Quatrefoil Collection (#3)

Act IV, Scene 2 of Pelleas et Melisande by Debussy
CHT437867 Act IV, Scene 2 of Pelleas et Melisande by Debussy, from a photograph of the first production in April, 1902 of the opera at the Opera-Comique in Paris, illustration in Theatre magazine

St. Francis Receiving the Stigmata (tempera on panel)
AII80589 St. Francis Receiving the Stigmata (tempera on panel) by Gaddi, Taddeo (c.1300-66); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian

Rose window detail (stained glass)
PC340031 Rose window detail (stained glass) by French School, (13th century); Laon Cathedral, Laon, France; French, out of copyright

Quadrilobate patterned tiles with border (ceramic)
KW237493 Quadrilobate patterned tiles with border (ceramic) by Portuguese School, (17th century); Museo Nacional del Azulejo, Lisbon, Portugal; Portuguese, out of copyright

Lancet Window depicting the Parable of Lazarus and the Rich Man (stained glass)
PC222519 Lancet Window depicting the Parable of Lazarus and the Rich Man (stained glass) by French School, (13th century); Saint-Etienne Cathedral, Bourges, France; French, out of copyright

St Matthew the Evangelist, panel B of the North Doors of the Baptistery of San Giovanni
BEN131524 St Matthew the Evangelist, panel B of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze) by Ghiberti, Lorenzo (1378-1455); 52x45 cm; Baptistery, Florence

St John the Evangelist, panel A of the North Doors of the Baptistery of San Giovanni
BEN131523 St John the Evangelist, panel A of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze) by Ghiberti, Lorenzo (1378-1455); 52x45 cm; Baptistery, Florence

The Resurrection of Christ, nineteenth panel of the North Doors of the Baptistery of San
BEN131520 The Resurrection of Christ, nineteenth panel of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze) by Ghiberti, Lorenzo (1378-1455); 52x45 cm; Baptistery, Florence

Agony in the Garden, thirteenth panel of the North Doors of the Baptistery of San
BEN131515 Agony in the Garden, thirteenth panel of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze) by Ghiberti, Lorenzo (1378-1455); 52x45 cm; Baptistery, Florence

The Temptation of Christ, sixth panel of the North Doors of the Baptistery of San
BEN131508 The Temptation of Christ, sixth panel of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze) by Ghiberti, Lorenzo (1378-1455); 52x45 cm; Baptistery, Florence

The Nativity, second panel of the North Doors of the Baptistery of San Giovanni
BEN131504 The Nativity, second panel of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze) by Ghiberti, Lorenzo (1378-1455); 52x45 cm; Baptistery, Florence

History of Saint Francois of Assisi: Innocenzo III (Innocentius) (1198-1216
AII80591 History of Saint Francois of Assisi: Innocenzo III (Innocentius) (1198-1216) confirms the Franciscan rule in 1210, 1335-1340 (tempera on wood) by Gaddi

The Presentation of St John the Baptists Head to King Herod (21 BC-39 AD)
BEN130922 The Presentation of St John the Baptists Head to King Herod (21 BC-39 AD), seventeenth panel of the South Doors of the Baptistery of San Giovanni, 1336 (bronze) by Pisano

St John the Baptist Announces Christ, eighth panel of the South Doors of the Baptistery
BEN130913 St John the Baptist Announces Christ, eighth panel of the South Doors of the Baptistery of San Giovanni, 1336 (bronze) by Pisano, Andrea (1270-1349); 50x43 cm; Baptistery, Florence

West facade, c. 1225-50 (stone) (detail)
MAE170065 West facade, c.1225-50 (stone) (detail) by English School, (13th century); Wells Cathedral, Somerset, UK; ePaul Maeyaert; English, out of copyright

Tea caddy, c. 1840 (ebonised pine lined with tulip wood, with bird
3084510 Tea caddy, c.1840 (ebonised pine lined with tulip wood, with birds eye maple veneers and brass inlays) by French School, (19th century); 11.4x22.5x11 cm; The Geffrye Museum of the Home

Designs for cast-iron railings, from Macfarlanes Castings
STC171177 Designs for cast-iron railings, from Macfarlanes Castings (engraving) (b/w photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

