Qing Dynasty Collection (#4)

Countryside, 1742. Creator: Zhang Xu
Countryside, 1742

Countryside, 1742. Creator: Zhang Xu
Countryside, 1742

Countryside, 1742. Creator: Zhang Xu
Countryside, 1742

Countryside. Creator: Wang Hui
Countryside

Rong Fei ("Fragrant Concubine"?onsort by the Qianlong Emperor) dressed in Western Clothes. Private Collection

Landscape in the style of the ancients. Creator: Qian Du
Landscape in the style of the ancients

Landscape at the rock, between 1659. Creator: Ying Lan
Landscape at the rock, between 1659

Vegetables and Fruits, End of 17th-Early 18th cen. Creator: Shitao (Zhu Ruoji) (1642-1707)
Vegetables and Fruits, End of 17th-Early 18th cen. Found in the Collection of the Hong Kong Museum of Art

Landscapes depicting the poems of Huang Yanlü (leaf no. 18), 1701-1702. Creator: Shitao (Zhu Ruoji) (1642-1707)
Landscapes depicting the poems of Huang Yanlu (leaf no. 18), 1701-1702. Found in the Collection of the Hong Kong Museum of Art

The green of late spring, 1671. Creator: Gong Xian (1618-1689)
The green of late spring, 1671. Found in the Collection of the Hong Kong Museum of Art

Snuff Bottle with a Cat and Two Butterflies near Bamboo, Rockwork, and Chrysanthemum...1800-1900. Creator: Unknown
Snuff Bottle with a Cat and Two Butterflies near Bamboo, Rockwork, and Chrysanthemum, Qing dynasty (1644-1911), 1800-1900

Landscape with Figure, from an album of Landscapes and Calligraphy for Liu... 1895/96. Creator: Xugu
Landscape with Figure, from an album of Landscapes and Calligraphy for Liu Songfu, Qing dynasty (1644-1911), 1895/96

Landscape and Figure, from an album of Landscapes and Calligraphy for Liu Songfu... 1895/96. Creator: Xugu
Landscape and Figure, from an album of Landscapes and Calligraphy for Liu Songfu, Qing dynasty (1644-1911), 1895/96

Bridge on a Reed Pond, from an album of Landscapes and Calligraphy for Liu... 1895/96. Creator: Xugu
Bridge on a Reed Pond, from an album of Landscapes and Calligraphy for Liu Songfu, Qing dynasty (1644-1911), 1895/96

Fishing Recluse by an Autumn Grove, late Ming/early Qing dynasty, 17th century. Creator: Sheng Mao
Fishing Recluse by an Autumn Grove, late Ming/early Qing dynasty, 17th century

Length of Painted Silk, China, Qing dynasty (1644-1911), 1740-60. Creator: Unknown
Length of Painted Silk, China, Qing dynasty (1644-1911), 1740-60. Detail from a larger artwork

Scroll, China, Qing dynasty (1644-1911), c. 1860. Creator: Unknown
Scroll, China, Qing dynasty (1644-1911), c. 1860. Detail from a larger artwork

Square, Bhutan, 18th century, late Ming dynasty (1368-1644)/ early Qing dynasty (1644-1912). Creator: Unknown
Square, Bhutan, 18th century, late Ming dynasty (1368-1644)/ early Qing dynasty (1644-1912)

Advancing across the Ansong River at the Battle of Asan (Gazan gekisen Anjo no... Japan, 1894)
Advancing across the Ansong River at the Battle of Asan (Gazan gekisen Anjo no watashi shingeki no zu), Japan, 1894

A detail of the makers mark on the underside of a cloisonne enamel Magpie vase
1764965 A detail of the makers mark on the underside of a cloisonne enamel Magpie vase, 1736-1795 by Chinese School (18th century); Private Collection; (add.info)

Portrait of Qianlong Emperor As a Young Man, 19th century. Creator: Unknown
Portrait of Qianlong Emperor As a Young Man, 19th century. Qing dynasty (1644-1911)

Interior with Woman, Child and Nurse, late 18th-early 19th century. Creator: Unknown
Interior with Woman, Child and Nurse, late 18th-early 19th century

Old Chinese Copper Qing Dynasty Money Coins, Panjuan Flea Market, Beijing, China. Panjuan Flea Curio market has many fakes, replicas and copies of Chinese products

Paper money (Qing dynasty, circa 1800s), AD Shanghai Museum, Peoples Square, Shanghai, China

Detail of an enamel cartouche from a magnificent Imperial gold
1764849 Detail of an enamel cartouche from a magnificent Imperial gold, cloisonne and Beijing enamel ewer, Duomuhu, engraved Qianlong four-character mark and of the period, Palace Workshops

The Hundred Flowers. Creator: Wang Yuan
The Hundred Flowers. Ming (1368-1644) or Qing (1644-1911) dynasty

Guan Yu, ca. 1700. Creator: Unknown
Guan Yu, ca. 1700. Guan Yu, warrior and saint in the Daoist pantheon, patron saint of the Manchu rulers of the Qing dynasty (1644-1911)

Landscape with Autumn Foliage. Creator: Shen Zhou
Landscape with Autumn Foliage. Ming (13681644) or Qing (1644-1911) dynasty

Wooded Mountains at Dusk, dated 1666. Creator: Kuncan
Wooded Mountains at Dusk, dated 1666. IN the area around Yellow Mountain in southern Anhui Province. Qing dynasty (1644-1911)

