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Pueblo Indians Collection

The rich cultural heritage of the Pueblo Indians is beautifully captured in these captivating images

Background imagePueblo Indians Collection: Zuni Indians performing a sacred dance

Zuni Indians performing a sacred dance
5307564 Zuni Indians performing a sacred dance.; (add.info.: Engraving depicting Zuni Indians performing a sacred dance, possibly to bring rain)

Background imagePueblo Indians Collection: A Corner of Zuni, c. 1903 (b / w photo)

A Corner of Zuni, c. 1903 (b / w photo)
BAL144989 A Corner of Zuni, c.1903 (b/w photo) by Curtis, Edward Sheriff (1868-1952); Private Collection

Background imagePueblo Indians Collection: Juan, Pueblo Indian, 1927 (oil on board)

Juan, Pueblo Indian, 1927 (oil on board)
823044 Juan, Pueblo Indian, 1927 (oil on board) by Couse, Eanger Irving (1866-1936); 40.8x30.2 cm; Private Collection; (add.info.: Juan, Pueblo Indian. Eanger Irving Couse (1866-1936). Oil on board

Background imagePueblo Indians Collection: Adobe village of Pueblo Indians, New Mexico (b / w photo)

Adobe village of Pueblo Indians, New Mexico (b / w photo)
5987378 Adobe village of Pueblo Indians, New Mexico (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info.: Adobe village of Pueblo Indians, New Mexico)

Background imagePueblo Indians Collection: Mexican ovens, used principally by the Pueblo Indians (b / w photo)

Mexican ovens, used principally by the Pueblo Indians (b / w photo)
5987379 Mexican ovens, used principally by the Pueblo Indians (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info.: Mexican ovens)

Background imagePueblo Indians Collection: On the Southern Route from San Francisco to New York (engraving)

On the Southern Route from San Francisco to New York (engraving)
1046134 On the Southern Route from San Francisco to New York (engraving) by English School, (19th century); Private Collection; (add.info.: On the Southern Route from San Francisco to New York)

Background imagePueblo Indians Collection: Native American Baskets by A. C. Vroman, c. 1898 (platinum print)

Native American Baskets by A. C. Vroman, c. 1898 (platinum print)
2622420 Native American Baskets by A.C. Vroman, c.1898 (platinum print) by Vroman, Adam Clark (1856-1916); Private Collection; (add.info.: Native American Baskets by A.C)

Background imagePueblo Indians Collection: Macaw Petroglyph at Petroglyph National Monument Albuqurque New Mexico USA

Macaw Petroglyph at Petroglyph National Monument Albuqurque New Mexico USA

Background imagePueblo Indians Collection: Hummingbird Petroglyph at Petroglyph National Monument Albuqurque New Mexico USA

Hummingbird Petroglyph at Petroglyph National Monument Albuqurque New Mexico USA

Background imagePueblo Indians Collection: Native Roof Garden Party, Hopi House Postcard. ca. 1905-1939, Native Roof Garden Party

Native Roof Garden Party, Hopi House Postcard. ca. 1905-1939, Native Roof Garden Party, Hopi House Postcard

Background imagePueblo Indians Collection: Greetings from Taos, New Mexico Postcard. ca. 1937, Greetings from Taos, New Mexico Postcard

Greetings from Taos, New Mexico Postcard. ca. 1937, Greetings from Taos, New Mexico Postcard

Background imagePueblo Indians Collection: Ethnic groups of the Americas, 1880s C017 / 6929

Ethnic groups of the Americas, 1880s C017 / 6929
Ethnic groups of the Americas, 19th-century artwork. The groups are: 1. Labrador Inuit woman; 2. Mexican; 3. Highland Mexican; 4. Yucatan Mexican; 5. Indians from Ecuador; 6. Indians from Peru; 7

Background imagePueblo Indians Collection: Pueblo Indians selling their wares at the Palace of Governors, built in 1610

Pueblo Indians selling their wares at the Palace of Governors, built in 1610, Santa Fe, New Mexico, United States of America, North America



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The rich cultural heritage of the Pueblo Indians is beautifully captured in these captivating images. From the enchanting black and white photographs that transport us to a corner of Zuni in 1903, to Juan, a proud Pueblo Indian depicted in an oil painting from 1927, we are immersed in their world. The adobe village of the Pueblo Indians stands as a testament to their architectural prowess and harmonious coexistence with nature. The Mexican ovens they used reveal their resourcefulness and ingenuity in sustaining themselves. As we journey on the Southern Route from San Francisco to New York through an engraving, we catch glimpses of the diverse landscapes that shaped their lives. Intricate Native American baskets crafted by A. C. Vroman showcase the mastery of traditional techniques passed down through generations. Petroglyphs like the Macaw and Hummingbird at Petroglyph National Monument remind us of their deep spiritual connection with nature. We also glimpse into moments of celebration and joy with postcards capturing a Native Roof Garden Party at Hopi House and warm greetings from Taos, New Mexico. These snapshots reflect not only their vibrant culture but also highlight how they have preserved traditions amidst changing times. Lastly, an image depicting ethnic groups across the Americas during the 1880s reminds us that they were just one part of a larger tapestry woven by indigenous communities throughout history. As we witness Pueblo Indians selling their wares at the Palace of Governors built centuries ago, it becomes evident that this resilient community has endured countless challenges while preserving its identity against all odds. Their legacy continues to inspire awe and admiration for their remarkable contributions to our shared human story.