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Puttos Collection (#4)

"Puttos: The Cherubic Figures of Artistic Delight" Step into the world of art and be captivated by the enchanting presence of puttos

Background imagePuttos Collection: Music, 1801 (oil on canvas)

Music, 1801 (oil on canvas)
5897183 Music, 1801 (oil on canvas) by Wilde, Samuel de (1748-1832); 71.1x90.7 cm; Manchester Art Gallery, UK; (add.info)

Background imagePuttos Collection: St. Eusebius Carried to Heaven, c. 1757 (oil on canvas)

St. Eusebius Carried to Heaven, c. 1757 (oil on canvas)
MAN443314 St. Eusebius Carried to Heaven, c.1757 (oil on canvas) by Mengs, Anton Raphael (1728-79); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePuttos Collection: The Apotheosis of Italian Art, 1885-86 (w/c on paper)

The Apotheosis of Italian Art, 1885-86 (w/c on paper)
3674785 The Apotheosis of Italian Art, 1885-86 (w/c on paper) by Crane, Walter (1845-1915); 82x107 cm; Manchester Art Gallery, UK; (add.info.: Scene depicting various half-familiar figures)

Background imagePuttos Collection: Allegory of Jupiter, 1496-1500 (fresco)

Allegory of Jupiter, 1496-1500 (fresco)
885617 Allegory of Jupiter, 1496-1500 (fresco) by Perugino, Pietro (c.1445-1523); Collegio del Cambio, Palazzo dei Priori, Perugia, Umbria, Italy; (add.info.: Audience Hall)

Background imagePuttos Collection: 'A Merry Christmas', Victorian card (chromolitho)

"A Merry Christmas", Victorian card (chromolitho)
BAL14600 "A Merry Christmas", Victorian card (chromolitho) by English School, (19th century); Hereford City Museum and Art Gallery, Herefordshire, UK

Background imagePuttos Collection: Fluted bowl with a putto, 1625-1650 (earthenware)

Fluted bowl with a putto, 1625-1650 (earthenware)
7394057 Fluted bowl with a putto, 1625-1650 (earthenware) by European School, (17th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Display: earthenware, tin-glazed (delftware)

Background imagePuttos Collection: 'Compliments of the Season', Victorian card (chromolitho)

"Compliments of the Season", Victorian card (chromolitho)
BAL14602 "Compliments of the Season", Victorian card (chromolitho) by English School, (19th century); Hereford City Museum and Art Gallery, Herefordshire, UK

Background imagePuttos Collection: Our Lady of the Rosary, 16th century (oil on panel)

Our Lady of the Rosary, 16th century (oil on panel)
7063004 Our Lady of the Rosary, 16th century (oil on panel) by dalle Catene, Gian Gheramo (fl. 1520-33); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imagePuttos Collection: The Vision of Saint Dominic (Heaven), 1620-23 (oil on canvas)

The Vision of Saint Dominic (Heaven), 1620-23 (oil on canvas)
7352732 The Vision of Saint Dominic (Heaven), 1620-23 (oil on canvas) by Strozzi, Bernardo (1581-1644); 170x107 cm; Museo dell'Accademia Ligustica di Belle Arti, Genoa

Background imagePuttos Collection: The triumph of divine providence, detail, 1632-39 (ceiling fresco)

The triumph of divine providence, detail, 1632-39 (ceiling fresco)
7062911 The triumph of divine providence, detail, 1632-39 (ceiling fresco) by Cortona, Pietro da (Berrettini) (1596-1669); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imagePuttos Collection: Three putti wreathed with flowers (oil on canvas)

Three putti wreathed with flowers (oil on canvas)
7358168 Three putti wreathed with flowers (oil on canvas) by Fragonard, Jean-Honore (1732-1806); Private Collection; Photo © Fine Art Images

Background imagePuttos Collection: Balcony pulpito with dancing angels, detail, 1434 - 1438

Balcony pulpito with dancing angels, detail, 1434 - 1438
7294088 Balcony pulpito with dancing angels, detail, 1434 - 1438 by Donatello, (c.1386-1466) (and workshop); Museo dell'Opera del Duomo, Prato

Background imagePuttos Collection: Balcony pulpito with dancing angels, detail, 1434 - 1438

Balcony pulpito with dancing angels, detail, 1434 - 1438
7294087 Balcony pulpito with dancing angels, detail, 1434 - 1438 by Donatello, (c.1386-1466) (and workshop); Museo dell'Opera del Duomo, Prato

