Person And Social Status Collection (#5)

Prince Umberto of Savoy (future Umberto II) visiting Taranto Taranto. Date of Photograph:1920 ca

Portrait of a family with seven children; photography with dedication to the honorable Giovanni Cal (1882-1970) Taranto. Date of Photograph:1921

Portrait of the pedagogist and politician Giovanni Cal (1882-1970) Italy. Date of Photograph:1920 ca

Group portrait for the "La Pagella d'Oro Competition"; on the right the pedagogist Giovanni Cal (1882-1970) Rome. Date of Photograph:1950-1955

The pedagogist Giovanni Cal (1882-1970) at the Course on Didactics of the Italian Language, Rome Rome. Date of Photograph:1940-1950

VII National Conference of the Montessori Opera, Trieste: on the right the professor Mario Montesano Montessori (1898-1982), son of Maria Montessori

Inauguration of the International Conference of Public Instruction, Geneva; on the left the pedagogist Giovanni Cal (1882-1970) Switzerland Ginevra. Date of Photograph:12/07/1965

Group portrait in the park of Villa Garzoni in Collodi; the pedagogist Giovanni Cal (1882-1970) sat in the center Pescia Collodi, Villa Garzoni. Date of Photograph:1950

World War I : The embrace between the French President Raymond Pioncar (1860-1934) and Marshal Petain Omer (1856-1951) in Metz France Metz. Date of Photograph:19/11/1918

World War I: Transport of wounded soldiers from the front line of trinceee in Saint Lucia Italy Saint Lucia. Date of Photograph:1914-1918

World War I: French Mission of the Minister Aristide Briand (1862-1932) on a visit to the front France. Date of Photograph:16/02/1916

Post mortem portrait of the bandit Giacomo Serra-Sanna Orgosolo. Date of Photograph:1899

Post mortem portrait of the bandit Tommaso Virdis Nuoro. Date of Photograph:1899

Portrait of the Sardinian bandit Gio Pinna Orotelli. Date of Photograph:1880-1890

Portrait of the Sardinian bandit Gabriele Murgiolu Olzai. Date of Photograph:1880-1890

Portrait of the Sardinian bandit Giovanni Goddi di Orune Orune. Date of Photograph:1880-1890

Portrait of the Sardinian bandit Paolo Solinas Sarule. Date of Photograph:1890-1900

Portrait of the Sardinian bandit Raffaele Gusai Nuoro Lollove. Date of Photograph:1893 ca

Portrait of the Sardinian bandits Giuseppe Budroni and Francesco Campesi, who presented themselves to Lieutenant Addone on August 28, 1899 Monti. Date of Photograph:28/08/1899

Post mortem portrait of the bandit Salvatorangelo Catte, killed during a conflict by Captain Berti and Lieutenant Addone, author of the photograph Nughedu di San Nicolo. Date of Photograph:15/08/1899

Post mortem portrait of the bandit Antonio Mulas Oliena. Date of Photograph:08/02/1899

Post mortem portrait of the bandit Elia Serra-Sanna Orgosolo. Date of Photograph:1899

Portrait of the Sardinian bandit Diego Doneddu Bitti. Date of Photograph:1880-1890

Portrait of the Sardinian bandit Antonio Piroi Nuoro. Date of Photograph:1880-1890

Group of soldiers; on the right, the corpse of the bandit Tommaso Virdis Nuoro. Date of Photograph:1899

Portrait of the Sardinian bandit Pietro Sini Orgosolo. Date of Photograph:1890-1900

Portrait of the Sardinian bandit Antonio Congiu Oliena. Date of Photograph:1880-1890

Portrait of the Sardinian bandit Giuseppe Noli Coi Orune. Date of Photograph:1900-1910

Portrait of the Sardinian bandit Pietro Satgia Orgosolo. Date of Photograph:1880-1890

Portrait of the Sardinian bandit Dionigi Mariani Orune. Date of Photograph:1890-1900

Portrait of the Sardinian bandit Michele Tupponi Oliena. Date of Photograph:1880-1890

Portrait of the Sardinian bandit Giovanni Maria Bomboi Siniscola. Date of Photograph:1900-1910

Portrait of the Sardinian bandit Antonio Manconi di Orani Orani. Date of Photograph:1880-1890

Portrait of the Sardinian bandit Giovanni Serrittu Sardinia. Date of Photograph:1880-1890

Portrait of Prime Minister Mustapha Ben Ismail, sitting in an internal setting. Algeria. Date of Photograph:1870 - 1890

The image shows a Bedouin from northern Africa. The man wears a traditional dress. Africa. Date of Photograph:1870 - 1890

The image shows three children posing at the entrance of a building, with a window closed by an iron grating; the children come from a Bedouin tribe of northern Africa. Africa

The image shows a lady sit down on the ground, holding a jug for water; she wears a traditional dress covering also her head, forming a turban

The image shows a lady with a striped mantle on her head; on one hand she holds a sieve, and, near her feet, a straw bag and an amphora

The image shows two children embracing each other and having their head covered with a cloth; the boys come from a Bedouin tribe of northern Africa. Africa. Date of Photograph:1870 - 1890

The image shows a woman sit down, carrying on her back her child. At her foot, a jug for water. The woman comes from a Bedouin tribe of northern Africa. Africa. Date of Photograph:1870 - 1890

Naples, beggar Naples. Date of Photograph:1880 ca

Maria Theresia, Maria Annunziata, and Elisabeth Amalie Erzherzogin, daughters of Karl Ludwig Josef Maria of Augsburg-Lorraine, Archduke of Austria Austria. Date of Photograph:1890 ca

Two Turkish female beggars along a street in Buenos Aires Argentina Buenos Aires. Date of Photograph:1890 ca

Children and instructors in a corridor of an orphanage Italy. Date of Photograph:1920 - 1940

Dining hall of an orphanage with children seated at a long table Italy. Date of Photograph:1920 ca

Poor village near Buenos Aires Argentina Buenos Aires, environs. Date of Photograph:1890 ca

An old man kneeling on the ground asking for and receiving alms from two passersby. Date of Photograph:1875

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In this collection of diverse artworks and photographs, we catch a glimpse into the intricate relationship between individuals and their social status. The portrait of Lenin in his study exudes an air of authority and power, symbolizing his influential position in society. Meanwhile, the drawings from Pharaoh Psammetic I's tomb remind us of the grandeur associated with ancient rulers, showcasing their opulent decorations that reflected their elevated status. Moving forward in time, Michetti and his son Giorgio are captured in a black-and-white photo. This image encapsulates the passing down of social standing through generations, highlighting how family ties can shape one's place within society. The Adoration of the Shepherds by Francesco Maffei reminds us that even religious narratives depict varying degrees of social hierarchy. Bathsheba at her Bath portrays a moment where societal expectations clash with personal desires, emphasizing how one's position can influence their choices. Joseph Led to Prison serves as a stark reminder that social status is not always stable or secure; they can fluctuate drastically based on circumstances beyond our control. On the other hand, Madonna della Cesta presents an image of divine motherhood that transcends earthly hierarchies – reminding us that love and compassion know no bounds. As we delve deeper into history, guards leading prisoners serve as a visual representation of power dynamics within societies governed by law and order. The marble low relief depicting The Virgin with the Child showcases religious iconography intertwined with notions of purity and innocence. Finally, an album captures a significant historical event -the meeting of the Council of the League Nations- underscoring how global politics shape individual lives across nations. These images collectively highlight how personhood intersects with social status throughout different periods and contexts – offering insights into our shared human experience across time.