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Polyhedron Collection

"Exploring the Fascinating World of Polyhedrons: From Art to Science" Polyhedrons have captivated artists and scientists alike throughout history

Background imagePolyhedron Collection: The Ambassadors, 1533 (oil on panel)

The Ambassadors, 1533 (oil on panel)
BAL122676 The Ambassadors, 1533 (oil on panel) by Holbein the Younger, Hans (1497/8-1543); 207x209.5 cm; National Gallery, London, UK; German, out of copyright

Background imagePolyhedron Collection: Melencolia I, 1514. Creator: Albrecht Durer

Melencolia I, 1514. Creator: Albrecht Durer
Melencolia I, 1514. The standard interpretation highlights the depressive or melancholy state of the human condition, and explains the many important symbols in the print accordingly.

Background imagePolyhedron Collection: Geometric shapes, from Harmonices Mundi by Johannes Kepler (1571-1630

Geometric shapes, from Harmonices Mundi by Johannes Kepler (1571-1630
BMR218725 Geometric shapes, from Harmonices Mundi by Johannes Kepler (1571-1630) published in Linz, 1619 (engraving) by Austrian School, (17th century); Bibliotheque Mazarine, Paris

Background imagePolyhedron Collection: Johann I Neudorfer and his Son, 1561 (oil on canvas)

Johann I Neudorfer and his Son, 1561 (oil on canvas)
XIL161721 Johann I Neudorfer and his Son, 1561 (oil on canvas) by Neufchatel, Nicolas (1527-90); 90.3x85 cm; Musee des Beaux-Arts, Lille, France; Netherlandish, out of copyright

Background imagePolyhedron Collection: Melenconia I, 1514 (Burin engraving)

Melenconia I, 1514 (Burin engraving)
5890642 Melenconia I, 1514 (Burin engraving) by DAorer or Duerer, Albrecht (1471-1528); 24x18.8 cm; Private Collection; (add.info)

Background imagePolyhedron Collection: Melencolia I by Albrecht Durer (1471-1528) on of his 3 master engravings completed

Melencolia I by Albrecht Durer (1471-1528) on of his 3 master engravings completed
5615762 Melencolia I by Albrecht DAorer (1471-1528) on of his 3 master engravings completed in 1514. by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info)

Background imagePolyhedron Collection: Melencolia I, 1514 (engraving)

Melencolia I, 1514 (engraving)
3615917 Melencolia I, 1514 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 24x18.5 cm; Metropolitan Museum of Art, New York

Background imagePolyhedron Collection: Microscopic view of the common cold virus

Microscopic view of the common cold virus
Conceptual image of the common cold virus. The common cold virus is an infectious disease typically transmitted via airborne droplets (aerosols), direct contact with infected nasal secretions

Background imagePolyhedron Collection: Artists illustration of an icosahedron

Artists illustration of an icosahedron. In geometry, an icosahedron is a polyhedron with 20 triangular faces, 30 edges and 12 vertices

Background imagePolyhedron Collection: Microscopic view of Canine Parvovirus

Microscopic view of Canine Parvovirus. Canine Parvovirus is a highly contagious viral disease that is one of the most common causes of diarrhea in dogs under 6 months of age

Background imagePolyhedron Collection: The Ambassadors, 1533 (oil on panel) (detail of 122676)

The Ambassadors, 1533 (oil on panel) (detail of 122676)
BAL267602 The Ambassadors, 1533 (oil on panel) (detail of 122676) by Holbein the Younger, Hans (1497/8-1543); 207x209.5 cm; National Gallery, London, UK; German, out of copyright

Background imagePolyhedron Collection: Light Physics Diagrams and Instruments. C017 / 3472

Light Physics Diagrams and Instruments. C017 / 3472
Plate from 18th century encyclopedia showing light physics diagrams and instruments. Included are illustrations showing the splitting of white light into the colours of the spectrum

Background imagePolyhedron Collection: Rotavirus particle, artwork and TEM

Rotavirus particle, artwork and TEM
Rotavirus particle. Computer artwork (left) and coloured transmission electron micrograph (TEM) of the geometric structure of a rotavirus particles capsid shell

Background imagePolyhedron Collection: Octahedral molecular models, artwork

Octahedral molecular models, artwork. Each model consists of six atoms and twelve bonds, making up the vertices and edges of an eight-sided shape known as an octahedron



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"Exploring the Fascinating World of Polyhedrons: From Art to Science" Polyhedrons have captivated artists and scientists alike throughout history. In "The Ambassadors, " a renowned painting from 1533, we see a hidden anamorphic skull, cleverly incorporated into the geometric shapes of this masterpiece. Johannes Kepler, in his influential work "Harmonices Mundi, " introduced us to the beauty and harmony found within these geometric shapes. His illustrations showcased intricate polyhedrons that fascinated mathematicians for centuries to come. In Johann I Neudorfer's captivating oil painting from 1561, we witness the artistic representation of polyhedrons as they intertwine with human figures. This fusion between art and geometry highlights their significance in both realms. Albrecht Durer's master engraving "Melencolia I" is one of his most celebrated works. Completed in 1514, it showcases a brooding angel surrounded by various objects, including a mysterious polyhedral shape. Its presence adds an enigmatic touch to this iconic piece. Microscopic views offer another perspective on polyhedrons' ubiquity. We observe their resemblance in structures such as Canine Parvovirus or even the common cold virus – reminding us that nature itself embraces these fascinating geometrical forms. Even beyond science and biology, artists continue to find inspiration in polyhedrons. An artist's illustration of an icosahedron demonstrates how these shapes can be transformed into mesmerizing artworks that stimulate our imagination. From Renaissance paintings to microscopic wonders, polyhedrons have left an indelible mark on various aspects of human creativity and scientific exploration. Their allure lies not only in their mathematical precision but also in their ability to transcend boundaries between disciplines – uniting art and science through their timeless appeal.