Background imagePuttos Collection: Venus, a satyr and two lovers, 1645-50 circa, Francesco de Rosa, known as Pacecco (oil on canvas)

Venus, a satyr and two lovers, 1645-50 circa, Francesco de Rosa, known as Pacecco (oil on canvas)
7064274 Venus, a satyr and two lovers, 1645-50 circa, Francesco de Rosa, known as Pacecco (oil on canvas) by Rosa, Francesco de (Pacecco) (c.1600-54); Museo di Capodimonte, Naples, Campania

Background imagePuttos Collection: The immaculate conception, 1680s (oil on canvas)

The immaculate conception, 1680s (oil on canvas)
7058508 The immaculate conception, 1680s (oil on canvas) by Giordano, Luca (1634-1705); Palazzo Zevallos Stigliano, Naples, Campania, Italy; (add.info.: The immaculate conception, 1680s)

Background imagePuttos Collection: Allegory of Mercy as Public Safety, 1759 (oil on canvas)

Allegory of Mercy as Public Safety, 1759 (oil on canvas)
7058505 Allegory of Mercy as Public Safety, 1759 (oil on canvas) by Mura, Francesco de (1696-1782); Palazzo Zevallos Stigliano, Naples, Campania

Background imagePuttos Collection: Allegory of Mercy as Harmony, 1759 (oil on canvas)

Allegory of Mercy as Harmony, 1759 (oil on canvas)
7058503 Allegory of Mercy as Harmony, 1759 (oil on canvas) by Mura, Francesco de (1696-1782); Palazzo Zevallos Stigliano, Naples, Campania, Italy; (add.info.: Allegory of Mercy as Harmony, 1759)

Background imagePuttos Collection: Annunciation, 1612, Louis Finson (oil on canvas)

Annunciation, 1612, Louis Finson (oil on canvas)
7064291 Annunciation, 1612, Louis Finson (oil on canvas) by Finsonius or Finson, Louis (1580-1617); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: Annunciation, 1612, Louis Finson)

Background imagePuttos Collection: Organ ordered from Petrus Joannes Vereecken (1803-1889) in 1869

Organ ordered from Petrus Joannes Vereecken (1803-1889) in 1869
7242058 Organ ordered from Petrus Joannes Vereecken (1803-1889) in 1869 by Vereecken, Petrus Joannes (fl.c.1869); (add.info.: Parish church (Dikkele, parochiekerk Sint-Pietersbanden)

Background imagePuttos Collection: Saint Mary Magdalene Penitent (oil on canvas)

Saint Mary Magdalene Penitent (oil on canvas)
701310 Saint Mary Magdalene Penitent (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imagePuttos Collection: Self portrait, post 1714, Paolo de Matteis (oil on canvas)

Self portrait, post 1714, Paolo de Matteis (oil on canvas)
7064266 Self portrait, post 1714, Paolo de Matteis (oil on canvas) by Matteis, Paolo di (1662-1728); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: Self portrait, post 1714)

Background imagePuttos Collection: Allegory of Mercy with its Works, 1759 (oil on canvas)

Allegory of Mercy with its Works, 1759 (oil on canvas)
7058506 Allegory of Mercy with its Works, 1759 (oil on canvas) by Mura, Francesco de (1696-1782); Palazzo Zevallos Stigliano, Naples, Campania, Italy; (add.info.: Allegory of Mercy with its Works)

Background imagePuttos Collection: San Gennaro emerges unscathed from the furnace, 1646 (oil on copper)

San Gennaro emerges unscathed from the furnace, 1646 (oil on copper)
7062867 San Gennaro emerges unscathed from the furnace, 1646 (oil on copper) by Ribera, Jusepe de (lo Spagnoletto) (1591-1652); Duomo di San Gennaro, Naples

Background imagePuttos Collection: Fortune Restrained by Love, 1623 (oil on panel)

Fortune Restrained by Love, 1623 (oil on panel)
868083 Fortune Restrained by Love, 1623 (oil on panel) by Reni, Guido (1575-1642); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imagePuttos Collection: Rinaldo and Armida, 1642 (oil on canvas)

Rinaldo and Armida, 1642 (oil on canvas)
7352751 Rinaldo and Armida, 1642 (oil on canvas) by Wael, Cornelis de (1592-1667); 184x238 cm; Galleria Nazionale di Palazzo Spinola, Genoa, Liguria

Background imagePuttos Collection: Annunciation, 1679 (oil on canvas)

