Pen And Ink Collection (page 4)

An Elegant Lady at the Statue of Goethe, 1888 (pen and ink)
659664 An Elegant Lady at the Statue of Goethe, 1888 (pen and ink) by Fischer, Paul (1860-1934); 29x18.7 cm; Private Collection; (add.info.: An Elegant Lady at the Statue of Goethe)

Springflood, 1902 (pencil, pen and black ink, watercolour and bodycolour)
659652 Springflood, 1902 (pencil, pen and black ink, watercolour and bodycolour) by Larsson, Carl (1853-1919); 95.9x64.2 cm; Private Collection; (add.info.: Springflood. Carl Larsson (1855-1919)

On the Road to Tonbridge: Travellers Resting on a Band Beside the Road, (pencil
652013 On the Road to Tonbridge: Travellers Resting on a Band Beside the Road, (pencil, pen and grey ink and watercolour) by Sandby

Studies of Insects, (pencil, pen and ink with touches of white heightening, bodycolou)
651953 Studies of Insects, (pencil, pen and ink with touches of white heightening, bodycolou) by Edwards, Sydenham Teast (c.1768-1819); 23.2x19.9 cm; Private Collection; (add.info)

Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour)
651948 Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 38.2x54 cm; Private Collection; (add.info.: Place Victoire a Paris)

The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage
651921 The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour) by Rowlandson

Lycurgus Entering Athens; and Theseuss Approach to Athens, (pencil, pen and ink)
824150 Lycurgus Entering Athens; and Theseuss Approach to Athens, (pencil, pen and ink) by Dayes, Edward (1763-1804); 56.8x79.2 cm; Private Collection; (add.info)

View of Antigua: English Harbour, Freemans Bay, and Falmouth Harbour
990898 View of Antigua: English Harbour, Freemans Bay, and Falmouth Harbour, Monks Hill etc, 1775-76 (watercolour and bodycolour over pen and ink on two joined sheets) by Hearne

Lord Verisopht, 1883 (pen and ink, watercolour)
985866 Lord Verisopht, 1883 (pen and ink, watercolour) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28x19.1 (approx.) cm; Private Collection; (add.info.: Lord Verisopht)

American Beach; Plage American, c. 1917 (watercolour, black wax crayon, pencil
825163 American Beach; Plage American, c.1917 (watercolour, black wax crayon, pencil, pen and india ink on buff) by Pascin

Winter Frolic, 1924 (watercolour and pen and black ink on paper)
827365 Winter Frolic, 1924 (watercolour and pen and black ink on paper) by Rackham, Arthur (1867-1939); 53.8x73.7 cm; Private Collection; (add.info.: Winter Frolic. Arthur Rackham (1867-1939)

Standing Male Peasant, c. 1878 (pen and black ink on wove paper)
3526155 Standing Male Peasant, c.1878 (pen and black ink on wove paper) by Moran, Edward (1829-1901); 21.9x16.8 cm; Corcoran Collection, National Gallery of Art, Washington D.C

Draw Bridge from St. Augustines Bank, Bristol, (pencil
652053 Draw Bridge from St. Augustines Bank, Bristol, (pencil, pen and brown ink and watercolour) by Johnson, James (1803-34); 21.6x32.4 cm; Private Collection; (add.info.: Draw Bridge from St)

The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with
652047 The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with bodycolour o) by Goodwin, Albert (1845-1932); 25.4x36.8 cm; Private Collection; (add.info.: The Port of Sollo)

A Falls a Hawful Thing, (pen, black ink, watercolour and bodycolour)
657169 A Falls a Hawful Thing, (pen, black ink, watercolour and bodycolour) by Aldin, Cecil Charles Windsor (1870-1935); 44x28 cm; Private Collection; (add.info.: A Falls a Hawful Thing)

Zoological Garden II; Zoologischer Garten II, 1912 (watercolour
824419 Zoological Garden II; Zoologischer Garten II, 1912 (watercolour, pen and black ink and pencil on paper) by Macke, August (1887-1914); 43.6x49.7 cm; Private Collection; (add.info)

The Boxing Match, (pen and ink and watercolour)
824123 The Boxing Match, (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 18.2x27 cm; Private Collection; (add.info.: The Boxing Match. Thomas Rowlandson (1756-1827)

Emperor Pedro 1st, c. 1825-6 (pen & ink)
1199471 Emperor Pedro 1st, c. 1825-6 (pen & ink) by Landseer, Charles (1799-1879); 9.8x11.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Drapery Study for a Virgin Annunciate, (black chalk, pen and ink on brown paper)
990012 A Drapery Study for a Virgin Annunciate, (black chalk, pen and ink on brown paper) by Botticini, Francesco (c.1446-97); 32.1x121.8 cm; Private Collection; (add.info)

Buffalo Hunt, c. 1822-1824 (pen and black ink and watercolour on paper)
985353 Buffalo Hunt, c.1822-1824 (pen and black ink and watercolour on paper) by Rindisbacher, Peter (1806-34); 21.2x41.6 cm; Private Collection; (add.info.: Buffalo Hunt)

