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Punch Or The London Charivari Collection

"Punch or The London Charivari: A Chronicle of British Wit and Satire" Step into the world of "Punch or The London Charivari

Background imagePunch Or The London Charivari Collection: Prince Albert the British Farmer, 1843

Prince Albert the British Farmer, 1843. Cartoon of Prince Albert (1819-1861) as a farmer. Prince Albert has turned his attention to the promotion of agriculture; and if you have seen

Background imagePunch Or The London Charivari Collection: Varnishing Day at the Royal Academy, 1877. Artist: George Du Maurier

Varnishing Day at the Royal Academy, 1877. Artist: George Du Maurier
Varnishing Day at the Royal Academy, 1877. From the 19th June 1877 edition of Punch Magazine

Background imagePunch Or The London Charivari Collection: Humpty Dumpty, 1878 (1895)

Humpty Dumpty, 1878 (1895). First rough pencil sketch for Punch cartoon Disraeli and Cyprus supporting a Humpty Dumpty figure representing the Ottoman Empire sitting on top of a wall representing

Background imagePunch Or The London Charivari Collection: Sir John Tenniel, British artist and cartoonist, 1889 (1895)

Sir John Tenniel, British artist and cartoonist, 1889 (1895). Tenniel (1820-1914) drew numerous cartoons and caricatures for Punch

Background imagePunch Or The London Charivari Collection: Prince Alberts Bee-Hives, 1843

Prince Alberts Bee-Hives, 1843. Cartoon of Prince Albert (1819-1861), with Queen Victoria. These Hives are so constructed, that the Honey may be removed without Destroying the Bees. - Morning Paper

Background imagePunch Or The London Charivari Collection: Prince Alberts Studio, 1843

Prince Alberts Studio, 1843. Cartoon of Prince Albert (1819-1861) as an artist, with Queen Victoria. Illustration from Punch or The London Charivari, Volume V, (London, 1843)

Background imagePunch Or The London Charivari Collection: Mars in Panoply, Lord Hailsham, 1935

Mars in Panoply, Lord Hailsham, 1935. A print for People of Punch, Punch, 23rd January 1935

Background imagePunch Or The London Charivari Collection: Lord Willingdon and Friend, 1934

Lord Willingdon and Friend, 1934. A print for People of Punch, Punch, 28th November 1934

Background imagePunch Or The London Charivari Collection: Fofty Years a Favourite, Miss Marie Tempest, 1935

Fofty Years a Favourite, Miss Marie Tempest, 1935. A print for People of Punch, Punch, 29th May 1935

Background imagePunch Or The London Charivari Collection: The Singer of Empire, Rudyard Kipling, 1935

The Singer of Empire, Rudyard Kipling, 1935. A print for People of Punch, Punch, 26th June 1935

Background imagePunch Or The London Charivari Collection: The Brain of the a, Sir Stenson Cooke, 1935. Artist: Essex

The Brain of the a, Sir Stenson Cooke, 1935. Artist: Essex
The Brain of the a, Sir Stenson Cooke, 1935. A print for People of Punch, Punch, 17th July 1935

Background imagePunch Or The London Charivari Collection: Youth at the Prow and (Mixed) Pleasure at the Helm, 1912

Youth at the Prow and (Mixed) Pleasure at the Helm, 1912. A print from Punch, or The London Charivari, 29th May 1912

Background imagePunch Or The London Charivari Collection: The Tigress, 1932

The Tigress, 1932. A print from Punch, or The London Charivari, 21st September 1932

Background imagePunch Or The London Charivari Collection: The Way of the Wind, 1878. Artist: Swain

The Way of the Wind, 1878. Artist: Swain
The Way of the Wind, 1878. Caricature of Benjamin Disraeli (1804-1881). From Punch (or the London Charivari) magazine (1878)

Background imagePunch Or The London Charivari Collection: Caricatures from Punch, 1844-1882. Artist: Swain

Caricatures from Punch, 1844-1882. Artist: Swain
Caricatures from Punch, 1844-1882

Background imagePunch Or The London Charivari Collection: St George and the Dragon (After the Performance), 1878. Artist: Swain

