Platzer Collection

Flute, lute, cello and violin; Johann Georg Platzer (1704-1761), 1948. Artist
Flute, lute, cello and violin; Johann Georg Platzer (1704-1761), 1948. From Musical Instruments Through the Ages, by Dr. Alexander Buchner. [Spring Books, London, 1948]

The Marriage at Cana, (on copper)
827938 The Marriage at Cana, (on copper) by Platzer, Johann Georg (1704-61); 43.6x63.5 cm; Private Collection; (add.info.: The Marriage at Cana. Johann Georg Platzer (1704-1761). Oil on copper

The Feeding of the Five Thousand, (on copper)
827939 The Feeding of the Five Thousand, (on copper) by Platzer, Johann Georg (1704-61); 43.8x63.6 cm; Private Collection; (add.info.: The Feeding of the Five Thousand)

An Allegory of the Visual Arts, (oil on metal)
827840 An Allegory of the Visual Arts, (oil on metal) by Platzer, Johann Georg (1704-61); 41x58.8 cm; Private Collection; (add.info.: An Allegory of the Visual Arts. Johann Georg Platzer (1704-1761)

Couple with Matchmaker, c. 1750. Creator: Platzer, Johann Georg (1704-1761)
Couple with Matchmaker, c. 1750. Found in the collection of Art Museum Basel

Self-Portrait, 1731. Creator: Platzer, Johann Georg (1704-1761)
Self-Portrait, 1731. Found in the Collection of Tiroler Landesmuseum Ferdinandeum, Innsbruck

Dancing scene with palace interior, 1731-1734. Creator: Platzer, Johann Georg (1704-1761)
Dancing scene with palace interior, 1731-1734. Found in the Collection of Skokloster Castle

Fountain scene in front of a palace, 1731-1734. Creator: Platzer, Johann Georg (1704-1761)
Fountain scene in front of a palace, 1731-1734. Found in the Collection of Skokloster Castle

Violin; Nicola Amati, Cremona; seventeenth century, 1948. Artist: Johann Georg Platzer
Violin; Nicola Amati, Cremona; seventeenth century, 1948. From Musical Instruments Through the Ages, by Dr. Alexander Buchner. [Spring Books, London, 1948]

Croesus and Solon. Artist: Platzer, Johann Georg (1704-1761)
Croesus and Solon. Found in the collection of the Dresden State Art Collections

Cleopatras feast. Artist: Platzer, Johann Georg (1704-1761)
Cleopatras feast. Found in the collection of the Landesmuseum Joanneum

Studio of the painter. Artist: Platzer, Johann Georg (1704-1761)
Studio of the painter. Found in the collection of the Schloss Fuschl Collection

Manius Curius Dentatus refusing the Bribes of the Samnites. Artist: Platzer, Johann Georg (1704-1761)
Manius Curius Dentatus refusing the Bribes of the Samnites. Found in the collection of the Dresden State Art Collections

Entry of Alexander the Great into Babylon, 331 BC, (18th century). Artist: Johann Georg Platzer
Entry of Alexander the Great into Babylon, 331 BC, (18th century). The city of Babylon (now in modern-day Iraq) surrenders to Alexander the Great (356-323 BC)

STAGE SET, 1797, by Josep Platzer for the theater at the Wallenstein Castle at Litomysl, Czechoslovakia

Entry of Alexander the Great into Babylon. Babylon surrendered to Alexander, kneeling in centre of picture, in 331 BC. Johann Georg Platzer (1704-1761) Austrian painter.Oil on copper

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Johann Georg Platzer (1704-1761) was a renowned artist known for his exquisite paintings and attention to detail. His works encompassed various themes, from biblical scenes to allegories and portraits. In "The Marriage at Cana, " he captured the joyous celebration with vibrant colors and intricate brushwork. Similarly, in "The Feeding of the Five Thousand, " Platzer depicted the miraculous event with great skill, emphasizing the multitude of people gathered around Jesus. One of his notable pieces is "An Allegory of the Visual Arts, " an oil painting on metal that showcases Platzer's mastery in portraying different art forms such as flute, lute, cello, and violin. The composition exudes harmony and elegance while paying homage to these musical instruments. Platzer's talent extended beyond religious subjects; he also excelled in capturing everyday life moments like in "Couple with Matchmaker. " This charming piece portrays a couple seeking love under the guidance of a matchmaker, reflecting societal norms during that era. In his self-portrait from 1731, we catch a glimpse into Platzer's own persona as an artist. With confident brushstrokes and intense gaze, he reveals his dedication to his craft. Platzer's versatility shines through in works like "Dancing scene with palace interior" and "Fountain scene in front of a palace. " These lively compositions transport us to opulent settings filled with merriment and grandeur. Not limited to painting alone, Platzer even ventured into other artistic realms by creating detailed depictions of violins crafted by Nicola Amati from Cremona during the seventeenth century. Through this work, he showcased his appreciation for both visual arts and music. Furthermore, some historical narratives were brought to life through Platzer's artistry.