Concord Makes Server, (watercolour, pen and ink, , pencil)
985720 Concord Makes Server, (watercolour, pen and ink, , pencil) by Cruikshank, George (1792-1878); 27x22.5 cm; Private Collection; (add.info.: Concord Makes Server. George Cruikshank (1792-1878)

Study for "The Ascension", 1774. Creator: John Singleton Copley
Study for " The Ascension", 1774

Start of the Race of the Barberi Horses, Rome, 1860. Creator: Jean-Baptiste Carpeaux
Start of the Race of the Barberi Horses, Rome, 1860

The British Order: Elevation of a Capital and Part of the Fluted Shaft, 1762

Landscape, 1776-1808. Creator: Samuel Shelley
Landscape, 1776-1808

Design for Section of a Rococo Room, with a Coved Ceiling and Ornamented Corinthian Doorway, ca. 1750

Central Park, Transverse Road No. 2, 1870. Creator: EP
Central Park, Transverse Road No. 2, 1870

Coat of Arms Surmounted by a Plumed Helmet, 18th century. Creator: Anon
Coat of Arms Surmounted by a Plumed Helmet, 18th century

Allegory of the Transience of Life, 1618. Creator: Christian Richter
Allegory of the Transience of Life, 1618

Design for a Ceiling, . Creator: Attributed to Faustino Trebbi
Design for a Ceiling, . Attributed to Faustino Trebbi

Frascati, Near Rome, 1819. Creator: William Cowen
Frascati, Near Rome, 1819

A young man, standing; full length silhouette, profile to right, 1850

Portfolio containing Six Designs for the George Henry Lyon House, Cambridge, Massachusetts, 19th century

A Great Green Bush Cricket... A Clioniona Spider, and a Beetle, 17th century (?)
A Great Green Bush Cricket (Tettigorica viridissima Linneaeus), A Clioniona Spider, and a Beetle, 17th century (?)

Indian Falls, Indian Brook, Cold Springs, New York, 1850. Creator: William Rickarby Miller
Indian Falls, Indian Brook, Cold Springs, New York, 1850

Union Park, New York, ca. 1845. Creator: Sarah Fairchild
Union Park, New York, ca. 1845

Tiger. Creator: Harry Fenn (American, 1838 / 45-1911)
Tiger

Study for Mind and Matter. Creator: Charles Samuel Keene (British, 1823-1891)
Study for " Mind and Matter"

Study of a Drunken Man Passing a Bank. Creator: Charles Samuel Keene (British, 1823-1891)
Study of a Drunken Man Passing a Bank

Study of a Child in Helmet and Boots. Creator: Charles Samuel Keene (British, 1823-1891)
Study of a Child in Helmet and Boots

Portrait of Little Corbauld. Creator: Charles Samuel Keene (British, 1823-1891)
Portrait of Little Corbauld

House in Hammersmith. Creator: Charles Samuel Keene (British, 1823-1891)
House in Hammersmith

James McNeill Whistler. Creator: Walter Greaves (British, 1841-1930)
James McNeill Whistler

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"Pen and Ink: A Timeless Art Form Capturing the Essence of Life" Delicately crafted strokes, resembling human hair follicles and skin, bring to life intricate illustrations that transcend time. From the majestic US space rocket Saturn 5 soaring through the second stage mid-air to a hang glider gracefully gliding above a serene rural landscape, pen and ink captures the beauty of both man-made marvels and nature's wonders. In this art form's vast repertoire, we find an illustration of Queen Elizabeth I's signature, symbolizing her reign as one of England's most iconic monarchs. On Ghanaian Independence Day stamps, a portrait of Queen Elizabeth II reminds us of historical connections between nations. The power extends beyond history; it also immortalizes acts of compassion. A black and white illustration depicts Florence Nightingale walking with her lamp near beds filled with injured soldiers during times when healing was desperately needed. Traveling across borders, pen and ink takes us on a visual journey to Chateau de Mercues in Lot, France—a testament to architectural grandeur. It then transports us into the intensity of squash courts where players battle for victory. Artistic diversity shines through Scott Lawrence’s artwork—an embodiment of creativity unleashed by pen meeting paper. Meanwhile, an intricately detailed black and white illustration showcases two shark tail fins—the single-keeled tail fin belonging to the Mako shark (Isurus sp. ) contrasting with the double-keeled tail fin found on Porbeagle sharks (Lamna nasus). Sports enthusiasts rejoice as golfers grace lush green fairways—captured in moments frozen by skilled hands wielding pens. The anticipation builds as a woman prepares to strike while her caddy stands nearby offering guidance. Finally, amidst leisurely pursuits lies refreshment—a wheelbarrow brimming with ice-filled drinks in bottles and cans awaits those seeking respite from summer heat or celebration after triumphs.