Skip to main content

Philipon Charles Collection

"Philipon Charles: A Glimpse into Satirical Art and Social Commentary" Step back in time to the early 19th century

Background imagePhilipon Charles Collection: Nouveautés philantropiques, 1841. Creator: Honore Daumier

Nouveautés philantropiques, 1841. Creator: Honore Daumier
Nouveautes philantropiques, 1841. Philanthropic news. The fictional character of Robert Macaire is an unscrupulous swindler in French culture

Background imagePhilipon Charles Collection: Robert Macaire actionnaire, 1838. Creator: Honore Daumier

Robert Macaire actionnaire, 1838. Creator: Honore Daumier
Robert Macaire actionnaire, 1838. Robert Macaire shareholder. Mais Mr. Macaire quand je vous ai distribue ces dividendes, vous saviez bien qu'ils etaient pris sur le capital

Background imagePhilipon Charles Collection: Portrait de Charles Philipon (1800-1862), dessinateur et journaliste, c1860. Creator: Gustave Doré

Portrait de Charles Philipon (1800-1862), dessinateur et journaliste, c1860. Creator: Gustave Doré
Portrait de Charles Philipon (1800-1862), dessinateur et journaliste, c1860

Background imagePhilipon Charles Collection: Charles Philipon, model c. 1832 / 1835, cast 1929 / 1930. Creator: Honore Daumier

Charles Philipon, model c. 1832 / 1835, cast 1929 / 1930. Creator: Honore Daumier
Charles Philipon, model c. 1832/1835, cast 1929/1930

Background imagePhilipon Charles Collection: Children, Obey Me, Do Not Play With Those Weapons, April 1834

Children, Obey Me, Do Not Play With Those Weapons, April 1834

Background imagePhilipon Charles Collection: Very Haughty and Very Mighty Legitimist Brats, February 1834. Creator: Honore Daumier

Very Haughty and Very Mighty Legitimist Brats, February 1834. Creator: Honore Daumier
Very Haughty and Very Mighty Legitimist Brats, February 1834

Background imagePhilipon Charles Collection: Le Journal Pour Rire, Journal d Iimages, Journal Comique, Critique, Satirique e

Le Journal Pour Rire, Journal d Iimages, Journal Comique, Critique, Satirique et Moqueur, August 23, 1850, August 23, 1850

Background imagePhilipon Charles Collection: Mode de l annee prochaine, ca. 1830. Creator: V Ratier

Mode de l annee prochaine, ca. 1830. Creator: V Ratier
Mode de l annee prochaine, ca. 1830. After Charles Philipon

Background imagePhilipon Charles Collection: Little Red Riding Hood drops the butter and cake, 1842. Creator: Unknown

Little Red Riding Hood drops the butter and cake, 1842. Creator: Unknown
Little Red Riding Hood drops the butter and cake, 1842. From " Illustrated London News", 1844, Vol I

Background imagePhilipon Charles Collection: Little Red Riding Hoods mother gives her a pot of butter and a cake for her grandmother

Little Red Riding Hoods mother gives her a pot of butter and a cake for her grandmother, 1842. From " Illustrated London News", 1844, Vol I

Background imagePhilipon Charles Collection: Little Red Riding Hood, 1842. Creator: Unknown

Little Red Riding Hood, 1842. Creator: Unknown
Little Red Riding Hood, 1842. From " Illustrated London News", 1844, Vol I

Background imagePhilipon Charles Collection: Little Red Riding Hood and the Wolf, 1842. Creator: Unknown

Little Red Riding Hood and the Wolf, 1842. Creator: Unknown
Little Red Riding Hood and the Wolf, 1842. From " Illustrated London News", 1844, Vol I

Background imagePhilipon Charles Collection: Little Red Riding Hood and the wolf disguised as her grandmother, 1842. Creator: Unknown

Little Red Riding Hood and the wolf disguised as her grandmother, 1842. Creator: Unknown
Little Red Riding Hood and the wolf disguised as her grandmother, 1842. From " Illustrated London News", 1844, Vol I

Background imagePhilipon Charles Collection: Twelve Satirical Vignettes (Le Charivari, December 10, 1832), December 1, 1832

Twelve Satirical Vignettes (Le Charivari, December 10, 1832), December 1, 1832

Background imagePhilipon Charles Collection: The Publisher Aubert (You must admit the government has a comic appearance), 1831

The Publisher Aubert (You must admit the government has a comic appearance), 1831

Background imagePhilipon Charles Collection: The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Gran

The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passee par la caricature le 30 Octobre 1832), October 1832



For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Philipon Charles: A Glimpse into Satirical Art and Social Commentary" Step back in time to the early 19th century, where the works captured the essence of a changing society. Born as Charles Philipon, this talented artist left an indelible mark on history with his satirical illustrations. One such masterpiece is the model c. 1832/1835 cast in 1929/1930 by Honore Daumier. This piece titled "Children, Obey Me, Do Not Play With Those Weapons" speaks volumes about parental authority and the dangers of youthful rebellion. In another work from April 1834 called "Very Haughty and Very Mighty Legitimist Brats, " Daumier portrays children who embody arrogance and privilege. Through these images, he criticizes those who blindly follow traditional values without questioning their validity. Charles also contributed to various publications like Le Journal Pour Rire, Journal d'Images, Journal Comique Critique Satirique e. These platforms allowed him to express his wit and social commentary through art that resonated with readers across France. Another notable creation is "Mode de l'Annee Prochaine" circa 1830 by V Ratier. This artwork provides a glimpse into fashion trends of that era while subtly mocking societal obsession with appearances. Moving away from satire but still within the realm of storytelling artistry is "Little Red Riding Hood drops the butter and cake" from 1842 by an unknown creator. It depicts Little Red Riding Hood's mother entrusting her daughter with a pot of butter and a cake for her grandmother—an iconic scene known worldwide. Continuing this narrative theme are two more pieces— "Little Red Riding Hood" and "Little Red Riding Hood and the Wolf. " Both created in 1842 by an unknown artist; they depict pivotal moments in this beloved fairy tale that have captivated audiences for generations.