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Pearlware Collection

Pearlware, a type of ceramic that gained popularity in the late 18th and early 19th centuries, is known for its delicate beauty and intricate designs

Background imagePearlware Collection: Ceramic, The Boxer Tom Cribb: in canary breeches

Ceramic, The Boxer Tom Cribb: in canary breeches

Background imagePearlware Collection: Woman as Old Age, Burslem, c. 1787. Creators: Ralph Wood the Elder, Enoch Wood

Woman as Old Age, Burslem, c. 1787. Creators: Ralph Wood the Elder, Enoch Wood
Woman as Old Age, Burslem, c. 1787

Background imagePearlware Collection: Man as Old Age, Burslem, c. 1790. Creators: Ralph Wood the Elder, Enoch Wood

Man as Old Age, Burslem, c. 1790. Creators: Ralph Wood the Elder, Enoch Wood
Man as Old Age, Burslem, c. 1790

Background imagePearlware Collection: Tankard, Bristol, c. 1780. Creator: Unknown

Tankard, Bristol, c. 1780. Creator: Unknown
Tankard, Bristol, c. 1780

Background imagePearlware Collection: Plate, Burslem, c. 1810. Creator: Wedgwood

Plate, Burslem, c. 1810. Creator: Wedgwood
Plate, Burslem, c. 1810

Background imagePearlware Collection: Lion (One of a Pair), Staffordshire, c. 1785. Creator: Staffordshire Potteries

Lion (One of a Pair), Staffordshire, c. 1785. Creator: Staffordshire Potteries
Lion (One of a Pair), Staffordshire, c. 1785

Background imagePearlware Collection: Tankard, Staffordshire, c. 1810. Creator: Staffordshire Potteries

Tankard, Staffordshire, c. 1810. Creator: Staffordshire Potteries
Tankard, Staffordshire, c. 1810

Background imagePearlware Collection: A selection of English Pearlware relating to Queen Caroline, wife of George IV, c

A selection of English Pearlware relating to Queen Caroline, wife of George IV, c
1766846 A selection of English Pearlware relating to Queen Caroline, wife of George IV, c.1820 (pearlware ceramic) by English School

Background imagePearlware Collection: A set of custard pots on a tray, c. 1780s-90s (pearlware)

A set of custard pots on a tray, c. 1780s-90s (pearlware)
3084477 A set of custard pots on a tray, c.1780s-90s (pearlware) by English School, (18th century); each: 8.5x5.5 cm; The Geffrye Museum of the Home, London

Background imagePearlware Collection: A Wedgwood Pearlware two handled cup, cover and stand painted with a portrait bust of

A Wedgwood Pearlware two handled cup, cover and stand painted with a portrait bust of
1766845 A Wedgwood Pearlware two handled cup, cover and stand painted with a portrait bust of George III, commemorating his Golden Jubilee in 1810, 1810 (pearlware ceramic) by English School

Background imagePearlware Collection: Ceramic, A Setter: Standing, after a model by Ralph Wood

Ceramic, A Setter: Standing, after a model by Ralph Wood

Background imagePearlware Collection: Ceramic Jockey and Racehorse: he in black cap, blue jacket, pink waistcoat and white

Ceramic Jockey and Racehorse: he in black cap, blue jacket, pink waistcoat and white breeches; the horse, sponged black with purple saddle cloth (reins missing)

Background imagePearlware Collection: Ceramic Bust of the Reverend John Wesley: in clerical collar and black robes

Ceramic Bust of the Reverend John Wesley: in clerical collar and black robes

Background imagePearlware Collection: Ceramic Bust of the Reverend George Whitfield: with ruddy cheeks, prominent mole

Ceramic Bust of the Reverend George Whitfield: with ruddy cheeks, prominent mole, black robes and clerical collar

Background imagePearlware Collection: Ceramic Dr. Syntax: Walking with a Stick

Ceramic Dr. Syntax: Walking with a Stick



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Pearlware, a type of ceramic that gained popularity in the late 18th and early 19th centuries, is known for its delicate beauty and intricate designs. One remarkable piece is "The Boxer Tom Cribb: in canary breeches, " a stunning depiction of a boxer dressed in vibrant yellow pants. Created by Ralph Wood the Elder and Enoch Wood in Burslem around 1787, this artwork showcases the skill and artistry of these talented craftsmen. Another captivating example of the portrayal of old age through gendered figures. The sculpture titled "Woman as Old Age" was created by Ralph Wood the Elder and Enoch Wood in Burslem circa 1787, while "Man as Old Age" was crafted around 1790. These pieces reflect not only the artistic talent but also provide insight into societal perceptions during that era. Pearlware's versatility extends beyond sculptures to functional items such as tankards and plates. A notable tankard from Bristol dating back to approximately 1780 showcases an unknown creator's craftsmanship. Similarly, Wedgwood's plate from Burslem circa 1810 exhibits their mastery in creating exquisite tableware. The Staffordshire Potteries also made significant contributions to pearlware production with their lion figurine from around 1785 and tankard from approximately 1810. These pieces exemplify both creativity and technical expertise prevalent within this pottery region. English Pearlware even commemorated historical events like Queen Caroline's reign alongside George IV with various collectibles showcasing her likeness. This collection offers a glimpse into royal connections within ceramic artistry during that time period. Other intriguing examples include custard pots on a tray dating back to the late-1700s or early-1800s, demonstrating how pearlware served practical purposes while still maintaining elegance. Wedgwood further showcased their skills with a two-handled cup adorned with a portrait bust—a testament to their ability to combine functionality with artistic expression.