Pier Carl Collection

Design for the Base of a Crucifix, Plate 2 from: Neüinventierte Crucifix=
Design for the Base of a Crucifix, Plate 2 from: Neu inventierte Crucifix= Stocke, Printed ca. 1750-56

Design for the Base of a Crucifix, Plate 4 from: Neüinventierte Crucifix=
Design for the Base of a Crucifix, Plate 4 from: Neu inventierte Crucifix= Stocke, Printed ca. 1750-56

Design for an Altar, Plate 4 from an Untitled Series of Designs for Altars, Printed ca. 1750-56

Design for the Base of a Crucifix, Plate 1 from: Neüinventierte Crucifix=
Design for the Base of a Crucifix, Plate 1 from: Neu inventierte Crucifix= Stocke, Printed ca. 1750-56

Design for an Altar, Plate 2 from an Untitled Series of Designs for Altars, Printed ca. 1750-56

Design for an Altar, Plate 3 from an Untitled Series of Designs for Altars, Printed ca. 1750-56

Design for an Altar, Plate 1 from an Untitled Series of Designs for Altars, Printed ca. 1750-56

Design for a Monumental Altar, Plate p from Unterschiedliche Neu Inventierte Altare mit darzu gehorigen Profillen u. Grundriszen. Printed ca. 1750-56

Design for a Monumental Altar, Plate q from Unterschiedliche Neu Inventierte Altare mit darzu gehorigen Profillen u. Grundriszen. Printed ca. 1750-56

Design for a large Vase representing Fire, Plate 6 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Design for a large Vase representing Water, Plate 5 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Design for a Monumental Altar, Plate o (?) from Unterschiedliche Neu Inventierte Altare mit darzu gehorigen Profillen u. Grundriszen. Printed ca. 1750-56

Design for a large Vase or Ewer representing Air, Plate 2 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Design for a large Lidded Vase, Plate 1 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Design for a large Vase representing Earth, Plate 3 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Design for a large Asymmetrical Vase, Plate 4 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Various Designs for Rocaille Ornaments, Plate 3 from an Untitled Series of Rocaille Ornaments for Frames, Printed ca. 1750-56

Design for a Monumental Altar, Plate n from Unterschiedliche Neu Inventierte Altare mit darzu gehorigen Profillen u. Grundriszen. Printed ca. 1750-56

Design for a Confessional, Plate 4 from an Untitled Series of Designs for Confessionals, Printed ca. 1750-56

Design for a Confessional, Plate 2 from an Untitled Series of Designs for Confessionals, Printed ca. 1750-56

Design for a Confessional, Plate 1 from an Untitled Series of Designs for Confessionals, Printed ca. 1750-56

Design for a Pulpit, Plate 4 from an Untitled Series of Pulpit Designs, Printed ca. 1750-56

Design for a Pulpit, Plate 2 from an Untitled Series of Pulpit Designs, Printed ca. 1750-56

Design for a Pulpit, Plate 1 from an Untitled Series of Pulpit Designs, Printed ca. 1750-56

Design for a Two-Armed Candelabra with Rocaille Ornaments and Flowers, Plate 3 from an Untitled Series of Designs for Suspended Candelabra, Printed ca. 1750-56

Design for a Two-Armed Candelabra with a Dragon, Plate 1 from an Untitled Series of Designs for Suspended Candelabras, Printed ca. 1750-56

Design for a Three-Armed Candelabra, Plate 2 from an Untitled Series of Designs for Suspended Candelabra, Printed ca. 1750-56

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Pier Carl: A Master of Ecclesiastical Design" Pier Carl, a renowned artist and designer, has left an indelible mark on the world of ecclesiastical art. His intricate and awe-inspiring creations have captivated audiences for centuries, showcasing his immense talent and devotion to his craft. One of Pier Carl's notable works is the "Design for the Base of a Crucifix" series. In Plate 2 from his masterpiece "Neuinventierte Crucifix, " he skillfully combines delicate details with a sense of solemnity, creating a base that exudes reverence and spirituality. Plate 4 further showcases his mastery in capturing the essence of faith through intricate carvings and ornate embellishments. Continuing his exploration into religious design, Pier Carl presents us with stunning altars in various plates from untitled series. In Plate 4, he unveils an altar that radiates grandeur and serenity simultaneously; every element meticulously crafted to enhance the spiritual experience. Plates 2 and 3 offer unique perspectives on altars - each one reflecting Pier Carl's ability to infuse divine symbolism into every aspect of his work. The artist's creativity knows no bounds as seen in Plate 1 from another untitled series where he pushes boundaries by reimagining traditional altar designs. Here, Pier Carl introduces innovative elements while maintaining reverence for tradition - a testament to his artistic genius. Intriguingly titled "Unterschiedliche Neu Inventi, " we find two monumental altar designs showcased in Plates p and q respectively. These breathtaking pieces showcase Pier Carl's ability to create awe-inspiring structures that command attention while remaining harmonious within their sacred surroundings. Beyond ecclesiastical artistry, it also explores other realms such as vases representing natural elements like fire (Plate 6) and water (Plate 5).