Quiver Collection (page 7)

Archduke Maximilian of Austria hunting on horseback (engraving)
3646305 Archduke Maximilian of Austria hunting on horseback (engraving) by Burgkmair, Hans (c.1473-1531) (after); Private Collection; (add.info.: Archduke Maximilian of Austria hunting on horseback)

Habit of the Commander in chief of the Spahis in 1749 (engraving)
3640465 Habit of the Commander in chief of the Spahis in 1749 (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of the Commander in chief of the Spahis in 1749)

Roman Tombstone depicting a Hamian (Syrian) Archer, c. 125-40 AD (stone)
3248477 Roman Tombstone depicting a Hamian (Syrian) Archer, c.125-40 AD (stone) by Roman, (2nd century AD); Great North Museum: Hancock, UK; eTyne & Wear Archives & Museums; out of copyright

The Merchant of Hearts. 1919

Cover design, Girl and Cupid by Herbert Pizer
Cover design, Pan magazine, Girl and Cupid by Herbert Pizer. 1920

Cupids on a romantic card by Robert Dudley
Two cupids on a romantic card by Robert Dudley, sharpening an arrow on a grindstone -- Such glee be thine as sunny smiles create! Date: circa 1880s

Cupid taught by the Three Graces

Cat with bow and arrows on a German postcard -- Its dangerous to play with sharp weapons, and its the same with love, when its only pretended. Date: circa 1890s

Angelica and Medoro, 1763 (oil on canvas)
3492918 Angelica and Medoro, 1763 (oil on canvas) by Boucher, Francois (1703-70); 66.7 x 56.2 cm; Metropolitan Museum of Art, New York

The Meet (colour litho)
3621878 The Meet (colour litho) by Emmerson, Henry Hetherington (1831-95); Private Collection; (add.info.: The Meet. Illustration for The May Blossom or The Princess and Her People (Frederick Warne)

3597298
soldier, armour, city, helmet, warfare, middle east, walls, relief, middle eastern, iraq, archers, battlements, military, archaeological, near east, fortifications, sculpture, figures, weapon

Apollo in Vulcans forge (pen & ink with wash on paper)
AGN265303 Apollo in Vulcans forge (pen & ink with wash on paper) by Burney, Edward Francis (1760-1848); Private Collection; Photo eAgnew s, London; English, out of copyright

Rinaldo and Armida (pen & brown ink, brown and pink wash over black chalk on paper)
AGN271538 Rinaldo and Armida (pen & brown ink, brown and pink wash over black chalk on paper) by Boucher, Francois (1703-70); 20x31.2 cm; Private Collection; (add.info)

Cupids Forge (w / c & bodycolour on paper) (see also 430973)
PNH356959 Cupids Forge (w/c & bodycolour on paper) (see also 430973) by Burne-Jones, Edward Coley (1833-98); 32.5x50 cm; Private Collection; (add.info)

Ba-da-ah-chon-du (He Who Jumps Over Everyone) 1852 (pencil on paper)
NBY332202 Ba-da-ah-chon-du (He Who Jumps Over Everyone) 1852 (pencil on paper) by Catlin, George (1796-1872); 35x16.5 cm; Newberry Library, Chicago, Illinois

Cupid reclining in a cornfield (chalk & pastel)
CHT316962 Cupid reclining in a cornfield (chalk & pastel) by Boucher, Francois (1703-70) (attr. to); Private Collection; eArchives Charmet; French, out of copyright

Bookplate of President Woodrow Wilson (1856-1924) (print)
AQS256887 Bookplate of President Woodrow Wilson (1856-1924) (print) by American School; American Antiquarian Society, Worcester, Massachusetts

Allegory, Bonaparte bringing peace to the Netherlands in 1800 (litho)
616911 Allegory, Bonaparte bringing peace to the Netherlands in 1800 (litho) by Kok, G. (18th-19th century); 56.8x43.6 cm; BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt

A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793
NCO190400 A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint) by Gillray

Ancient Chinese War Chariot, from Le Costume Ancien et Moderne
STC228039 Ancient Chinese War Chariot, from Le Costume Ancien et Moderne by Jules Ferarrio, published c.1820s-30s (colour litho) by Bigatti

