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Personification Collection (#5)

Personification is a powerful artistic technique that breathes life into inanimate objects, concepts, and even nations

Background imagePersonification Collection: Tapestry, Sibylla Europa (one of set of six Sibyls comprising 46. 134 to 45)

Tapestry, Sibylla Europa (one of set of six Sibyls comprising 46. 134 to 45)
3576215 Tapestry, Sibylla Europa (one of set of six Sibyls comprising 46.134 to 45.139) called The Rothamsted Tapestries'

Background imagePersonification Collection: Winter, 1898 (metal and w/c on vellum)

Winter, 1898 (metal and w/c on vellum)
GLS314114 Winter, 1898 (metal and w/c on vellum) by Macdonald, Margaret (1865-1933); 45.6x17.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imagePersonification Collection: Tapestry long cushion depicting Faith, Hope and Charity, made in Sheldon, England

Tapestry long cushion depicting Faith, Hope and Charity, made in Sheldon, England, late 16th century (wool)
3576254 Tapestry long cushion depicting Faith, Hope and Charity, made in Sheldon, England, late 16th century (wool) by English School, (16th century); 52.1x95.8 cm; Burrell Collection, Glasgow

Background imagePersonification Collection: Tapestry, Faith Welcoming the Heroes of Antiquity, made in Brussels, Belgium, 1520-30 (wool & silk)

Tapestry, Faith Welcoming the Heroes of Antiquity, made in Brussels, Belgium, 1520-30 (wool & silk)
3576211 Tapestry, Faith Welcoming the Heroes of Antiquity, made in Brussels, Belgium, 1520-30 (wool & silk) by Belgian School, (16th century); 457.2x688.3 cm; Burrell Collection, Glasgow

Background imagePersonification Collection: Tapestry, Triumph of Death over Chastity with the Three Fates, made in Brussels, Belgium

Tapestry, Triumph of Death over Chastity with the Three Fates, made in Brussels, Belgium
3576210 Tapestry, Triumph of Death over Chastity with the Three Fates, made in Brussels, Belgium, early 16th century (wool & silk) by Belgian School

Background imagePersonification Collection: The Purification of Aeneas in the River Numicius, c. 1725 (oil on canvas)

The Purification of Aeneas in the River Numicius, c. 1725 (oil on canvas)
3066355 The Purification of Aeneas in the River Numicius, c.1725 (oil on canvas) by Ghezzi, Pier Leone (1674-1755); 96.5x135.5 cm; Glasgow Art Gallery and Museum

Background imagePersonification Collection: Autumn, 1898 (metal and w/c on vellum)

Autumn, 1898 (metal and w/c on vellum)
GLS314111 Autumn, 1898 (metal and w/c on vellum) by Macdonald, Frances (1874-1921); Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imagePersonification Collection: Free Trade Medal, 1846 (metal)

Free Trade Medal, 1846 (metal)
2650267 Free Trade Medal, 1846 (metal) by English School, (19th century); diam: 4.7 cm; Manchester Art Gallery, UK; (add.info.: Metal commemorating the passing of the anti-corn law league bill)

Background imagePersonification Collection: Time, Truth and Justice, c. 1716 (oil on canvas)

Time, Truth and Justice, c. 1716 (oil on canvas)
MAN443319 Time, Truth and Justice, c.1716 (oil on canvas) by Thornhill, James (1675-1734); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePersonification Collection: Fortune Restrained by Love, 1623 (oil on panel)

Fortune Restrained by Love, 1623 (oil on panel)
868083 Fortune Restrained by Love, 1623 (oil on panel) by Reni, Guido (1575-1642); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imagePersonification Collection: Fame (oil on canvas)

Fame (oil on canvas)
868041 Fame (oil on canvas) by Varotari, Alessandro (Il Padovanino) (1588-1648); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imagePersonification Collection: Charity (oil on canvas)

Charity (oil on canvas)
1108983 Charity (oil on canvas) by Carracci, Ludovico (1555-1619); Musei Capitolini, Rome, Italy; (add.info.: by Ludovico Carracci); Photo © Stefano Baldini

Background imagePersonification Collection: WWI cartoon The New Star, published in The Anzac Book, 1916 (colour litho)