Annunciation, 1679 (oil on canvas)
7352742 Annunciation, 1679 (oil on canvas) by Piola, Domenico the Elder (1627-1703); 345x221 cm; Basilica della Santissima Annunziata del Vastato, Genoa, Liguria

Background imagePuttos Collection: Bernardo Castello and Saints George and Battista intercede with Our Lady for the city of Genoa

Bernardo Castello and Saints George and Battista intercede with Our Lady for the city of Genoa
7352730 Bernardo Castello and Saints George and Battista intercede with Our Lady for the city of Genoa by Castello, Bernardo (1557-1629); Musei di Strada Nuova, Genoa, Liguria

Background imagePuttos Collection: Triumph of the name of Saint John the Baptist, 1625

Triumph of the name of Saint John the Baptist, 1625
7352719 Triumph of the name of Saint John the Baptist, 1625 by Ansaldo, Giovanni Andrea (1584-1638); 222x339 cm; Parrocchiale di San Giovanni Battista, Loano, Liguria

Background imagePuttos Collection: The Most Holy Incarnation (Immaculate Conception), Altarpiece, 1631 (oil on canvas)

The Most Holy Incarnation (Immaculate Conception), Altarpiece, 1631 (oil on canvas)
7352703 The Most Holy Incarnation (Immaculate Conception), Altarpiece, 1631 (oil on canvas) by Strozzi, Bernardo (1581-1644); Private Collection; (add.info.: Artist)

Background imagePuttos Collection: Annunciation, 17th century (oil on canvas)

Annunciation, 17th century (oil on canvas)
7352778 Annunciation, 17th century (oil on canvas) by Strozzi, Bernardo (1581-1644); 36x26.5 cm; Private Collection; (add.info.: Artist: Bernardo Strozzi (1581-1644)); Luisa Ricciarini

Background imagePuttos Collection: Crucifixion of Christ with Our Lady, Saint John the Evangelist and Saint Sebastian

Crucifixion of Christ with Our Lady, Saint John the Evangelist and Saint Sebastian, 1596 (oil on canvas)
7352769 Crucifixion of Christ with Our Lady, Saint John the Evangelist and Saint Sebastian, 1596 (oil on canvas) by Barocci or Baroccio, Federico Fiori (c.1535-1612); 500x318 cm; Cattedrale di S

Background imagePuttos Collection: Assumption of the Virgin (oil on canvas)

Assumption of the Virgin (oil on canvas)
7352766 Assumption of the Virgin (oil on canvas) by Fiasella, Domenico Il Sarzana (1589-1669) ; Santuario Madonna del Monte, Genoa

Background imagePuttos Collection: Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco

Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome
868142 Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imagePuttos Collection: Venice distributing honours, 1577 (fresco)

Venice distributing honours, 1577 (fresco)
7294274 Venice distributing honours, 1577 (fresco) by Veronese, (Caliari, Paolo) (1528-88); Doges Palace, Venice, Italy; (add.info.: Venice distributing honours, 1577, Paolo Caliari)

Background imagePuttos Collection: The Coronation of the Virgin (oil on canvas)

The Coronation of the Virgin (oil on canvas)
868051 The Coronation of the Virgin (oil on canvas) by Salviati Cecchino, Francesco de Rossi (1510-63); Vatican Museums and Galleries

Background imagePuttos Collection: Annunciation, after 1600 (oil on canvas)

Annunciation, after 1600 (oil on canvas)
7352716 Annunciation, after 1600 (oil on canvas) by Wael, Cornelis de (1592-1667); 145x220 cm; Museo Diocesano, Albenga, Italy; (add.info.: Artist)

Background imagePuttos Collection: San Sebastiano between San Biagio and San Rocco, First half of the 17th century (oil on canvas)

San Sebastiano between San Biagio and San Rocco, First half of the 17th century (oil on canvas)
7352715 San Sebastiano between San Biagio and San Rocco, First half of the 17th century (oil on canvas) by Ferrari, Orazio de (1606-57); 296x197 cm; Parrocchiale di San Giovanni Battista, Loano

Background imagePuttos Collection: Odigitria Madonna with Saints John the Baptist, Antoninus of Florence and Nicola da Tolentino

Odigitria Madonna with Saints John the Baptist, Antoninus of Florence and Nicola da Tolentino, signed and dated
7352694 Odigitria Madonna with Saints John the Baptist, Antoninus of Florence and Nicola da Tolentino, signed and dated, 1526 (painting on board) by Sacchi

