Prodigal Collection (#2)

A Prodigal Father by Glen Macdonough
Promotional postcard for A Prodigal Father by Glen Macdonough. First produced at His Majestys Theatre, Aberdeen, 12th September 1904 as Joness Jaunt. Lilford Arthurs Co. supporting Charles Collette

Cartoon, The Reconciliation, by James Gillray, with a quotation from the parable of the Prodigal Son. Showing a reconciliation between King George III and his son, the Prince of Wales

The Return of the Massachusetts Prodigal

Prodigal son, scene in a bordello where the Prince of Wales lounges on a sofa next to a large, bare-breasted woman, probably representing Charles James Fox

The Return of the Prodigal Son, by Gustave Dore

Karel van Mander I (Netherlandish, 1548-1606), The Departure of the Prodigal Son, pen and brown ink with brown wash heightened with white on laid paper

Honora Daumier, French (1808-1879), The Prodigal Son, pen and black ink with wash
Honora© Daumier, French (1808-1879), The Prodigal Son, pen and black ink with wash on laid paper

Bohemian 18th Century, Return of the Prodigal Son, c. 1720, pen and brown ink with brown wash over graphite on laid paper

after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper

Miss Elizabeth Randles, c. 1804 (engraving)
XJF438412 Miss Elizabeth Randles, c.1804 (engraving) by Griffiths, Moses (1749-1819) (after); Private Collection; (add.info)

Carlo Goldoni waves a flag in celebration of passing his year at the Jesuit school in Perugia
XJF425385 Carlo Goldoni waves a flag in celebration of passing his year at the Jesuit school in Perugia, from Opere di Carlo Goldoni, engraved by Antonio Baratti, 1761 (engraving) by Novelli

Carlo Goldoni, aged 8, writes his first piece in the presence of his mother and the
XJF425384 Carlo Goldoni, aged 8, writes his first piece in the presence of his mother and the Abbot of Bergamasco, from Opere di Carlo Goldoni, engraved by Antonio Baratti

The prodigal son as a swineherd, Cornelis Galle (II), Cornelis Galle (III), Cornelis de Bout, 1670 - 1735

Prodigal son receives his inheritance, Nicolaes de Bruyn, 1581 - 1656

The prodigal journey, Abraham de Bruyn, 1550 - 1587

Prodigal son as a swineherd, Nicolaes de Bruyn, 1581-1656

Homecoming of the Prodigal Son, print maker: Nicolaes de Bruyn, Assuerus van Londerseel, 1581 - 1656

The prodigal son says goodbye to his parents, Julius Goltzius, Hans Bol, Claes Jansz. Visscher (II), c. 1560 - 1595

Farmyard with people and livestock, Claes Jansz. Visscher (II), Abraham Bloemaert, Jan Saenredam, 1620

The prodigal son as a swineherd, Julius Goltzius, Hans Bol, Claes Jansz. Visscher (II), c. 1560 - 1595

The prodigal son (left page), Jacob de Gheyn (II), Petrus Hogerbeets, Ger. Valk, 1596

The prodigal son (right page), Jacob de Gheyn (II), Karel van Mander (I), Pieter Hogerbeets, 1596

The prodigal son says goodbye to his father, Claes Jansz. Visscher (II), Willem Janszoon Blaeu, 1608

Return of the prodigal son, Claes Jansz. Visscher (II), David Vinckboons, 1608

Prodigal son as a swineherd, print maker: Claes Jansz. Visscher II, David Vinckboons, 1608

Prodigal Son as a swineherd, Jan Luyken, Pieter Mortier, 1703

Return of the prodigal son, Jan Luyken, print maker: Anonymous, 1712

Return of the prodigal son, Jan Luyken, Anonymous, 1712

Homecoming of the Prodigal Son, Nicolaes de Bruyn, 1581 - 1656

Prodigal son as a swineherd, Nicolaes de Bruyn, 1581 - 1656

Expulsion of Hagar and Ishmael and the return of the prodigal son, Pieter van den Berge, 1694 - 1737

