Proportion Collection (#5)

CS_C07-4015
Corylus avellana Hazel / Cob-nut Green subject Green b/g

CS_C07-4010
Quercus petraea Oak - Sessile oak Brown subject Green b/g

CS_C06-2575
Eucalyptus niphophila Snow gum Grey subject Green b/g

CS_C07-5283
Brassica oleracea acephala Kale - Black kale / Cavalo nero Green subject

CS_C06-1678
Phormium tenax Yellow Wave New Zealand flax Yellow subject

CS_C06-1586
Taxus cuspidata Bonsai - Japanese yew Green subject

CS_2546
Hyacinthoides - variety not idetified Bluebell wood Mauve subject

CS_2922
Olea europea Olive Black subject

CS_2414
variety not identified Fern Green subject

AKU_0134
Pteridium aquilinum Fern - Bracken Green subject

Boys Peeping at Nature, 1737. 1737. Creator: William Hogarth
Boys Peeping at Nature, 1737

Institutionum geometricarum libri quatuor, 1528. Creator: Dürer, Albrecht (1471-1528)
Institutionum geometricarum libri quatuor, 1528. Private Collection

Inigo Jones, (1573-1652), 1830. Creator: Unknown
Inigo Jones, (1573-1652), 1830. Inigo Jones (1573-1652) English architect who employed Vitruvian rules of proportion and symmetry to his buildings which include the Banqueting House at Whitehall

Misfits, c1840-1906, (1906). Creator: John Tenniel
Misfits, c1840-1906, (1906). Watercolour by English artist Sir John Tenniel (1820-1914). From " The Royal Institute of Painters in Water Colours", edited by Charles Holme

Winfield Scott Statue, Washington, D. C. c1897. Creator: Unknown
Winfield Scott Statue, Washington, D.C. c1897. Equestrian statue and Civil War monument on granite plinth, honouring Winfield Scott, an American military commander by Henry Kirke Brown

Alphabet Specimen Sheet, pub. 1683 (engraving). Creator: English School (17th Century)
Alphabet Specimen Sheet, from Mechanick Exercises: or The Doctrine of Handy-Works applied to the Art of Printing, pub. 1683 (engraving)

Sitting room, 1933. Designed by Granville Conway. A scheme of decoration in which by stressing the horizontal line throughout, a successful attempt was made to minimise the disproportionate height

Lower Falls at Artist Point, Yellowstone River. Yellowstone National Park, Wyoming, USA, June

Male impalas (Aepyceros melampus) standing in heavy rain, Masai-Mara Game Reserve, Kenya. February

Male black rhinoceros (Diceros bicornis) silhouetted against clouds, Masai-Mara Game Reserve, Kenya. March

Capercaillie (Tetrao urogallus) in forest habitat, Jalasjarvi, Finland, April

Lioness (Panthera leo) and Thomsons gazelles (Eudorcas thomsonii) silhouetted at sunset, Masai-Mara game reserve, Kenya

Amur / Siberian Tiger (Panthera tigris altaica) female in the wild, walking down a hillside, Lazovskiy zapovednik / Lazo Reserve protected area, Primorskiy krai, Far Eastern Russia, February 2012

Red foxes (Vulpes vulpes) fighting in snowy field with woodland in the background, Vosges, France, February

Fulmar (Fulmarus glacialis) flying over sea, Iceland

The proportion of the human figure, by Leonardo da Vinci

Illustration from the Four Books on Human Proportion, 1528. Artist: Durer, Albrecht (1471-1528)
Illustration from the Four Books on Human Proportion, 1528. Private Collection

Three male figures in a room (From: Unnderweissung der Proportzion). Artist: Schoen, Erhard (1491-1592)
Three male figures in a room (From: Unnderweissung der Proportzion). Found in the collection of Universalmuseum Joanneum

Copper Engraving by Rafael Schiamirossi, illustrating The Lunge, 1610, (1936). Artist: Rafael Schiamirossi
Copper Engraving by Rafael Schiamirossi, illustrating The Lunge, 1610, (1936). The illustration is part of the treatise Gran Simulacro dell arte e dell uso della scherma

