Prince Alfred Collection (#3)

Alfred Ernest Albert, Duke of Edinburgh (1844-1900), British prince, c1890. The second son of Queen Victoria, Alfred succeeded his uncle Ernst as Duke of Saxe-Coburg-Gotha in 1893

The Old, Old Tune, 1873. Artist: Joseph Swain
The Old, Old Tune, 1873. Prince Alfred serenades his bride to be. Her Russian ancestry is illustrated in the two bears on the crest beneath her windowsill

Our Merchant Navy, 1874. Artist: Joseph Swain
Our Merchant Navy, 1874. Alfred, Duke of Edinburgh refers to Britains need for fit and ready sailors. Mr Samuel Plimsoll was pursuing his fight against the often deliberate overloading

The Latest in Russia Bonds, 1874. Artist: Joseph Swain
The Latest in Russia Bonds, 1874. Mr Punch, trailing a garland of roses, stands atop a pedestal labelled Hymen. In the foreground

Alfred Refuses to Burn His Fingers, 1862. The Greek Government had decided that elections should be held to find a King to replace King Otho, who had abdicated

Men for the Fleet!, 1859. In May 1959, Prince Alfred, Queen Victorias second son, was appointed aboard HMS Euryalus. Although he is depicted as a child in this cartoon

H. M. S. EURYALUS, WITH PRINCE ALFRED ON BOARD, ENTERING SIMONs BAY. 1860
H.M.S. " EURYALUS, " WITH PRINCE ALFRED ON BOARD, ENTERING SIMONs BAY. 1860

Prince Alfred, Duke of Edinburgh (1844-1900), the second son of Queen Victoria and Prince Albert in full hunting dress

H. M. S. EURYALUS, WITH PRINCE ALFRED ON BOARD, ENTERING SIMONs BAY. 1860
H.M.S. " EURYALUS, " WITH PRINCE ALFRED ON BOARD, ENTERING SIMONs BAY. 1860

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Prince Alfred, the beloved second son of Queen Victoria and Prince Albert, was a figure of great significance in both his personal life and his public duties. In 1856, he entered into a momentous union with the Grand Duchess Marie Alexandrovna, marking an alliance between Britain and Russia. The lithography workshop at Day & Sons captured this joyous occasion for posterity. As time went on, Prince Alfred's image evolved through the lens of John Jabez Edwin Mayall in 1860. This portrait showcased his maturity and regal demeanor as he embraced his role as Duke of Saxe-Coburg and Gotha. However, tragedy struck in 1900 when Prince Alfred passed away. A solemn funeral took place in Coburg, Germany—a poignant black-and-white photograph immortalizing this somber moment. Another poignant image emerged from Schloss Rosenau where Prince Alfred lay on his deathbed just days before his passing. The monochrome photograph depicted him surrounded by loved ones during these final moments. Yet amidst these moments of sorrow were also times of celebration. Engravings captured two significant ceremonies: one depicting the Greco-Russian Wedding Ceremony held at the Imperial Chapel of the Winter Palace in St Petersburg; another showcasing an Anglican Wedding Ceremony taking place within the Alexander Hall of the same palace. Prince Alfred's dedication to public service was evident throughout his life. An engraving depicted him opening Edinburgh's Industrial Museum—an event that highlighted his commitment to progress and innovation. Additionally, an engraving showcased Messrs Day and Sons lithographic establishment—an acknowledgment of their collaboration with Prince Alfred to preserve important historical events through artistry. Religion played a crucial role for Prince Alfred too; an engraving portrayed him standing before Pope Leo III—a testament to interfaith dialogue during a time marked by religious tensions. A vibrant color lithograph presented H. R. H. , Duke of Edinburgh—capturing not only his royal status but also his vibrant personality.