WWI cartoon The New Star, published in The Anzac Book, 1916 (colour litho)
701051 WWI cartoon The New Star, published in The Anzac Book, 1916 (colour litho) by Colles, Ted (1887-1952); Private Collection; Peter Newark Pictures

Background imagePersonification Collection: Allegory of Peace (oil on canvas)

Allegory of Peace (oil on canvas)
1108968 Allegory of Peace (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Musei Capitolini, Rome, Italy; Photo © Stefano Baldini

Background imagePersonification Collection: The Tigris or Arno (marble)

The Tigris or Arno (marble)
SBL426327 The Tigris or Arno (marble) by Roman, (2nd century); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imagePersonification Collection: Sarcophagus front portraying the four seasons (marble)

Sarcophagus front portraying the four seasons (marble)
2562004 Sarcophagus front portraying the four seasons (marble) by Roman, (3rd century AD); Musei Capitolini, Rome, Italy; (add.info.: Hall of Triumphs)

Background imagePersonification Collection: Pope Urban I between Iustitia and Caritas, 1520-24 (fresco) 1520-24 (fresco)

Pope Urban I between Iustitia and Caritas, 1520-24 (fresco) 1520-24 (fresco)
3362177 Pope Urban I between Iustitia and Caritas, 1520-24 (fresco) 1520-24 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imagePersonification Collection: Fortune

Fortune
3362095 Fortune by Reni, Guido (1575-1642); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imagePersonification Collection: Allegory of Good Governance, 1551-52 (oil on canvas)

Allegory of Good Governance, 1551-52 (oil on canvas)
1108969 Allegory of Good Governance, 1551-52 (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Musei Capitolini, Rome, Italy; Photo © Stefano Baldini

Background imagePersonification Collection: Crete, 1931-32 (oil on canvas)

Crete, 1931-32 (oil on canvas)
3042718 Crete, 1931-32 (oil on canvas) by Savinio, Alberto (Chirico, Andrea de) (1891-1952); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio, Italy; Photo © Stefano Baldini

Background imagePersonification Collection: Allegorical figure (oil on canvas)

Allegorical figure (oil on canvas)
868042 Allegorical figure (oil on canvas) by Varotari, Alessandro (Il Padovanino) (1588-1648); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imagePersonification Collection: Female Flower, 1918 (pencil and gouache on paper)

Female Flower, 1918 (pencil and gouache on paper)
CCL248188 Female Flower, 1918 (pencil and gouache on paper) by Eluard, Paul (1895-1952); 19, 5x11 cm; Musee d'Art et d'Histoire, Saint-Denis, France; (add.info.: Femme fleur;)

Background imagePersonification Collection: 'Banque Francaise for commerce and industry', 1918 (colour litho)

"Banque Francaise for commerce and industry", 1918 (colour litho)
699155 "Banque Francaise for commerce and industry", 1918 (colour litho) by Malherbe, William (1884-1952); 120x80 cm; Private Collection; (add.info)

Background imagePersonification Collection: Tsar Nicholas II (1868-1918) the Peacemaker, front cover of Le Petit Journal, 22nd September

Tsar Nicholas II (1868-1918) the Peacemaker, front cover of Le Petit Journal, 22nd September, 1901 (colour litho)
CHT173068 Tsar Nicholas II (1868-1918) the Peacemaker, front cover of Le Petit Journal, 22nd September, 1901 (colour litho) by French School

Background imagePersonification Collection: The Nile (terracotta)

The Nile (terracotta)
FTB60810 The Nile (terracotta) by Bernini, Gian Lorenzo (1598-1680); Franchetti Gallery, Ca D'Oro, Venice, Veneto, Italy

Background imagePersonification Collection: France providing civilisation, wealth and peace to Morocco, illustrated title page of Le Petit

France providing civilisation, wealth and peace to Morocco, illustrated title page of Le Petit Journal
CHT163132 France providing civilisation, wealth and peace to Morocco, illustrated title page of Le Petit Journal, 19th November 1911 (colour litho) by French School

Background imagePersonification Collection: The Virgin Inspiring the Arts (oil on canvas)

The Virgin Inspiring the Arts (oil on canvas)
490076 The Virgin Inspiring the Arts (oil on canvas) by Hove, Edmond Theodor van (1853-1913); 174.8x236 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imagePersonification Collection: Detail of Portrait of the Villers family, 1790 (oil on canvas)

