Plate 7 Collection

Robinson Crusoe first sees and rescues his man Friday from "
3614724 A Robinson Crusoe first sees and rescues his man FridayA from A" The Life and Strange Surprising Adventures of Robinson Crusoe, or York, MarinerA" by Daniel Defoe by Stothard

Distillato, plate 7 from Nova Reperta, engraved by Philip Galle, c
XJF448283 Distillato, plate 7 from Nova Reperta, engraved by Philip Galle, c.1580-1605 (engraving) by Straet, Jan van der (Giovanni Stradano) (1523-1605) (after); Private Collection; (add.info)

One O clock: Walking in the Luxembourg Gardens, 1839 (hand-coloured lithograph)
1195469 One O clock: Walking in the Luxembourg Gardens, 1839 (hand-coloured lithograph) by Daumier, Honore (1808-79); 32.3x24.6 cm; Private Collection; Photo eChristies Images; French

Inspection Leaven Ceremonies et coutumes religieuses
Inspection of the Leaven, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723, Plate 7 follows p. 120 and precedes p. 121

rites Passover Ceremonies et coutumes religieuses
The rites of Passover, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723, Plate 7 follows p. 120 and precedes p. 121

Plate 7 Collection engravings ancient vases mostly
Plate 7, Collection of engravings from ancient vases mostly of pure Greek workmanship discovered in sepulchres in the kingdom of the Two Sicilies

Plate 6 A B. C Silver Plate 7 B Gold Beschreibung einer
Plate 6; A, B. and C: Silver and, Plate 7; A and B: Gold, Beschreibung einer ungemein grossen Elektrisier-Maschine: und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach

Lib IV Tabula VII Adriani Spigelii Bruxellensis
Lib. IV, Tabula VII, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib VIII Tabula VII Adriani Spigelii Bruxellensis
Lib. VIII, Tabula VII, Lib. VIII, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gapare

Lib II. Tabula VII II Adriani Spigelii Bruxellensis
Lib. II. Tabula VII, Lib. II. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Porta Maggiore olim Nevia Delle magnificenze
Porta Maggiore olim Nevia, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 7, volume 1, facing page 26

Gallerie en marbre = Gallerie von Marmor Residences memorables
Gallerie en marbre = Gallerie von Marmor, Residences memorables de lincomparable heros de notre siecle, ou Representation exacte des edifices et jardins de son altesse, le prince Eugene Francois

Plate 7 Tratado instructivo y practico sobre el
Plate 7, Tratado instructivo, y practico, sobre el arte de la tintura: reglas experimentadas y metodicas para tintar sedas, lanas, hilos de todas clases, y esparto en rama, Fernandez, Luis

published le Charivari 13 June 1847 you will
published in le Charivari (13 June 1847): What you will, plate 7: Having taken the part of dandies under the Directory, 1847. Honore Daumier (French, 1808-1879)

Suite de Paysages Landscape Plate 7 Remarque
Suite de Paysages: Landscape, Plate 7, Remarque, Poppies, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printed by Monrocq Freres, Paris

Plate 7 Traite de la Gravure a l Eau-Forte
Plate 7, Traite de la Gravure a l Eau-Forte: Traveler on a Road in a Forest, 1866. Maxime Lalanne (French, 1827-1886). Etching and drypoint; sheet: 24.9 x 17.5 cm (9 13/16 x 6 7/8 in.); platemark

Suite Vases Plate 7 1746 Jacques Francois Saly
Suite of Vases: Plate 7, 1746. Jacques Francois Saly (French, 1717-1776). Etching

Liber Studiorum Plate 7 Postwick Grove Norfolk
Liber Studiorum: Plate 7, Postwick Grove, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Mascarade a la Grecque L Epoux a la Grecque
Mascarade a la Grecque: L Epoux a la Grecque (Plate 7), 1771. Benigno Bossi (Italian, 1727-1792). Etching; sheet: 41.9 x 28.1 cm (16 1/2 x 11 1/16 in.)

