Pennell Collection (#4)

Joseph Pennell, Rossettis House, American, 1857-1926, 1906, etching

Joseph Pennell, The Marble Arch, American, 1857-1926, 1905, etching

Joseph Pennell, Rouen, from Bon Secours, American, 1857-1926, 1907, etching

Joseph Pennell, Magnificent Kensington, American, 1857-1926, 1904, etching

Joseph Pennell, Old Million Eyes, American, 1857-1926, 1910, lithograph

Joseph Pennell, The Yorkshire Terrier, American, 1857-1926, 1903, etching

Joseph Pennell, Union Square, Rainy Day, American, 1857-1926, 1904, etching

Joseph Pennell, Interior, Fitzwilliam Museum, American, 1857-1926, 1890s, brush and black ink with gray wash over graphite on wove paper

Joseph Pennell, Wrens City, American, 1857-1926, 1909, mezzotint on laid paper

PENNELL: ENGLAND, 1895. A railway station in York, England. Drawing by Joseph Pennell, 1895

PENNELL: NEW YORK CITY. The Statue of Liberty in ruins and New York City in flames; illustration for a Liberty Bonds poster titled That liberty shall not perish from the earth

PENNELL: CHICAGO, 1910. A raised drawbridge in Chicago, Illinois. Etching by Joseph Pennell, 1910

PENNELL: NEW YORK CITY. The Waldorf Astoria Hotel on 34th Street and 5th Avenue in New York City. Drawing by Joseph Pennell, c1906

PENNELL: CONEY ISLAND. A view of Coney Island, Brooklyn. Pastel drawing by Joseph Pennell, c1906

PENNELL: NEW YORK CITY. A view of 110th Street in New York City. Drawing by Joseph Pennell, c1906

PENNELL: NEW YORK CITY. The Flatiron Building in New York City. Drawing by Joseph Pennell, c1906

NEW YORK STOCK EXCHANGE. The New York Stock Exchange. Drawing by Joseph Pennell, 1904

PENNELL: STEEL WORKS, 1881. The Bethlehem Steel Works in Bethlehem, Pennsylvania. Watercolor by Joseph Pennell, 1881

PENNELL: LONDON, c1905. A street scene in London, England. Chalk drawing by Joseph Pennell, c1905

PENNELL: VENICE, c1903. A sunset at St Marks Basilica in Venice, Italy. Chalk drawing by Joseph Pennell, c1903

PENNELL: ENGLAND, c1908. St. Pancras Station in London, England. Drawing by Joseph Pennell, c1908

PENNELL: VENICE, c1905. A view of Venice, Italy. Chalk drawing by Joseph Pennell, c1905

PENNELL: LONDON, c1905. Benches in Kensington Park in London, England. Pastel drawing by Joseph Pennell, c1905

PENNELL: LONDON, c1905. The Shot Tower with night lights in London, England. Pastel drawing by Joseph Pennell, c1905

PENNELL: LONDON, c1905. A view of London, England. Pastel drawing by Joseph Pennell, c1905

PENNELL: LONDON, c1900. View of London over the Waterloo Bridge. Pastel drawing by Joseph Pennell, c1900

PENNELL: LONDON, c1905. View of St. Pauls Cathedral and the London skyline. Charcoal and watercolor by Joseph Pennell, c1905

PENNELL: LONDON, c1905. View down the Thames River, St. Pauls Cathedral and the London skyline. Charcoal and watercolor by Joseph Pennell, c1905

PENNELL: LONDON, 1909. Westminster Palace and bridge across the Thames River at night. Mezzotint by Joseph Pennell, 1909

PENNELL: LONDON, 1909. London from my window. Mezzotint by Joseph Pennell, 1909

PENNELL: LONDON, 1908. Factories in East London, England. Charcoal drawing by Joseph Pennell, 1908

PENNELL: VENICE, c1905. A view of the canals in Venice, Italy. Chalk drawing by Joseph Pennell, c1905