Studies of the Proportions of Three Figures, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Proportions of Three Figures, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Anatomical Drawing of a Skull to the Left, c1480 (1945). Artist: Leonardo da Vinci
Anatomical Drawing of a Skull to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Mans Nude Torso, the Head Squared for Proportion, c1480 (1945). Artist: Leonardo da Vinci
Study of a Mans Nude Torso, the Head Squared for Proportion, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile of a Man Squared for Proportion and Studies of Horsemen, c1480 (1945). Artist: Leonardo da Vinci
Profile of a Man Squared for Proportion and Studies of Horsemen, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Notes on Astronomy and Study of a Horses Head, c1480 (1945). Artist: Leonardo da Vinci
Notes on Astronomy and Study of a Horses Head, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Measured Drawing of the Near Fore-Leg of a Horse, c1480 (1945). Artist: Leonardo da Vinci
Measured Drawing of the Near Fore-Leg of a Horse, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Horses Fore-Legs and Measured Drawings of Horses Heads, c1480 (1945). Artist: Leonardo da Vinci
Studies of Horses Fore-Legs and Measured Drawings of Horses Heads, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Measured Drawing of a Horse in Profile to the Left, c1480 (1945). Artist: Leonardo da Vinci
Measured Drawing of a Horse in Profile to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Horse Seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
A Horse Seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Horse Marked Out for Measurement, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse Marked Out for Measurement, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Geometrical Figures and Designs for Allegorical Representations, c1480 (1945). Artist: Leonardo da Vinci
Geometrical Figures and Designs for Allegorical Representations, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Wall Street, New York, c1913. Artist: William Monk
Wall Street, New York, c1913. From The Studio Volume 64. [London Offices of the Studio, London, 1915]

The Interior of Milan Cathedral, Looking Towards The High Altar, 1844. Artist: Thomas Higham
The Interior of Milan Cathedral, Looking Towards The High Altar, 1844. After James Duffield Harding (1798-1863). [Jennings & Chaplin, London, 1844]

La Chapelle de l Institut, Paris, 1839. Artist: Thomas Shotter Boys
La Chapelle de l Institut, Paris, 1839. From The Studio Volume 96. [London Offices of the Studio, London, 1928]

The Storm, c1914. Artist: Philip Wilson Steer
The Storm, c1914. From The Studio Volume 61. [London Offices of the Studio, London, 1914]

Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

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"Proportion: A Harmonious Balance of Nature's Masterpieces" Discover the intricate Motor homunculus model, mapping out the proportional representation of our body's motor functions. Witness the grace and elegance of Gemsbok (Oryx gazella) as they navigate the vast sand dunes in Namibia, showcasing nature's perfect proportion. Explore the fascinating concept of Motor and sensory homunculi, illustrating how our senses are precisely distributed throughout our bodies. Immerse yourself in Launceston, 1909, a masterpiece by JMW Turner that captures the essence through its stunning depiction of architectural grandeur. Marvel at Vitruvian man with flare in chest, an iconic symbol representing balance and harmony within human anatomy. Delve into Architecture I: Orders of Architecture engraved by Charles Lawrie. Witness how proportions shape magnificent structures that stand as testaments to human ingenuity. Experience the majestic presence of RF - Red Deer stag amidst a snow-covered pine forest in Scotland. Nature's proportional beauty unfolds before your eyes. Behold Tells Chapel, Fluelen, 1909 by JMW Turner. The artist masterfully portrays proportion through his skillful use of light and composition. Embark on an exhilarating adventure as a diver encounters a Great white shark in open water off Guadalupe island. Proportions take on new meaning when faced with nature's apex predator. Admire RF- Adelie Penguin perched upon an iceberg amidst Yalour Islands. Witnessing this delicate creature against such vastness highlights nature's impeccable sense of proportion. Journey to Deadvlei in Namib desert where dead acacia trees stand like sculptures against a backdrop that exemplifies perfect symmetry and balance. Transport yourself back to Ralston & Co Advertisement era where aesthetics were meticulously crafted to achieve visual equilibrium – proof that even marketing understands the power of proportion.