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Polychromy Collection (#7)

Polychromy, a technique of adding vibrant colors to sculptures and artworks, has been prevalent throughout history

Background imagePolychromy Collection: Polychrome reliefs depicting an Egyptian worker. Deir el-Bah

Polychrome reliefs depicting an Egyptian worker. Deir el-Bah
Polychrome reliefs depicting an Egyptian worker. Temple of Hatshepsut. Eighteenth Dynasty. New Kingdom. Deir el-Bahari. Egypt

Background imagePolychromy Collection: Horus. Temple of Hatshepsut. Egypt

Horus. Temple of Hatshepsut. Egypt
Polychrome relief of Horus, sky god, represented with a falcon head. Temple of Hatshepsut. New Kingdom. Eighteenth Dynasty. Egypt

Background imagePolychromy Collection: Polychrome relief representing the goddess Hathor as a cow

Polychrome relief representing the goddess Hathor as a cow with solar disk between his horns. Temple of Hatshepsut. Eighteenth Dynasty. New Kingdom. Deir el-Bahari. Egypt

Background imagePolychromy Collection: Temple of Hatshepsut. Door with polychrome reliefs represent

Temple of Hatshepsut. Door with polychrome reliefs representing the pharaoh Hatshepsut with masculine attributes. 18th Dynasty. New Kingdom. Deir el-Bahri. Egypt

Background imagePolychromy Collection: Womans head painted. 13th Century B. C National Archaeolog

Womans head painted. 13th Century B. C National Archaeolog
Womans head painted. It comes from the Worship Center area of the acropolis of Mycenae. 13th century B.C. National Archaeological Museum. Athens. Greece

Background imagePolychromy Collection: EGYPTIAN ART. Relief depicting a lion

EGYPTIAN ART. Relief depicting a lion. Temple of Hatshepsut, Queen of the Eighteenth Dynasty. New Kingdom. Deir El Bahari. Luxor. Ancient Thebes (Waset). Egypt

Background imagePolychromy Collection: ECUADOR. Quito. Convent of San Francisco. Detail

ECUADOR. Quito. Convent of San Francisco. Detail of Altarpiece. 1630. Quito School. The use of bright polychromy was a feature of this school. Colonial baroque. Relief

Background imagePolychromy Collection: ECUADOR. Quito. Convent of San Francisco. Altarpiece

ECUADOR. Quito. Convent of San Francisco. Altarpiece of Santa Catalina. Polychrome carving. 1630. Quito School. The use of bright polychromy was a feature of this school. Colonial baroque

Background imagePolychromy Collection: Plaques, Scenes, Story, Joshua, 9001000, Constantinople, Byzantine, Ivory, traces

Plaques, Scenes, Story, Joshua, 9001000, Constantinople, Byzantine, Ivory, traces, polychromy, gilding, bone, border strips, 17a, 2 1/2 x 3 9/16 1/4, 6.3 9 0.6 cm, b, 1 1/16 1/16, 2.7 9.1 0.2

Background imagePolychromy Collection: Shield ca 1535 Bologna Italian Wood linen gesso

Shield ca 1535 Bologna Italian Wood linen gesso
Artokoloro

Background imagePolychromy Collection: Enthroned Virgin Child ca 1430 Middle Rhine Valley

Enthroned Virgin Child ca 1430 Middle Rhine Valley
Artokoloro

Background imagePolychromy Collection: Parade Saddle 1400-1450 German Tyrolean Bone

Parade Saddle 1400-1450 German Tyrolean Bone
Artokoloro

Background imagePolychromy Collection: Tilman Riemenschneider, German (c. 1460-1531), A Bishop Saint (Burchard of WaOErzburg?), c

Tilman Riemenschneider, German (c. 1460-1531), A Bishop Saint (Burchard of WaOErzburg?), c. 1515-1520, linden wood with traces of polychromy

Background imagePolychromy Collection: Temple Guardian, c. 1300-1400 (wood)

Temple Guardian, c. 1300-1400 (wood)
XOS1127480 Temple Guardian, c.1300-1400 (wood) by Japanese School, (14th century); h.239.5cmuw.131.5ud.62 cm; Rijksmuseum, Amsterdam

Background imagePolychromy Collection: Statuette of Aphrodite Leaning on a Pillar

Statuette of Aphrodite Leaning on a Pillar; Unknown; Tanagra, Greece, Europe; 250 - 200 B.C.; Terracotta with polychromy; Object: H: 27.1 cm (H: 10 11/16 in.)