ROME: VATICAN, c1909. Entrance to Vatican. Crayon drawing by Joseph Pennell, c1909

LONDON: TOWER BRIDGE, 1900. The Tower Bridge in London, England, viewed from the east side. Drawing, 1900, by Joseph Pennell

LONDON: WATERFRONT, 1900. A section of the waterfront along the Thames River in London, England, looking towards the Tower Bridge. Drawing, 1900, by Joseph Pennell

JOHN BARTRAM HOUSE. Southeast view of the house and garden of American botanist John Bartram in Philadelphia, Pennsylvania, built between 1728 and 1731. Drawing, 1882, by Joseph Pennell

ENGLAND: SALISBURY. Salisbury Cathedral from the Bishops Garden. Wood engraving, 1888, after Joseph Pennell

FLORENCE: PONTE VECCHIO. View of the Ponte Vecchio in Florence, Italy. Drawing, 1885, by Joseph Pennell

THREE WHEEL BICYCLES, 1887. Cycling in England - down the Ripley Road. Wood engraving, American, 1887, after Joseph Pennell

CANTERBURY CATHEDRAL. The Canterbury Cathedral from Christ Church Gateway. Line engraving, 1887, after Joseph Pennell

CANTERBURY CATHEDRAL. Canterbury Cathedral in England from the North-West. Line engraving, 1887, after Joseph Pennell

ENGLAND: SALISBURY. Salisbury Cathedral from the northeast. Wood engraving, 1888, after Joseph Pennell

ENGLAND: CANTERBURY. Canterbury Cathedral in England from the River Stour. Line engraving, 1887, after Joseph Pennell

CANTERBURY CATHEDRAL. South side of the Canterbury Cathedral. Line engraving, 1887, after Joseph Pennell

ENGLAND: CANTERBURY. The west front of Canterbury Cathedral from the path to Harbledown. Line engraving, 1887, after Joseph Pennell

Artists impression of the Queen Victoria Memorial
The Queen Victoria Memorial monument, sculpted by Sir Thomas Brock and unveiled in a ceremony on 16th May 1911

Officers of the Terra Nova, the ship which transported Captain Scott to his ill-fated expedition to the South Pole, pictured just after leaving London for the Antarctic in June 1910

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"Pennell: Capturing the Essence of Time and Place through Art" Step into the corner of Villiers Street, Charing Cross in 1896, as envisioned by artist Joseph Pennell. With meticulous strokes, he brings to life the bustling atmosphere of this London locale. Fast forward to 1919 and find yourself immersed in the grandeur of Penn Station. Through his artwork titled "Pennell: Penn Station, " you can almost hear the echoes of train whistles and feel the energy pulsating from every track. Traveling across continents, we arrive in Brooklyn circa 1909. Tenement buildings stand proudly under the majestic Brooklyn Bridge, a testament to urban life captured by Pennell's keen eye for detail. Intriguingly, Lieutenant Pennell appears among "The Officers of Terra Nova" during their historic voyage in 1912. Herbert Ponting masterfully portrays this momentous expedition that forever etched its mark on Antarctic exploration. Venturing closer to home, we encounter Mauch Chunk's mining village as seen through Joseph Pennell's etching from 1909. The gritty reality and perseverance of these hardworking communities are vividly portrayed on paper. Lieutenant Pennell RN emerges once again within Scott's British Antarctic Expedition team. His presence signifies bravery amidst treacherous icy landscapes—an enduring symbol of human resilience against nature's harshest elements. Charleroi becomes an artistic muse for Joseph Pennell not once but twice—first in 1911 then revisited in 1914. These artworks capture both its industrial might and architectural beauty with equal reverence. Somerset House stands tall before us in a depiction from 1928—a testament to history preserved through artistry. Created by none other than Joseph Pennell himself, it serves as a reminder that even structures can tell stories if observed closely enough. Finally, let us embark on a journey to Venice circa 1905—a city renowned for its enchanting canals and boat-building traditions.