Pope Alexander Vii Collection

Portrait of Pope Alexander VII, c1650. Creator: Giovanni Battista Gaulli Baciccio
Portrait of Pope Alexander VII, c1650

Alexander VII, 1599-1667, Pope, late 17th-early 18th century. Creator: Giovanni Battista Gaulli Baciccio
Alexander VII, 1599-1667, Pope, late 17th-early 18th century

Allegory of Queen Christina's submission to the Catholic Church... early 18th century. Creator: Angelo Trevisani
Allegory of Queen Christina's submission to the Catholic Church and Pope Alexander VII, early 18th century

Alexander VII, 1599-1667, Pope, c17th century. Creator: Anon
Alexander VII, 1599-1667, Pope, c17th century

The Climbing of the Capitol with the Grey Horse of the Newly Elected Pope, 1650-1674. Creator: Johannes Lingelbach
The Climbing of the Capitol with the Grey Horse of the Newly Elected Pope, 1650-1674

Pope Alexander the Seventh, n.d. Creator: Cornelis de Visscher
Pope Alexander the Seventh, n.d

Pope Alexander VII, 1599 - 1667, born Fabio Chigi. From Crabb's Historical Dictionary, published 1825
3039865 Pope Alexander VII, 1599 - 1667, born Fabio Chigi. From Crabb's Historical Dictionary, published 1825. by English School, (19th century); Private Collection

The Reception of Cardinal Flavio Chigi (1631-93) by Louis XIV (1638-1715) 29th July 1664 (pen & ink on paper)
XIR241539 The Reception of Cardinal Flavio Chigi (1631-93) by Louis XIV (1638-1715) 29th July 1664 (pen & ink on paper) by French School, (17th century); Bibliotheque Nationale, Paris, France

Pope Alexander VII, c. 1660 (oil on canvas)
3930864 Pope Alexander VII, c.1660 (oil on canvas) by Gaulli, Giovanni Battista (Baciccio) (1639-1709); 67x56 cm; National Museum, Stockholm

Allegory of Fortune, c. 1658-9 (oil on canvas)
3545818 Allegory of Fortune, c.1658-9 (oil on canvas) by Rosa, Salvator (1615-73); 200.7x133 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Fortune bestows wealth, status)

Louis XIV (1638-1715) receiving the Papal Legate at Fontainebleau
XZL147670 Louis XIV (1638-1715) receiving the Papal Legate at Fontainebleau, detail from a Gobelins tapestry, 29 July 1664 (tapestry) (see 22905) by Le Brun

Alexander VII and Queen Kristina, c. 1655 (oil on canvas)
3930865 Alexander VII and Queen Kristina, c.1655 (oil on canvas) by Trevisani, Francesco (1656-1746) (attr. to); 113x149 cm; National Museum, Stockholm

Louis XIV (1638-1715) receiving the Papal Legate at Fontainebleau on 29 July 1664
CHT271788 Louis XIV (1638-1715) receiving the Papal Legate at Fontainebleau on 29 July 1664 (colour litho) by Le Brun, Charles (1619-90) (after); Bibliotheque des Arts Decoratifs, Paris

The Audience of Cardinal Chigi with Louis XIV (1638-1715) at Fontainebleau
XIR22905 The Audience of Cardinal Chigi with Louis XIV (1638-1715) at Fontainebleau, 29th July 1664, Gobelins factory (tapestry) by Le Brun, Charles (1619-90) (after); ChAteau de Versailles

Alexander VII, (1599-1667), 1830. Creator: Unknown
Alexander VII, (1599-1667), 1830.Pope Alexander VII (1599-1667), born Fabio Chigi, was Pope from 7 April 1655 to his death in 1667 From " Biographical Illustrations", by Alfred Howard

Pope Alexander VII Fabio Chigi Portrait Vatican
Pope Alexander VII, 1599 - 1667, born Fabio Chigi. After a print by Pieter van Schuppen from the painting by Pierre Mignard

Pope Alexander VII Fabio Chigi Portrait Vatican
Pope Alexander VII, 1599 - 1667, born Fabio Chigi. After a print by Theodor Matham

Portrait Cardinal Carlo Bonnelli Cardinal Carlo Bonnelli inside
Portrait of Cardinal Carlo Bonnelli, Portrait of Cardinal Carlo Bonnelli inside an oval with below it a three-line text in Latin and at the top the weapon of Pope Alexander VII

Cathedram S. Petri in interiore templi fronte... Plate 41 from the Album Basili
Cathedram S. Petri in interiore templi fronte...Plate 41 from the Album Basilica di S. Pietro in Vaticano, 1666 (or after)

Portrait of Pope Alexander VIII, Matthijs van Marebeek, 1689 - 1699

Kirchers book on geology, 1678 edition
Kirchers book on geology. Title page of the 1678 edition of Mundus Subterraneus (Subterranean World) by the German Jesuit scholar Athanasius Kircher (circa 1601-1680)

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Pope Alexander VII, born Fabio Chigi in 1599, was a prominent figure in the history of the Catholic Church. Known for his diplomatic skills and patronage of the arts, he left an indelible mark on both religious and secular spheres during his reign. One notable event that showcased Pope Alexander VII's influence was the reception of Cardinal Flavio Chigi by Louis XIV in July 1664. This pen and ink drawing captures the momentous occasion when two powerful figures met, symbolizing their mutual respect and cooperation. Another significant event during Pope Alexander VII's papacy was the conclave following his death in 1667. This gathering marked a crucial transition period for the Catholic Church as they sought to elect a new leader who would continue Alexander VII's legacy. Portraits from different periods depict Pope Alexander VII with regal poise and authority. The oil painting from around 1660 showcases him adorned in papal vestments, exuding confidence and wisdom. Another painting titled "Alexander VII and Queen Kristina" portrays an intriguing encounter between the pope and Queen Kristina of Sweden, highlighting their shared interests in politics and culture. The relationship between Pope Alexander VII and Louis XIV is also evident through various artworks depicting their interactions. One such piece shows Louis XIV receiving a Papal Legate at Fontainebleau Palace on July 29th, 1664 – a testament to their close ties as political allies within Europe. Aside from his political engagements, Pope Alexander VII had an appreciation for artistry. An allegorical painting titled "Allegory of Fortune" exemplifies this passion as it explores themes of fate and destiny through vibrant colors and intricate details. Even after his passing, Pope Alexander VII continued to be remembered through portraits like one created by an unknown artist in 1830. This depiction serves as a reminder of his enduring impact on both religious institutions and wider society.