Background imagePolychromy Collection: Shell

Shell; Unknown; Atalante (?), Greece, Europe; about 425 B.C.; Marble with polychromy; Object: H: 20.2 x W: 24.5 x D: 4.7 cm (7 15/16 x 9 5/8 x 1 7/8 in.)

Background imagePolychromy Collection: Portrait Head of Julia Titi

Portrait Head of Julia Titi; Unknown; Italy; about 90; Marble with polychromy; Object: H: 33 x W: 22.5 x D: 24.4 cm (H: 13 x W: 8 7/8 x D: 9 5/8 in.)

Background imagePolychromy Collection: Figure of a Child Seated Atop a Pig

Figure of a Child Seated Atop a Pig; Unknown; Rhodes (?), Greece, Europe; 2nd - 1st century B.C.; Terracotta with Polychromy; Object: H: 12 x L: 10.6 cm (4 3/4 x 4 3/16 in.)

Background imagePolychromy Collection: Statuette of a Biga with Driver

Statuette of a Biga with Driver; Unknown; Cyprus; 6th century B.C.; Terracotta with Polychromy; Object: H: 12.6 x W: 7.3 cm (H: 4 15/16 x W: 2 7/8 in.), Base: L: 10.5 cm (L: 4 1/8 in.)

Background imagePolychromy Collection: Statue of a Muse

Statue of a Muse; Unknown; about 200; Marble with polychromy; Object: H: 91.5 cm (36 in.)

Background imagePolychromy Collection: Portrait Bust of Man, Perhaps a Priest of Serapis

Portrait Bust of Man, Perhaps a Priest of Serapis; Unknown; Egypt, Africa; about 180; Marble with polychromy and gilding; Object: H: 79.5 cm (31 5/16 in.)

Background imagePolychromy Collection: Statuette of Venus (Venus de Clerq)

Statuette of Venus (Venus de Clerq); Unknown; Rome, Italy, Lazio, Europe; 175 - 200; Marble with polychromy; Object: H: 97.2 x W: 33 x D: 20.3 cm (38 1/4 x 13 x 8 in.)

Background imagePolychromy Collection: Furniture Support Shaped as a Hanging Marsyas

Furniture Support Shaped as a Hanging Marsyas; Unknown; Roman Empire; about 200; Marble with polychromy and gilding; Object: H: 43.2 cm (17 in.)

Background imagePolychromy Collection: Grave Naiskos of Apollonia

Grave Naiskos of Apollonia; Unknown; Greece, Europe; about 100 B.C.; Marble with polychromy; Object: H: 112.4 x W: 63.5 x D: 20 cm; Weight: 308.4 kg (44 1/4 x 25 x 7 7/8 in.; 680 lb)

Background imagePolychromy Collection: Statuette of a Dancer Playing the Lyre

Statuette of a Dancer Playing the Lyre; Unknown; Italy, Sicily, Europe; 2nd century B.C.; Terracotta with polychromy; Object: H: 19.8 x Diam. (base): 8.3 cm (7 13/16 x 3 1/4 in.)

Background imagePolychromy Collection: Fragment of a Relief of a Horseman and Companion from a Funerary

Fragment of a Relief of a Horseman and Companion from a Funerary Building; Unknown; Taras, South Italy, Europe; 290 - 250 B.C.; Limestone with polychromy; Object: H: 37.5 x W: 34 x D

Background imagePolychromy Collection: Sculptural Group of a Seated Poet and Sirens (2) with unjoined f

Sculptural Group of a Seated Poet and Sirens (2) with unjoined fragmentary curls (304); Unknown; Tarentum (Taras), South Italy, Europe; 350 - 300 B.C.; Terracotta with Polychromy; Various

Background imagePolychromy Collection: Anthemion of a Grave Stele

Anthemion of a Grave Stele; Unknown; Greece (Attica); about 320 B.C.; Marble with polychromy; Object: H: 75.9 x W: 60.3 x D: 26.7 cm (29 7/8 x 23 3/4 x 10 1/2 in.)

Background imagePolychromy Collection: Grave Stele of Myttion

Grave Stele of Myttion; Unknown; Attica, Greece; about 400 B.C.; Marble with polychromy; Object: H: 71.1 x W: 24.1 x D: 8.9 cm (28 x 9 1/2 x 3 1/2 in.)

Background imagePolychromy Collection: Grave Stele of Poseides

Grave Stele of Poseides; Unknown; Asia Minor; about 275 B.C.; Marble with polychromy; Object: H: 172.7 x W: 53.3 x D: 23.5 cm (68 x 21 x 9 1/4 in.)

