Prinnie Collection (#4)

The Prince of Wales at York House, London, 1792. The visit to Piccadilly, or a Prussian reception, representing Shon-ap-Morgan, Shentleman of Wales, introducing his old nanny goat into high company

Queen Carolines procession
Luciferas procession, Fairy-queen, 1821. Queen Caroline as Lucifera sitting in a coach made of objects which figured in the evidence against her

Design for a new coat of arms... 1821
Design for a new coat of arms dedicated to Mothers Wood, Windsor & Co & all the fancy queens, 1821. This is an anti-Queen Caroline satire which refers to her alleged infidelity

Intended statues for Waterloo Place, 1821. Artist: JL Marks
Intended statues for Waterloo Place, 1821. Two large figures on a low pedestal embracing. King George IV is shown as Bacchus and Lady Conyngham as Ariadne

An old friend with a new face or the baron in disguise, 1821. A bison with the head of Bartolomeo Pergami is embraced by Queen Caroline

The man of the woods & the cat-o -mountain, 1821. A monkey with Alderman Matthew Woods head squats beside a plump cat with the head of Queen Caroline; he puts his left hand on her shoulder

Moments of pleasure, 1820. Queen Caroline, seated on a couch receives the news of the Bill of Pains and Penalties being dropped and Alderman Matthew Wood dances around in front of her

The secret insult! or bribery & corruption rejected!!!, 1820. Queen Caroline stands facing Lord Hutchinson, who begs her to abandon her claim to the throne; on the right is Alderman Matthew Wood in

Stewards Court of the Manor of Torre Devon, 1820. Artist
Stewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles

View of the residence of Queen Caroline in Portman Street, Marylebone, London, c1820

Banquet at the Guildhall, City of London, 1814 (1815). Interior view of the Guildhall during a banquet in honour of the Prince Regent (the future George IV), Tsar Alexander I

The Pall Mall Apollo or R-ty in a blaze, 1816. Artist: Isaac Cruikshank
The Pall Mall Apollo or R-ty in a blaze, 1816. The Prince Regent is dressed as Apollo, McMahon as Mercury pours a chamber pot over his flaming head. On the left are two statues

Procession of the Prince Regent, 1814. A broad sheet at the head of which is depicted the procession of the Prince Regent to Guildhall to celebrate peace after the Napoleonic Wars

Results of the northern excursion, 1822. Artist: George Cruikshank
Results of the northern excursion, 1822. The image shows George IV and Sir William Curtis. The King is rubbing his fingers, a gesture known as playing the Scotch fiddle

Pray remember us poor children, 1795. Artist: Isaac Cruikshank
Pray remember us poor children, 1795. Duke of York, Duke of Clarence and Prince of Wales at the door of the House of Commons. Henry Addington, Charles Fox and William Pitt speak

Lord Mayor of London, John Thomas Thorp, dressed for a royal coronation, 1821. Artist
Lord Mayor of London, John Thomas Thorp, dressed in his coronation robe, ostrich feather hat and mace for the coronation of King George IV, 1821

King George IVs Coronation Procession, London, 1821. Panoramic view of the royal procession from Westminster Hall to Westminster Abbey for King George IVs coronation

A_d_n Cur_it_is. a Trifle from Ramsgate, (Alderman Curtis), c1821. Showing a profile view of Sir William Curtis, later Lord Mayor of London

King George IV riding through Hyde Park, London, 1831. Artist: Matthew Dubourg
King George IV riding through Hyde Park, London, 1831. By-standers watch as the king rides past in his carriage

The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821. George IV, surrounded by admiring ministers, holds up an extinguisher made of paper

George III feeding himself on guineas, London, 1787
Monstrous craws, at a new coalition feast, London, 1787; showing King George III, Queen Charlotte and the Prince of Wales seated outside the treasury round a bowl of guineas

Monument to George IV, Battle Bridge (now Kings Cross), London, 1835
View of the octagonal monument to King George IV at Battle Bridge, London, 1835. The monument was erected in 1836 and the area of Battle Bridge was subsequently re-named Kings Cross

View of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Artist
View of the Watermen and Lightermen of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Presenting a loyal address to Caroline of Brunswick during the governmental attempts to

Queen Caroline travelling to St Pauls Cathedral, London, 20th November 1820 (1821). Panoramic view of Caroline, Queen Consort of George IV travelling in state to St Pauls Cathedral to give thanks for

A serio comic extravaganza... 1820. George IV seems to be dismissing a petition from the Lord Mayor, John Thomas Thorp, introduced by Alderman Matthew Wood (?)

How to get un-married, ay, theres the rub!, 1820. Artist: JL Marks
How to get un-married, ay, theres the rub!, 1820. George IV and Queen Caroline are tied back to back; the Queens hand is held by the figure of Justice; Lord Brougham stands on the left; the King is

The Unexpected Visit or more free than welcome, 1820. George IV, seated on a cushion in the Brighton Royal Pavilion, throwing up his arms in horror at the entry of the Queen closely followed by

King Henry VIII, act II, scene iv, c1820. Artist
King Henry VIII, act II, scene iv, c1820. A performance of the play. George IV, as Henry VIII, sits on the dais under a canopy; two cardinals gape at Queen Caroline who, as Catherine of Aragon

Ghost as seen in the Hamlet of St Stephens Chapel, 1820. A scene in the House of Lords at the trial of Queen Caroline; the Queen throws up her arms in terror at the appearance of the first witness