St George and the Dragon (After the Performance), 1878. Artist: Swain
St George and the Dragon (After the Performance), 1878. The Earl of Beaconsfield has arrived at Hughenden Manor for a few weeks rest. From Punch (or the London Charivari) (1878)

Background imagePunch Or The London Charivari Collection: The Pas De Deux!, 1878. Artist: Swain

The Pas De Deux!, 1878. Artist: Swain
The Pas De Deux!, 1878. From Punch (or the London Charivari) magazine (1878)

Background imagePunch Or The London Charivari Collection: A Blaze of Triumph!, 1878. Artist: Swain

A Blaze of Triumph!, 1878. Artist: Swain
A Blaze of Triumph!, 1878. From Punch (or the London Charivari) magazine, 1878

Background imagePunch Or The London Charivari Collection: Otium Cum Diz!, 1878. Artist: Swain

Otium Cum Diz!, 1878. Artist: Swain
Otium Cum Diz!, 1878. Caricature of Benjamin Disraeli (1804-1881). From Punch (or the London Charivari} magazine (1878)

Background imagePunch Or The London Charivari Collection: A Bad Example, 1878. Artist: Swain

A Bad Example, 1878. Artist: Swain
A Bad Example, 1878. Satirical cartoon featuring Benjamin Disraeli (1804-1881). From Punch (or the London Charivari) magazine (1878)

Background imagePunch Or The London Charivari Collection: Humpty Dumpty, 1878. Artist: John Tenniel

Humpty Dumpty, 1878. Artist: John Tenniel
Humpty Dumpty, 1878. Caricature featuring Benjamin Disraeli (1804-1881). From Punch (or the London Charivari) magazine (1878)

Background imagePunch Or The London Charivari Collection: Cricket, 1923

Cricket, 1923. Professional Coach: You ll be all right, Sir, once you begin to time em. And as for that fast one that whizzes past yer ear ole - why you ll treat it like money from ome

Background imagePunch Or The London Charivari Collection: Inadequate Description, 1906

Inadequate Description, 1906. Dougal (to shooting tenant, who has brought out a dog recently purchased at auction, and is now trying to whistle it back from the hill opposite)

Background imagePunch Or The London Charivari Collection: A Lawn Tennis Problem, 1923

A Lawn Tennis Problem, 1923. The two young ladies (simultaneously): How ought we to divide, Mr Bellamy? Illustration from Punch, or The London Charivari, (4 July 1923)

Background imagePunch Or The London Charivari Collection: Tennis, 1920

Tennis, 1920. Bright Beginner (as opponent is serving): Does the ball come to me now? Illustration from Punch, or The London Charivari, (7 July 1920)

Background imagePunch Or The London Charivari Collection: Tennis, 1931. Artist: Atsmith

Tennis, 1931. Artist: Atsmith
Tennis, 1931. Visitor (after two double-faults): Surely this court isn t full size? Stout Hostess (indicating equally stout Host): No, its just a leetle bit smaller

Background imagePunch Or The London Charivari Collection: Mark Lemon, 19th century editor of Punch magazine, (1909). Artist: William Henry Margetson

Mark Lemon, 19th century editor of Punch magazine, (1909). Artist: William Henry Margetson
Mark Lemon, 19th century editor of Punch magazine, (1909). Supplement to The Bookman, 1909

Background imagePunch Or The London Charivari Collection: Darwinian Ancestor, 1887. Artist: George du Maurier

Darwinian Ancestor, 1887. Artist: George du Maurier
Darwinian Ancestor, 1887. Charles Darwin (1809-1882) said to the Scottish geologist Charles Lyell (1797-1875) Our ancestor was an animal which breathed water, had a swim-bladder

Background imagePunch Or The London Charivari Collection: George du Maurier cartoon from Punch illustrating Darwinism, 1887. Artist: George du Maurier

George du Maurier cartoon from Punch illustrating Darwinism, 1887. Artist: George du Maurier
Development of Species Under Civilisation, 1887. The old evolutionary argument of Nature or Nurture: it would be a brave person who came to a conclusion on this evidence. Cartoon from Punch