Background imagePuttos Collection: Madonna and Child, St. Agatha and St. Agnes

Madonna and Child, St. Agatha and St. Agnes
3359342 Madonna and Child, St. Agatha and St. Agnes by Zaganelli di Bosio, Francesco (c.1470-1531); Galleria Colonna, Rome, Italy

Background imagePuttos Collection: Coronation of the Virgin and Saints, end of 14th century (wood painting)

Coronation of the Virgin and Saints, end of 14th century (wood painting)
7294380 Coronation of the Virgin and Saints, end of 14th century (wood painting) by Giovanni del Biondo dal Casentino (c.1356-99); Fondazione Magnani-Rocca, Parma

Background imagePuttos Collection: Allegory of time running away, c. 1755-1759 (oil on canvas)

Allegory of time running away, c. 1755-1759 (oil on canvas)
7294325 Allegory of time running away, c. 1755-1759 (oil on canvas) by Pellegrini, Girolamo (c.1624-c.1700); Fondazione Magnani-Rocca, Parma, Italy; (add.info.: Allegory of time running away)

Background imagePuttos Collection: The establishment of the order of the sisters of the visitation, 1734 (oil on canvas)

The establishment of the order of the sisters of the visitation, 1734 (oil on canvas)
7294322 The establishment of the order of the sisters of the visitation, 1734 (oil on canvas) by Pittoni, Giovanni Battista (1687-1767); Fondazione Magnani-Rocca, Parma

Background imagePuttos Collection: Christ in the Garden of Gethsemane, 1746 (oil on canvas)

Christ in the Garden of Gethsemane, 1746 (oil on canvas)
868091 Christ in the Garden of Gethsemane, 1746 (oil on canvas) by Conca, Sebastiano (1680-1764); Vatican Museums and Galleries

Background imagePuttos Collection: Annunciation, 1640 (fresco)

Annunciation, 1640 (fresco)
7352740 Annunciation, 1640 (fresco) by Benso, Giulio (1592-1668) ; Basilica della Santissima Annunziata del Vastato, Genoa, Liguria, Italy; (add.info.: Artist: Giulio Benso (1592-1668)

Background imagePuttos Collection: Ligurian allegorical chariot drawn by griffins and driven by Prudence, 1700 (oil on canvas)

Ligurian allegorical chariot drawn by griffins and driven by Prudence, 1700 (oil on canvas)
7352729 Ligurian allegorical chariot drawn by griffins and driven by Prudence, 1700 (oil on canvas) by Piola, Paolo Gerolamo (1666-1724); 133x97 cm; Musei di Strada Nuova, Genoa, Liguria

Background imagePuttos Collection: Capitello, 15th century (sculpture)

Capitello, 15th century (sculpture)
7294092 Capitello, 15th century (sculpture) by Donatello (c.1386-1466) & Michelozzo, B. di (1396-1472); Museo dell'Opera del Duomo, Prato




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"Puttos: The Cherubic Figures of Artistic Delight" Step into the world of art and be captivated by the enchanting presence of puttos. These angelic figures, often depicted as chubby infants or young boys, have graced numerous masterpieces throughout history. From religious paintings to grand architectural designs, they have become an iconic symbol of beauty and innocence. In St. Luke Painting the Virgin, 1602, we witness a tender moment as a putto observes St. Luke capturing the divine grace of the Virgin Mary on canvas. Their delicate features and ethereal aura add an otherworldly charm to this oil painting on panel. Venturing outdoors, we encounter Vasca dell'Isola's Oceans Fountain adorned with captivating putto statues in front. These playful cherubs seem to come alive amidst cascading water, bringing joy and serenity to all who behold them. Moving indoors, our gaze is drawn upwards towards the vaulted roof of St. Agnes Church in Cawston captured in a striking black-and-white photograph. Here, intricate details intertwine with celestial motifs while puttos dance across the heavens above us. Radnor House presents another mesmerizing sight - a baroque ceiling that transports us back in time through Giles Worsley's lens. This monochromatic image reveals an opulent display where puttos cavort amongst elaborate ornamentation; their presence adding whimsy and elegance to this lost treasure from England's past. The Five Senses lithograph showcases how artists embraced these cherubic beings as they personified sensory experiences such as touch, taste, smell, sight, and sound – each represented by a delightful putto engaging with various objects or instruments. Even renowned scientist Galileo Galilei was not immune to their allure; his copperplate engraving portrays him surrounded by celestial spheres guided by none other than mischievous little angels -puttos illuminating his path of discovery.