Pietro Perugino (1446/1450A?i?1523), born Pietro Vannucci. Italian Renaissance painter of the Umbrian school. High Renaissance. The Virgin appearing to St. Bernard

Cephalus and Procris, c1574-1627. Artist: Giovanni Battista Paggi
Cephalus and Procris, c1574-1627

Maria Pazzi / Piattoli
Maria Maddalena de Pazzi, Italian mystic, as a child is noted for her benevolence to people in the prisons of Florence. Date: circa 1560

Virgin Immaculate Appearing Four Saints 1634-89
Artokoloro

Design Sarcophagus Supported Putti Churchs Maria Maddalena de
Artokoloro

Modern floor plan for the Pazzi Chapel at the Palazzo Pitti, Florence, Italy, by Filippo Brunelleschi
BRUNELLESCHI: PAZZI PLAN. Modern floor plan for the Pazzi Chapel at the Palazzo Pitti, Florence, Italy, by Filippo Brunelleschi

Brunelleschi, Filippo (1377-1446). Pazzi Chapel. 1430-1446. ITALY. Florence. Church of Santa Croce. Renaissance art. Quattrocento. Architecture

Pazzis Fight the Medicis
Supported by pope Sixtus IV, the PAZZI family conspire against the MEDICI at Firenze - fighting breaks out in the Chiesa del Riparata

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"Pazzi: A Tale of Art, Conspiracy, and Tragedy" Step into the world of Pazzi, where art and history intertwine to create a captivating narrative. From Donatello's exquisite sculpture "The Pazzi Madonna" to the enigmatic Saint Mary Magdalene of Pazzi, this Italian Carmelite who left her mark on spirituality. Donatello's masterpiece, "The Pazzi Madonna, " crafted from marble in the early 15th century, showcases his mastery as a Florentine sculptor. The delicate portrayal of Virgin and Child evokes a sense of serenity that transcends time. However, not all stories associated with the name it can serene. The infamous Pazzi conspiracy unfolds before our eyes through Stefano Ussi's artwork. This treacherous plot involved assassinations and political turmoil during Renaissance Italy. Pietro Perugino adds another layer to the tale with his Renaissance paintings that depict scenes from this tumultuous era. His brushstrokes bring forth emotions and historical significance that resonate even today. Intrigue continues with an engraving depicting Julien de Medicis' assassination by the hands of the Pazzi family. Bronze captures this tragic event forever frozen in time—a reminder of power struggles and their consequences. Palazzo della Congiura or Palazzo Pazzi-Quaratesi stands tall as a witness to these events—an architectural marvel steeped in history. Its walls hold secrets whispered by those involved in political machinations centuries ago. Giovanni Domenico Campiglia's drawing at Council XIV Trento transports us back to an important moment in church history—the council discussing matters crucial for Catholicism's future—engraved meticulously by Pietro Pazzi himself. Bernardo di Bandino Baroncelli met his fate at Leonardo da Vinci's hands—a chilling depiction captured through drawings showcasing both execution and emblems—an eerie reminder that actions have consequences even in the afterlife.