THE RETURN OF THE PRODIGAL, USA, America, 19th century engraving

Pierre Puvis de Chavannes (French, 1824-1898), The Prodigal Son, probably c. 1879, oil on linen

Albrecht Durer (German, 1471-1528), The Prodigal Son, c. 1496, engraving

RETURN OF PRODIGAL SON. Oil on canvas by James Tissot, 1862

RETURN OF PRODIGAL SON. Oil on canvas, c1670-74, by B. E. Murillo
RETURN OF PRODIGAL SON. Oil on canvas, c1670-74, by B.E. Murillo

Prodigal son sees a return home as dangerous to his health
The prodigal son (likely a cad and bounder who has run up a large debt on the family account back home in Blighty) seeing a return home as the poor option !

Rembrandt and Saskia in representation of the Prodigal Son in the Tavern, c1635. Oil on canvas. Rembrandt Harmenszoon van Rijn (1606-1669) Dutch painter and etcher

Prodigal Son, Scene In A Bordello Where The Prince Of Wales Lounges On A Sofa Next To A Large, Bare-breasted Woman, Probably Representing Charles James Fox

Return Of The Prodigal, Engraving 1880, US, USA

The Return of the Prodigal Son, by Gustave Dore

BASSANO, Leandro (1557-1622). The return of the prodigal son. end 16th c. Central detail. Renaissance art. Cinquecento. Oil on canvas. SPAIN. Madrid. Prado Museum

Master of the Prodigal Son (16th century). The flight into Egypt. 16th c. Flemish art. Oil on wood. BELGIUM. Tournai. Fine Arts Museum

Tapestry depicting a bath scene of the Prodigal Son. 1460-1470. German School. Tapestry. GERMANY. N� rg. Germanisches Nationalmuseum (German National Museum)

The Prodigal Son (Der Verlorene Sohn). 1637. Flemish art. Oil. AUSTRIA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History)

The Return of the Prodigal Son

DORÉ: PRODIGAL SON. The Prodigal Son in the arms of his father (Luke 15: 20). Engraving after Gustave Dor
DORÉ: PRODIGAL SON. The Prodigal Son in the arms of his father (Luke 15:20). Engraving after Gustave Dor

DORÉ: PRODIGAL SON. The return of the Prodigal Son (Luke 15:, 18, 19). Engraving after Gustave Dor

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"The Return of the Prodigal Son: A Masterpiece by Rembrandt Harmensz van Rijn" Rembrandt Harmensz van Rijn, a renowned Dutch artist from the 17th century, created a captivating painting titled "The Return of the Prodigal Son" around 1668. This masterpiece depicts a powerful biblical story that continues to resonate with audiences today. In this poignant artwork, we witness the prodigal son's homecoming after squandering his inheritance in reckless living. The young man is depicted as disheveled and weary, humbly kneeling before his father who embraces him with open arms. The emotions conveyed through their expressions are profound – remorse mixed with unconditional love and forgiveness. Rembrandt's exceptional use of light and shadow adds depth to the scene, illuminating both characters' faces while casting darkness on other elements. This technique draws attention to the central figures and intensifies their emotional connection. "The Return of the Prodigal Son" serves as a visual representation of redemption and reconciliation. It reminds us that no matter how far we stray or how deep our mistakes may be, there is always hope for forgiveness and acceptance. This iconic painting has inspired countless interpretations throughout history. Its universal theme resonates across cultures and religions, reminding us all of our shared humanity. Whether viewed in person at an art gallery or reproduced in various forms such as chromolithographs or coloured engravings, its impact remains undiminished. Today, "The Return of the Prodigal Son" stands not only as one artist's interpretation but also as a timeless symbol of compassion and second chances. It invites viewers to reflect on their own journeys – moments when they have been lost but ultimately found their way back home. As we gaze upon this remarkable artwork by Rembrandt Harmensz van Rijn, let us contemplate our own capacity for forgiveness and empathy towards those who seek redemption.