Detail of Portrait of the Villers family, 1790 (oil on canvas)
490068 Detail of Portrait of the Villers family, 1790 (oil on canvas) by Duvivier, Bernard (1762-1837); Groeningemuseum, Bruges, Belgium; (add.info.: See also 490066)

Background imagePersonification Collection: Charity (oil on canvas)

Charity (oil on canvas)
471335 Charity (oil on canvas) by Schadow, Wilhelm (1788-1862); 167x122 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imagePersonification Collection: Detail of Tempus, from Historia - Tempus - Legenda, 1897 (oil on panel)

Detail of Tempus, from Historia - Tempus - Legenda, 1897 (oil on panel)
490071 Detail of Tempus, from Historia - Tempus - Legenda, 1897 (oil on panel) by Hove, Edmond Theodor van (1853-1913); Groeningemuseum, Bruges

Background imagePersonification Collection: Allegorical figure of the Synagogue, from the Legend of St. Ursula, 1482 (oil on panel)

Allegorical figure of the Synagogue, from the Legend of St. Ursula, 1482 (oil on panel)
489938 Allegorical figure of the Synagogue, from the Legend of St. Ursula, 1482 (oil on panel) by Master of the Legend of St

Background imagePersonification Collection: Allegorical figure of the Church, from the Legend of St. Ursula, 1482 (oil on panel)

Allegorical figure of the Church, from the Legend of St. Ursula, 1482 (oil on panel)
489937 Allegorical figure of the Church, from the Legend of St. Ursula, 1482 (oil on panel) by Master of the Legend of St

Background imagePersonification Collection: Detail of Legenda, from Historia - Tempus - Legenda, 1897 (oil on panel)

Detail of Legenda, from Historia - Tempus - Legenda, 1897 (oil on panel)
490073 Detail of Legenda, from Historia - Tempus - Legenda, 1897 (oil on panel) by Hove, Edmond Theodor van (1853-1913); Groeningemuseum, Bruges

Background imagePersonification Collection: Minerva Slaying Discord (oil on canvas)

Minerva Slaying Discord (oil on canvas)
471260 Minerva Slaying Discord (oil on canvas) by Rubens, Peter Paul (1577-1640); 63.9x50 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imagePersonification Collection: Detail of Historia, from Historia - Tempus - Legenda, 1897 (oil on panel)

Detail of Historia, from Historia - Tempus - Legenda, 1897 (oil on panel)
490072 Detail of Historia, from Historia - Tempus - Legenda, 1897 (oil on panel) by Hove, Edmond Theodor van (1853-1913); Groeningemuseum, Bruges

Background imagePersonification Collection: Portrait of the Villers family, 1790 (oil on canvas)

Portrait of the Villers family, 1790 (oil on canvas)
490066 Portrait of the Villers family, 1790 (oil on canvas) by Duvivier, Bernard (1762-1837); 112x145 cm; Groeningemuseum, Bruges, Belgium; (add.info.: The central theme of the painting is fidelity)

Background imagePersonification Collection: Detail of Mars, surrounded by the Arts and Sciences, conquers Ignorance, 1605 (oil on canvas)

Detail of Mars, surrounded by the Arts and Sciences, conquers Ignorance, 1605 (oil on canvas)
490015 Detail of Mars, surrounded by the Arts and Sciences, conquers Ignorance, 1605 (oil on canvas) by Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613); Groeningemuseum, Bruges

Background imagePersonification Collection: Detail of Allegory of the 1577 Peace in the Low Countries, 1577 (oil on panel)

Detail of Allegory of the 1577 Peace in the Low Countries, 1577 (oil on panel)
490010 Detail of Allegory of the 1577 Peace in the Low Countries, 1577 (oil on panel) by Claeissens, Pieter II (fl.1571-d.1623); Groeningemuseum, Bruges

Background imagePersonification Collection: Detail of Death and the Miser, c. 1515-21 (oil on panel)

Detail of Death and the Miser, c. 1515-21 (oil on panel)
489943 Detail of Death and the Miser, c.1515-21 (oil on panel) by Provoost, Jan (c.1465-1529); Groeningemuseum, Bruges, Belgium; (add.info.: Exterior panels of a triptych)

Background imagePersonification Collection: Historia - Tempus - Legenda, 1897 (oil on panel)