Plate 7 bust bearded soldier wearing armor facing left
Artokoloro

Plate 7 triple waterfall dead tree right mountain
Artokoloro

Drawings Prints, Print, Count, William, III, Holland, Permitting, Beheading, Baliff
Drawings and Prints, Print, Count William III of Holland Permitting the Beheading of his Baliff, from Thronus Justitiae, tredecim pulcherrimus tabulis

Plate 7 cartouche flanked two satyrs crowned
Artokoloro

Straw Yard Liber Studiorum part II plate 7 February 20
Artokoloro

Plate 7 town sacked church background Large Miseries
Artokoloro

Plate 7 peasant woman carrying child right speaking
Artokoloro

Plate 7 triton water facing left holding up eel
Artokoloro

Plate 7 two soldiers standing left wolf devouring
Artokoloro

Drawings Prints, Print, Christ Garden, Passion Christ, plate 7, Artist, Gregoire Huret
Drawings and Prints, Print, Christ in the Garden, from The Passion of Christ, plate 7, The Passion of Christ, Artist, Gregoire Huret, French, Lyon 1606-1670 Paris, Huret, Gregoire, French, 1606

Plate 7 Two noblemen seated center conversing
Artokoloro

AM170720 084520
8, AM170720 084520

David Tearing Clothes Grief 1540 Engraving second state
Artokoloro

Drawings Prints, Print, Plate 7, Sergius, Galba, profile, right, Twelve Caesars, Artist
Drawings and Prints, Print, Plate 7: Sergius Galba in profile to the right, from The Twelve Caesars, The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian

Drawings Prints, Print, Triumph Humility, Cycle, Vicissitudes, Human, Affairs, plate 7
Drawings and Prints, Print, The Triumph of Humility, from The Cycle of the Vicissitudes of Human Affairs, plate 7, The Cycle of the Vicissitudes of Human Affairs, Artist, Publisher, After

AM170720 083222
8, AM170720 083222

Plate 7 cartouche mask ogre top center scrollwork
Artokoloro

Plate 7 Flood Diluvium Ovid Metamorphoses 1606
Artokoloro

Plate 7 various boats shore left man carrying
Artokoloro

Abuses Law Plate 7 n. d Engraving sheet 7 1 / 16 x 9
Artokoloro

Plate 7 two friezes top eagle head lion bottom
Artokoloro

Drawings Prints, Print, House Stepped Gable, Verscheyden Landtschapjes, Various Landscapes
Drawings and Prints, Print, The House with the Stepped Gable, from Verscheyden Landtschapjes (Various Landscapes), Plate 7, Artist, Publisher, Willem Pietersz. Buytewech, Claes Jansz

Plate 7 two horses ascending bank river right
Artokoloro

Plate 7 Psyche attended bath nymphs background right Psyche represented again laying
Artokoloro

Plate 7 Well young woman center drawing water
Artokoloro

For sale as Licensed Images

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Plate 7 showcases a diverse range of captivating scenes and engravings from various sources. In one depiction, we witness the pivotal moment when Robinson Crusoe first encounters his loyal companion, Friday, on a deserted island. This encounter marks the beginning of an extraordinary adventure that will forever change their lives. Another engraving featured is Distillato from Nova Reperta, skillfully engraved by Philip Galle. This artwork captures the intricate process of distillation, showcasing the scientific advancements of its time. Moving on to architecture, we are presented with an enchanting view of the Old Basilica in Vatican City and St Peter's Basilica. The detailed engraving by Paul Marie Letarouilly transports us back to 1882 as we admire the grandeur and magnificence of these iconic structures. The lithograph titled "One O'clock: Walking in Luxembourg Gardens" takes us on a leisurely stroll through this picturesque park in 1839. Hand-colored with meticulous attention to detail, it offers a glimpse into daily life during that era. Continuing our exploration into architectural marvels, we delve into Baldassarre Peruzzi's manuscript perspective which has been reworked and transformed into an exquisite engraving by Paul Marie Letarouilly. This piece allows us to appreciate the intricacies involved in planning and designing monumental structures like St Peter's Basilica. Intriguingly, it also presents us with floor plans depicting the second floor layout of Vatican Palace – providing insight into its vastness and complexity. These engravings offer a unique perspective on one of history's most renowned architectural wonders. Furthermore, within this collection lies an array of engravings featuring ancient vases – each possessing its own story and historical significance. These delicate pieces serve as windows into civilizations long past; they remind us how art can transcend time itself. Lastly but not least important are depictions related to religious ceremonies and customs.