Background imagePunch Or The London Charivari Collection: The Survival of the Fittest; application of Darwinism in the 21st century, 1880

The Survival of the Fittest; application of Darwinism in the 21st century, 1880. Artist: George du Maurier
The Survival of the Fittest ; application of Darwinism in the 21st century, 1880. The term Survival of the fittest was first used by Herbert Spencer (1820-1903) in 1851

Background imagePunch Or The London Charivari Collection: Charles Darwin, English naturalist, 1881. Artist: Edward Linley Sambourne

Charles Darwin, English naturalist, 1881. Artist: Edward Linley Sambourne
Charles Darwin, English naturalist, 1881. As well as his better known work on evolution by natural selection, Darwins (1809-1882) studies covered other subjects

Background imagePunch Or The London Charivari Collection: George Gordon, 4th Earl of Aberdeen (1784-1860), Scottish statesman, 1854

George Gordon, 4th Earl of Aberdeen (1784-1860), Scottish statesman, 1854. British Prime Minister from 1852-1855, he reluctantly took Britain into the Crimean War

Background imagePunch Or The London Charivari Collection: The New Photographic Looking Glass, cartoon from Punch, everyday proof of mans origins, 1861

The New Photographic Looking Glass, cartoon from Punch, everyday proof of mans origins, 1861
The New Photographic Looking Glass, everyday proof of mans origins, cartoon from Punch, London, 1861. Wood engraving

Background imagePunch Or The London Charivari Collection: American reinforcements to aid the Allied troops before the main US Army arrived, World War 1, 1918

American reinforcements to aid the Allied troops before the main US Army arrived, World War 1, 1918. Cartoon by L. Ravenhill from Punch, London, 10 April, 1918

Background imagePunch Or The London Charivari Collection: Destiny and Fete, Or Time Works Wonders, 1869. Artist: Joseph Swain

Destiny and Fete, Or Time Works Wonders, 1869. Artist: Joseph Swain
Destiny and Fete, Or Time Works Wonders, 1869. Napoleon III of France was struggling against a wave of unpopularity at the time

Background imagePunch Or The London Charivari Collection: Papers! Papers! Papers!, 1864. Artist: John Tenniel

Papers! Papers! Papers!, 1864. Artist: John Tenniel
Papers! Papers! Papers!, 1864. John Russell says: Please, My Lord, Them Toris Would Be Much Obleeged for Papers. Lord Palmerston replies: Papers! Haven t They Got The Standard and the Herald



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"Punch or The London Charivari: A Chronicle of British Wit and Satire" Step into the world of "Punch or The London Charivari, " a timeless publication that has captivated readers since its inception in 1841. With a rich history spanning over a century, this iconic magazine holds an esteemed place in British culture. In 1843, Prince Albert took center stage as "The British Farmer, " showcasing his passion for agriculture and dedication to rural life. His innovative approach to farming left an indelible mark on the nation's agricultural landscape. Fast forward to 1877, where we witness the vibrant atmosphere of "Varnishing Day at the Royal Academy" through George Du Maurier's artistic lens. This annual event brought together renowned artists who eagerly showcased their masterpieces before they were unveiled to the public. Humpty Dumpty made his debut appearance in 1878 (1895), immortalized by Sir John Tenniel's brilliant illustrations. This beloved character continues to evoke laughter and nostalgia among both young and old alike. Prince Albert's love for nature was further exemplified through his beekeeping endeavors in 1843. His beehives stood as a testament to his commitment towards environmental conservation long before it became fashionable. Delve into Prince Albert's Studio from that same year, where creativity thrived under his watchful eye. It served as a sanctuary for artists seeking inspiration and camaraderie within its hallowed walls. Lord Hailsham transported us to another realm with "Mars in Panoply" in 1935, offering a glimpse into celestial wonders beyond our earthly domain. His artwork ignited imaginations while reminding us of humanity's fascination with space exploration. Lord Willingdon shared moments of friendship and camaraderie through captivating visuals captured in 1934. These heartwarming depictions remind us of the importance of human connection amidst turbulent times.