Various Egyptian arms and weapons, Thebes, Biban-el-Molouk
NYL450384 Various Egyptian arms and weapons, Thebes, Biban-el-Molouk, illustration from Monuments de L Egypte et de la Nubie, 1845 (colour litho) by Champollion

Nyai, Ruler of Bali, 1780 (coloured engraving)
468754 Nyai, Ruler of Bali, 1780 (coloured engraving) by Duflos, Pierre (1742-1816); Private Collection; (add.info.: Illustration from Recueil d estampes repreIusentant les grades)

Tashkent inhabitants in a typical dwelling, c. 1820s-30s (coloured engraving)
468745 Tashkent inhabitants in a typical dwelling, c.1820s-30s (coloured engraving) by Italian School, (19th century); Private Collection; (add.info.: Illustration from Costumi dei)

A Tatar of the Crimea, 1780 (coloured engraving)
468787 A Tatar of the Crimea, 1780 (coloured engraving) by Duflos, Pierre (1742-1816); Private Collection; (add.info.: Illustration from Recueil d estampes repreIusentant les grades)

Chief of the Saphis, 1780 (coloured engraving)
468674 Chief of the Saphis, 1780 (coloured engraving) by Duflos, Pierre (1742-1816); Private Collection; (add.info.: Saphis were Turkish cavalry units)

Buryat family in an interior, from Costume dei... by Giulio Ferrario, c
STC420661 Buryat family in an interior, from Costume dei... by Giulio Ferrario, c.1820s-30s (hand-coloured litho) by Italian School

Cupids Forge (w / c & bodycolour on paper) (see also 356959)
PNH430973 Cupids Forge (w/c & bodycolour on paper) (see also 356959) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info)

A Tatar of Crimea, plate 84 from Collection of One Hundred Prints Representing
STC409037 A Tatar of Crimea, plate 84 from Collection of One Hundred Prints Representing the Different Nations of the Levant by Charles de Ferriol, engraved by Philippe Simonneau (1685-c.1753)

The Normans fight and kill those who were with King Harold
XIR183148 The Normans fight and kill those who were with King Harold, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

An English Archer, from Art of Archerie by Gervase Markham (1568-1637), pub
STC347524 An English Archer, from Art of Archerie by Gervase Markham (1568-1637), pub. 1634 (engraving) by English School

Attic red-figure plate decorated with an archer on horseback, by Paseas, from Chuisi, c
AMQ104794 Attic red-figure plate decorated with an archer on horseback, by Paseas, from Chuisi, c.520-510 BC (ceramic) by Greek, (6th century BC); diam.18.4 cm; Ashmolean Museum

Cupid (bronze)
BAT209842 Cupid (bronze) by Bonacolsi, Pier Jacopo Alari (1460-1528); Museo Nazionale del Bargello, Florence, Tuscany, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

William II Rufus (c. 1056-1100) King of England from 1087
STC99256 William II Rufus (c.1056-1100) King of England from 1087, engraved by the artist (engraving) by Vertue, George (1684-1756); Private Collection; The Stapleton Collection; English

The Bath of Diana (oil on canvas)
PWI91635 The Bath of Diana (oil on canvas) by Watteau, Jean Antoine (1684-1721); 80x101 cm; Louvre, Paris, France; ePeter Willi; French, out of copyright

False weapons from the Tomb of of Nakhti, Middle Kingdom (wood)
SCP50765 False weapons from the Tomb of of Nakhti, Middle Kingdom (wood) by Egyptian 12th Dynasty (1991-1786 BC); Louvre, Paris, France; Egyptian, out of copyright

Italianate Landscape
BAL47592 Italianate Landscape by Brill or Bril, Paul (1554-1626); Pushkin Museum, Moscow, Russia; Flemish, out of copyright

Mars and Venus bathing, aided by Cupid and putti from the Sala di Amore e Psiche
BEN78435 Mars and Venus bathing, aided by Cupid and putti from the Sala di Amore e Psiche, 1528 (fresco) by Romano, Giulio (1492-1546) (and workshop); Palazzo del Te, Mantua

Venus, Vulcan and Cupid
AII79428 Venus, Vulcan and Cupid by Tintoretto, Jacopo Robusti (1518-94); Palazzo Pitti, Florence, Italy; Italian, out of copyright

