Philipon Charles Collection
"Philipon Charles: A Glimpse into Satirical Art and Social Commentary" Step back in time to the early 19th century
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"Philipon Charles: A Glimpse into Satirical Art and Social Commentary" Step back in time to the early 19th century, where the works captured the essence of a changing society. Born as Charles Philipon, this talented artist left an indelible mark on history with his satirical illustrations. One such masterpiece is the model c. 1832/1835 cast in 1929/1930 by Honore Daumier. This piece titled "Children, Obey Me, Do Not Play With Those Weapons" speaks volumes about parental authority and the dangers of youthful rebellion. In another work from April 1834 called "Very Haughty and Very Mighty Legitimist Brats, " Daumier portrays children who embody arrogance and privilege. Through these images, he criticizes those who blindly follow traditional values without questioning their validity. Charles also contributed to various publications like Le Journal Pour Rire, Journal d'Images, Journal Comique Critique Satirique e. These platforms allowed him to express his wit and social commentary through art that resonated with readers across France. Another notable creation is "Mode de l'Annee Prochaine" circa 1830 by V Ratier. This artwork provides a glimpse into fashion trends of that era while subtly mocking societal obsession with appearances. Moving away from satire but still within the realm of storytelling artistry is "Little Red Riding Hood drops the butter and cake" from 1842 by an unknown creator. It depicts Little Red Riding Hood's mother entrusting her daughter with a pot of butter and a cake for her grandmother—an iconic scene known worldwide. Continuing this narrative theme are two more pieces— "Little Red Riding Hood" and "Little Red Riding Hood and the Wolf. " Both created in 1842 by an unknown artist; they depict pivotal moments in this beloved fairy tale that have captivated audiences for generations.