Background imagePolychromy Collection: Thymiaterion Supported by a Statuette of Nike

Thymiaterion Supported by a Statuette of Nike; Unknown; Sicily, Europe; 500 - 480 B.C.; Terracotta with polychromy; Object: H: 44.6 x Diam. (incense cup): 7 cm (17 9/16 x 2 3/4 in.)

Background imagePolychromy Collection: Head of a Figure of the Early Spedos Variety

Head of a Figure of the Early Spedos Variety; Unknown; Greece, Cyclades, Europe; 2600 - 2500 B.C.; Marble with traces of polychromy; Object: H: 22.8 x W: 8.9 x D: 6.4 cm (9 x 3 1/2 x 2 1/2 in.)

Background imagePolychromy Collection: Thymiaterion and lid

Thymiaterion and lid; Unknown; South Italy, Europe; 4th century B.C.; Marble with polychromy; Object (thymiaterion): H: 22.9 cm (9 in.), Object (lid): H: 6.4 cm (2 1/2 in.)

Background imagePolychromy Collection: Three Fishplates

Three Fishplates; Unknown; South Italy, Europe; 4th century B.C.; Marble; polychromy; Various, see extensions

Background imagePolychromy Collection: Head with Horns

Head with Horns; Paul Gauguin, French, 1848 - 1903; 1895 - 1897; Wood with traces of polychromy; Object (head): H: 22 x W: 22.8 x D: 12 cm (8 11/16 x 9 x 4 3/4 in.)

Background imagePolychromy Collection: Painted stone statue of seated god Nappatecuhtli, from Mexico

Painted stone statue of seated god Nappatecuhtli, from Mexico
Aztec civilization, Mexico, 15th century. Painted stone statue of seated god Nappatecuhtli

Background imagePolychromy Collection: Painted stucco head of Sphinx, from Mycenae, Height 17 cm

Painted stucco head of Sphinx, from Mycenae, Height 17 cm
Greek-Mycenaean civilization, 14th-13th century b.C. - Painted stucco head of sphynx. From Mycenae. Height 17 cm

Background imagePolychromy Collection: SIERRA, Pedro de (1702-1760). Altarpiece of the

SIERRA, Pedro de (1702-1760). Altarpiece of the

Background imagePolychromy Collection: Virgin. 2nd half s. XIV. Detail. It has remains

Virgin. 2nd half s. XIV. Detail. It has remains
Virgin. 2nd half s.XIV. Detail. It has remains of polychromy. Attributed to the same author as the Virgin from Boixadors (Anoia) one which is in the Museu Episcopal of Vic. International gothic

Background imagePolychromy Collection: Virgin

Virgin. It has remains of polychromy. Attributed to the same artist as the Virgin from Boixadors (Anoia) one, which is in

Background imagePolychromy Collection: Virgin from Ger

Virgin from Ger. Woodcarving with polychromy in tempera. Romanesque art. Sculpture on wood. Proc: SPAIN. Ger. Church of Santa




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Polychromy, a technique of adding vibrant colors to sculptures and artworks, has been prevalent throughout history. In Egyptian art, the Nefertiti bust stands as a remarkable example of polychromed limestone and stucco. Housed in the Neues Museum, this masterpiece showcases the intricate details achieved through this ancient method. Moving forward in time, we encounter the Temple of Ramses III. Here, the pharaoh himself is depicted wearing polychromed attire that brings life to his majestic figure. This temple serves as a testament to how color was used not only for aesthetic purposes but also to convey power and status. The Tomb of Kha introduces us to another fascinating artifact from 1400 BC Egypt – a polychromed vase. Its vivid hues transport us back in time, offering glimpses into the artistic preferences and techniques employed during that era. Stepping outside Egypt's borders, we find ourselves admiring Saint Barbara by Master of the Statues of Koudewat from around 1470. The delicate application of various pigments on her sculpture adds depth and realism to her portrayal. Fast-forwarding centuries later brings us Saint John of God sculpted by Agapit Vallmitjana i B in 1883. This Spanish artwork demonstrates how polychromy continued to be embraced even during more modern times. In Cantabria's town Limpias resides an awe-inspiring piece known as The Christ of Limpias from the 18th century. Through skillful use of colors on woodwork, this sculpture evokes strong emotions among its viewers. Returning once again to Egypt's rich heritage takes us to Deir el-Bahari where we discover The Land of Punt within Hatshepsut's temple complex. Polychrome reliefs adorn these walls with scenes depicting trade expeditions between ancient Egyptians and Puntites – showcasing their cultural exchange through vibrant hues.