A Norman chapel at Sherborne, Dorset, England, sometimes called The Old Church, but now a private dwelling. It has quatrefoil openings at each end - fine Norman architecture. Date: 11th - 12th century

Quatrefoil Brooch, Frankish, second half 6th century. Creator: Unknown
Quatrefoil Brooch, Frankish, second half 6th century

The International Exhibition - Wallpaper by Messrs. Scott, Cuthbertson and Co. 1862. Creator: Unknown
The International Exhibition - Wallpaper by Messrs. Scott, Cuthbertson and Co. 1862. The pattern, consisting of a quatrefoil with a shield filling...is, undoubtedly, of great merit; it is, also

Ornament tile diagonal ornament quatrefoil bows
Ornament tile, diagonal ornament in quatrefoil with bows in which orange apples and flowers, palm corner, corner pattern rosette, wall tile tile sculpture ceramics pottery glaze

Claymores Or Scottish Late Medieval Two-Handed Longswords, In Warwick Castle, England. From The British Army: Its Origins, Progress And Equipment, Published 1868

Windsor Memorial Cross
Memorial in Churchyard of Church of St Laurence, Bromsgrove, Worcestershire. IoE 156065

Italy. Florence. South Gate of the Baptistery by Andrea Pisano. His decorative panels depicting the life of Saint John the Baptist

Quatrefoil Design Blackwork Varii Generis Opera Aurifabris Necessaria
Artokoloro

Geometric tracery decorating Gothic window

The vision of Charlemagne, from Science and Literature in the Middle Ages
KW344374 The vision of Charlemagne, from Science and Literature in the Middle Ages by Paul Lacroix (1806-84) published London 1878 (litho) by French School

Madonna and Child with Saints Cyricus and Pancratius, c
XKH150813 Madonna and Child with Saints Cyricus and Pancratius, c.1380 (tempera and gold leaf on panel) by Aachen Master (c.1380); 55x69 cm; Hamburger Kunsthalle, Hamburg, Germany; German

Design for a Quatrefoil with a Castle, Two Lovers, a Maiden Tempted by a Fool, a Couple Seated by a Trough, and a Knight and His Lover Mounted on a Horse; After The Master of the Housebook, German

Cliffords Tower, York Castle, Yorkshire, England, a remarkable two-storey quatrefoil keep on a stone motte and bailey fortress. Date: 13th century

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"Unveiling the Timeless Charm of Quatrefoil: A Journey through Art and History" Step into the world of quatrefoil, a captivating design element that has stood the test of time. From ancient frescoes to modern masterpieces, this intricate pattern has adorned various artworks throughout history. In Jonah and the Whale, a mesmerizing fresco dating back to c. 1305, we witness how quatrefoil motifs embellish the background, adding an enchanting touch to this biblical tale's depiction. Moving forward in time, coats of arms on a tomb at Westminster Abbey showcase the regal allure of quatrefoil. This black-and-white photograph captures every delicate detail, emphasizing its significance in heraldry and nobility. Figures on another tomb at Westminster Abbey continue to captivate our imagination with their exquisite quatrefoil adornments. These intricate carvings serve as a testament to craftsmanship and artistic prowess prevalent during that era. Quatrefoil's versatility extends beyond tombs and religious art. The ceremonial bedhead made for King Henry VIII's marriage to Anne of Cleves in 1539 showcases how this motif can elevate even functional pieces like furniture into objects d'art. Traveling back further in time reveals an astonishing discovery - a quatrefoil spiral fibula from the 7th century BCE. Crafted by an unknown creator, this garment pin exemplifies how ancient civilizations embraced this timeless symbol long before it became popularized across cultures. Venturing eastward brings us to Korea's Goryeo dynasty where a stunning Quatrefoil Cup Stand from the mid-12th century stands as evidence of its global appeal. Its elegant curves and meticulous craftsmanship reflect both beauty and functionality. Italy also boasts its own contribution to quatrefoil aesthetics with Eugenio Quarti's Quatrefoil Table from c. 1900. This piece seamlessly blends traditional design elements with contemporary sensibilities, showcasing how versatile this pattern truly is. Even in the realm of decorative arts, quatrefoil leaves its mark.