St Stephens Bell Man, 1820. Viscount Castlereagh, in a bell-mans caped coat, shouts outside Alderman Woods house in South Audley Street. Queen Caroline replies from an open window

Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert Cruikshank
Fracas Royal Extraordinaire, 1820. The Duke of York punching King George IV in the face, watched by Queen Caroline, Alderman Matthew Wood and others. With satirical verses beneath

Queen Caroline and Mrs Wood, 1820. Brandenburgh House theatricals, a Wood scene in a new farce now performing with the greatest eclat at the Hammersmith theatre

The Regents Hack, 1812. The Prince Regent riding a horse, with the head of Sheridan, along a street which is strewn with large stones on which are heads of members of the opposition

Demolition of the monument to George IV, Kings Cross, London, 1845

Proclaimation of George IVs accession to the throne at the Royal Exchange, London, 1820 (1827). George IV is seated in a coach with a crowd raising their hats to him as he receives a fanfare

Banquet at the Guildhall, City of London, 1814. Artist
Banquet at the Guildhall, City of London, 1814. Banquet at Guildhall to the Prince Regent, the Czar of Russia and the King of Prussia, June 18

Knight of the Garter in ceremonial costume, 1824. Artist: William Bond
Knight of the Garter in ceremonial costume, 1824. Charles William Stewart, Marquis of Londonderry, is in ceremonial costume for the coronation of King George IV, 19 July 1821

Treasurer in ceremonial costume, 1826. Artist: Edward Scriven
Treasurer in ceremonial costume, 1826. The Treasurer of the Kings household, the Right Honourable Lord Charles Bentinck, is in full ceremonial costume

Gentleman in ceremonial costume, 1824. Artist: Edward Scriven
Gentleman in ceremonial costume, 1824. The gentleman, a member of the Kings Privy Council, is in full ceremonial costume for the coronation of King George IV, 19 July 1821

Frederick Augustus, Duke of York in the coronation dress and robes of estate, 1824. He is being attended by his trainbearer, Lieutenant Henry Frederick Cookes for the coronation of King George IV

Gentleman in cerimonial costume, 1826. Artist: Henry Meyer
Gentleman in cerimonial costume, 1826. The gentleman of the Kings Privy Chamber is in full ceremonial costume for the coronation of King George IV, 19 July 1821

Alderman Sir Matthew Wood and King George IV
The Modern Belshazzers Feast; Alderman Sir Matthew Wood presents an envelope marked the Queens letter to the Prince Regents dinner table which falls into disarray

Scene at Horse Guards Parade, London, 1816. The Prince Regent (later King George IV) is portrayed as the mortar known as the Regents Bomb

Caroline of Brunswick, 1935. Caroline of Brunswick (1768-1821) was Queen of the United Kingdom by marriage to King George IV from 29 January 1820 until her death in 1821

George IV, 1935. George IV, King of the United Kingdom of Great Britain and Ireland. George Augustus Frederick (1762-1830) ruled as Prince Regent from 1811 until his father George III died in 1820

Hilt and scabbard of the Jewelled State Sword, 1953. The piece was commissioned in 1820 for the coronation of George IV and is now part of the Royal Collection at the Tower of London

The Colonel, 1825-1847, (1911)
The Colonel, 1911. The Colonel (1825-1847) was a British-bred Thoroughbred racehorse and sire best known for running a dead heat in the Epsom Derby and winning the St Leger Stakes in 1828

The Pavilion, Brighton c1900. Artist: W & AH Fry
The Pavilion, Brighton c1900. The Royal Pavilion, also known as the Brighton Pavilion, is a former royal residence located in Brighton, England

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"Prinnie: A Glimpse into the Royal World of Princess Amelia and Her Daughter, Princess Charlotte" Step back in time to the enchanting era of 1919 as we delve into the captivating world of "Prinnie. " This collection of historical artworks offers a fascinating insight into the lives and times of some prominent figures from British history. One such masterpiece is George Hayter's exquisite portrait titled "Princess Amelia of Brunswick and Her Daughter Princess Charlotte. " The painting beautifully captures the regal elegance and maternal bond between these two influential women. Their grace and poise are evident, reflecting their esteemed position within society. Moving on to another intriguing piece, we encounter George Canning depicted around 1810. Although its creator remains unknown, this artwork provides a glimpse into Canning's political career during that period. His astute gaze hints at his determination to make an impact on British politics. Thomas Gainsborough's masterpiece "Mrs. Robinson (Perdita)" transports us further back in time to 1781. This captivating portrait showcases Mrs. Robinson's beauty and charm, immortalizing her as one of the most celebrated actresses and courtesans of her time. Journeying through history, we stumble upon J Cook's depiction of Mrs. Fitzherbert from 1786. This artwork sheds light on King George IV's secret marriage to Maria Fitzherbert – a scandalous union that defied societal norms but held immense significance for both parties involved. "The General Toast: Honor and Honesty, Love and Loyalty" takes us back to October 20th, 1786 – a momentous occasion captured by an anonymous artist. The vibrant scene depicts revelers raising their glasses in celebration while embodying values cherished by society during that era. Transported now to Brighton in c1788 with an unknown creator’s work titled "A Trip to Brighton a Hundred Years Ago; Saloon in the Prince of Wales's Marine Pavilion.