Tartar Officer with Blond Lady. Creator: Unknown
Tartar Officer with Blond Lady

Tartar Officer with Blonde Lady, 19th century. Creator: Unknown
Tartar Officer with Blonde Lady, 19th century

Tartar Officer Courting Blond Lady. Creator: Unknown
Tartar Officer Courting Blond Lady

Tou Mu, Goddess of the North Star, 1922. Creator: Unknown
Tou Mu, Goddess of the North Star, 1922. Doumu, a goddess in Chinese religion and Taoism, the feminine aspect of Heaven, seen to possess many arms and three eyes which symbolise her power to see

The Taoist Triad, 1922. Creator: Unknown
The Taoist Triad, 1922. The Taoist Trinity, three highest Gods in the Taoist pantheon, Yuanshi Tianzun, Lingbao Tianzun and Daode Tianzun. From " Myths and Legends of China", by E. T. C

The Buddhist Triad, 1922. Creator: Unknown
The Buddhist Triad, 1922. The Saha Triad is a devotional motif in East Asian Buddhism showing the chief Buddha and bodhisattvas Gautama Buddha, Padmapani and Ksitigarbha

Wen Ch ang, K uei Hsing, and Chu I, 1922. Creator: Unknown
Wen Ch ang, K uei Hsing, and Chu I, 1922. Wen Ch ang, a Taoist deity in Chinese Mythology, known as the God of Culture and Literature with his servant Kui Xing, god of examinations and Bai Juyi

Nu Kua Shih, 1922. Creator: Unknown
Nu Kua Shih, 1922. Nu Gua, mother goddess of Chinese mythology, a snake goddess, creator of humankind and matchmaker credited with inventing the idea of marriage

Shade of Pines in a Cloudy Valley, 1660. Creator: Wang Jian (Chinese, 1598-1677)
Shade of Pines in a Cloudy Valley, 1660

Glazed dish with dragon (Qing dynasty, AD 1723-1735), Shanghai Museum, People s
Glazed dish with dragon (Qing dynasty, AD 1723-1735), Shanghai Museum, Peoples Square, Shanghai, China

Coins(Qing dynasty, circa 1800s), AD Shanghai Museum, Peoples Square, Shanghai, China

Table Screen, 1850-1900 (green jade & wood)
MAN448109 Table Screen, 1850-1900 (green jade & wood) by Chinese School (19th century); Manchester Art Gallery, UK; (add.info)

Gu Vase, 1736-95 (porcelain with white glaze)
MAN448125 Gu Vase, 1736-95 (porcelain with white glaze) by Chinese School (18th century); Manchester Art Gallery, UK; (add.info)

Yuan Shikai, 1900
1577104 Yuan Shikai, 1900 by Harris & Ewing (1905-45); (add.info.: Photograph of Yuan Shikai (1859-1916) Chinese General and Politician. Dated 1900.); Universal History Archive/UIG

Mans Court Badge, China, 1880 / 1900, Qing dynasty (1644-1911). Creator: Unknown
Mans Court Badge, China, 1880/1900, Qing dynasty (1644-1911). Detail from a larger artwork

Buzi (Court Rank Badge), China, 1825 / 50, Qing dynasty(1644-1911). Creator: Unknown
Buzi (Court Rank Badge), China, 1825/50, Qing dynasty(1644-1911)

Panel (Dress Fabric), China, 18th century, Qing dynasty (1644-1911). Creator: Unknown
Panel (Dress Fabric), China, 18th century, Qing dynasty (1644-1911). Detail from a larger artwork

Boys Baijia Pao ("One Hundred Household"Robe), China, Qing dynasty (1644-1911), 1850 / 1900. Creator: Unknown
Boys Baijia Pao (" One Hundred Household" Robe), China, Qing dynasty (1644-1911), 1850/1900

Painting Table, Qing dynasty (1644-1911), late 17th / early 18th century. Creator: Unknown
Painting Table, Qing dynasty (1644-1911), late 17th/early 18th century

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The Qing Dynasty, also known as the Manchu dynasty, ruled over China from 1644 to 1912. During this time, the Far East was undergoing significant changes and facing various challenges. From 1900 to 1904, Tse Tsan-tai captured the situation in his artwork, providing a glimpse into that era. One of these artworks is "The Door-God - Military, " created in 1922 by an unknown artist. It depicts a powerful military figure guarding against potential threats during a tumultuous period. Similarly, "The Door-God - Civil" portrays another guardian figure responsible for maintaining order and justice within society. In contrast to these martial themes, "Lingering Garden" showcases the beauty of Suzhou in Jiangsu province. This garden exemplifies traditional Chinese landscaping techniques and serves as a tranquil retreat amidst the chaos of daily life. Moving on to Beijing's Temple of Heaven, we find an exquisite Chinese urn standing proudly in front. This sacred place played a crucial role in imperial rituals during the Qing Dynasty and remains an iconic symbol today. Artworks like "Landscape with Gibbons and Cranes" transport us back to the serene landscapes of ancient China. Painted during the 18th century by an unknown artist, it captures nature's harmony through depictions of graceful cranes and playful gibbons. However, not all art from this era focused solely on peaceful scenes; some explored more taboo subjects such as eroticism. An anonymous artist depicted an intimate encounter in their work titled "Erotic Scene, " giving us insight into societal attitudes towards sexuality at that time. Portraits were also prevalent during this period; one such example is the portrait of Qianlong Emperor As a Young Man from the 19th century. Although its creator remains unknown, it provides us with a glimpse into imperial power dynamics and aesthetics. Furthermore, everyday life was represented through paintings like "Interior with Woman, Child and Nurse.