Mars and Venus bathing, detail showing Cupid aiding Mars from the Sala di Amore e Psiche
BEN78442 Mars and Venus bathing, detail showing Cupid aiding Mars from the Sala di Amore e Psiche, 1528 (fresco) (detail of 78435) by Romano, Giulio (1492-1546) (and workshop); Palazzo del Te

Venus and Cupid, c. 1523-24 (oil on canvas)
FIT86014 Venus and Cupid, c.1523-24 (oil on canvas) by Palma, Jacopo (Il Vecchio) (c.1480-1528); 118.1x208. cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Italian

The Mischievous Boy
MIB67007 The Mischievous Boy by Procter, Ernest (1886-1935); 40x40 cm; Private Collection; eWhitford Fine Art, London, UK; Courtesy of the Procter Estate; English, out of copyright

Diana the Huntress, 1780 (marble)
NUL113442 Diana the Huntress, 1780 (marble) by Houdon, Jean-Antoine (1741-1828); Museu Calouste Gulbenkian, Lisbon, Portugal; (add.info.: belonged to Catherine II of Russia; ); French

Norman Knight and Archers, 1066, from Ancient Armour, by Samuel Rush Meyrick
STC136906 Norman Knight and Archers, 1066, from Ancient Armour, by Samuel Rush Meyrick, 1824 (colour litho) by English School, (19th century); Private Collection; The Stapleton Collection; English

The Giants Attempt to Scale Heaven by Piling Mountains Upon Another, 1731 (engraving)
STC133996 The Giants Attempt to Scale Heaven by Piling Mountains Upon Another, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection; French, out of copyright

Iroquois Indians of Canada, 1818
6338267 Iroquois Indians of Canada, 1818 by English School, (18th century); (add.info.: Iroquois Indians of Canada, 1818. The man carries a musket, bow and quiver of arrows)

King James IV of Scotland (1473-1513)
5855297 King James IV of Scotland (1473-1513) by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: King James IV of Scotland (1473-1513), mounted on a horse, wearing a black cap, pink tunic

Hunter on Horseback, 1718-30 (oil on canvas)
3619195 Hunter on Horseback, 1718-30 (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 2662x148 cm; Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Milano)

Hunter on Horseback, 1718-30 (oil on canvas) (detail of 3497607)
3497608 Hunter on Horseback, 1718-30 (oil on canvas) (detail of 3497607) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 215x136 cm; Fondazione Cariplo, Milan, Lombardy

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Unleashing the Power of the Quiver: A Journey through Time and Mythology" Step back into the medieval era, where archers with their trusty quivers roamed the land. Picture Judi Trott as Maid Marion, her quiver slung over her shoulder, ready to defend justice alongside Robin Hood. Intriguingly depicted in The Art of Archerie's frontispiece from 1634, an engraving showcases a skilled archer reaching for an arrow from his quiver. The Misfitz - Robin Hood troupe brings this iconic image to life on stage. But it's not just in medieval times that we find references to the quiver. Cupid himself is often portrayed holding one in Les Amours des Dieux' painting "Cupids Target, " emphasizing love's power as sharp as any arrow. Traveling further back in time, witness medieval men engaging in the archery game of Popinjay while Elizabeth Fry leaves her mark by founding Quiver – a magazine aimed at promoting moral values among children. Nature itself offers its own version of a celestial quiver; behold the breathtaking sight of Milky Way Over Quiver Trees standing tall against a starry backdrop—a true marvel for stargazers. During Christmas carol services at London's Foundling Hospital, melodies filled the air as voices harmonized under flickering candlelight—each note hitting hearts like arrows released from a well-stocked quiver. Maritime history intertwines with our story too; envision The Chichester ship majestically sailing off Greenhithe, Kent—the crew armed with courage and determination akin to an archer drawing arrows from their trusted quivers. Mythology comes alive when contemplating Artemis, Goddess of Hunt—a marble statue capturing her poised stance with bow and full quiver—an embodiment of strength and grace combined. Finally, Three Loves showcases one figure holding both grapes and a quiver, symbolizing the intertwining nature of love and desire throughout history.