Historia - Tempus - Legenda, 1897 (oil on panel)
490070 Historia - Tempus - Legenda, 1897 (oil on panel) by Hove, Edmond Theodor van (1853-1913); 45x121 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imagePersonification Collection: The Last Supper, 1548 (oil on panel)

The Last Supper, 1548 (oil on panel)
489970 The Last Supper, 1548 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); 46.5x63 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imagePersonification Collection: Scaldis and Antverpia, 1609 (oil on panel)

Scaldis and Antverpia, 1609 (oil on panel)
471164 Scaldis and Antverpia, 1609 (oil on panel) by Janssens van Nuyssen, Abraham (1575-1632); 174x308 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imagePersonification Collection: Allegory of the 1577 Peace in the Low Countries, 1577 (oil on panel)

Allegory of the 1577 Peace in the Low Countries, 1577 (oil on panel)
490009 Allegory of the 1577 Peace in the Low Countries, 1577 (oil on panel) by Claeissens, Pieter II (fl.1571-d.1623); 159x198 cm; Groeningemuseum, Bruges

Background imagePersonification Collection: Death and the Miser, c. 1515-21 (oil on panel)

Death and the Miser, c. 1515-21 (oil on panel)
489941 Death and the Miser, c.1515-21 (oil on panel) by Provoost, Jan (c.1465-1529); Groeningemuseum, Bruges, Belgium; (add.info.: Exterior panels of a triptych)

Background imagePersonification Collection: Ira, engraved by H. Cock, 1558 (wood engraving)

Ira, engraved by H. Cock, 1558 (wood engraving)
3834067 Ira, engraved by H. Cock, 1558 (wood engraving) by Bruegel, Pieter the Elder (c.1525-69); Private Collection; (add.info.: the Vital Defects, 1558); Fototeca Gilardi

Background imagePersonification Collection: Charity and Temperance (fresco)

Charity and Temperance (fresco)
ALS195503 Charity and Temperance (fresco) by Italian School, (15th century); Sanctuary of Nostra Signora delle Grazie, Montegrazie, Italy; Seat Archive/Alinari Archives

Background imagePersonification Collection: Knight, Death, and the Devil, 1513 (engraving)

Knight, Death, and the Devil, 1513 (engraving)
4071439 Knight, Death, and the Devil, 1513 (engraving) by Durer or Duerer, Albrecht (1471-1528); 24.6x18.8 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: The Christian knight)

Background imagePersonification Collection: Allegory of Love Conquering Lust (oil on canvas)

Allegory of Love Conquering Lust (oil on canvas)
1254388 Allegory of Love Conquering Lust (oil on canvas) by Garzi, Luigi (1638-1721); 75.7x62.9 cm; Private Collection; Photo © Christies Images




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Personification is a powerful artistic technique that breathes life into inanimate objects, concepts, and even nations. From the explosive brilliance of "A Star Explodes" by Norman Lindsay to the resilience embodied in "Long Live Estonia, " personification captivates our imagination. In an 1866 cartoon titled "Deaths Dispensary, " water pollution takes on a sinister form as it becomes the source of disease, reminding us of the consequences of environmental negligence. The Austro-Hungarian Empire proudly waves its flag while personified, symbolizing its strength and identity. Dressed in ancient Roman costume, we witness the embodiment of history itself. Guiseppe Heintz's 17th-century map of Venice transports us back in time to a city alive with stories waiting to be discovered. Lord have mercy on London. A contemporary English woodcut depicts the Great Plague of 1665 as death rides upon a pale horse, illustrating how they are evoke fear and urgency. Finland emerges as a vibrant character through "The Personification of Finland (Suomi), " representing national pride and unity. Gustave Doré's wood engraving portrays Death on his pale horse from Revelation 6:8, showcasing how personifying abstract ideas can make them tangible and relatable. During World War II, Edward T. Grigware's poster warns against careless talk with the phrase "Keep Mum - The World Has Ears. " This clever use reminds us that words hold power beyond measure. Lastly, Kiyochika Kobayashi's woodcut presents a thought-provoking image: a whale dining on Russian sailors while three fish symbolize Japan. Here we see how nations are given human-like qualities for political commentary or storytelling purposes. Through these diverse examples spanning centuries and cultures, we witness how artists employ personification to engage our emotions and provoke contemplation about complex issues such as pollution or war.