Raithby Lawrence Collection (#4)

Advert for Kast & Ehinger G. m. b. H. Stuttgart, 1917. From The British Printer Vol. XXIV. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1917]

St. Bride Street Frontage, 1917. A photograph of the Hunters Ltd. Building in St. Bride Street. From The British Printer Vol. XXIV. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1917]

Advert for John Kidds & Co. Ltd Inks, 1917. From The British Printer Vol. XXIV. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1917]

Staff of Macneill & Co.s Printing and Stationery Works, Calcutta, 1917. From The British Printer Vol. XXIV. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1917]

King George V, 1917. Artist: Garratt & Atkinson
King George V, 1917. George V (1865-1936), King of the United Kingdom and the British Dominions from 1910 until 1936. Image printed with Manders photochromotype inks. From The British Printer Vol

Parsons, Fletcher & Co.s Ltd. Inks, 1917. Artist: Parsons Fletcher & Co
Parsons, Fletcher & Co.s Ltd. Inks, 1917. From The British Printer Vol. XXIV. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1917]

H. M. King George V, 1917. Artist: W&D Downey
H.M. King George V, 1917. George V (1865-1936), King of the United Kingdom and the British Dominions from 1910 until 1936. From The British Printer Vol. XXIV. [Raithby, Lawrence & Co

Students Note Book, 1917. Image printed with Mander Brothers inks. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

Christmas Advert For Cayleys Toyland, 1917. Image printed with Mander Brothers inks. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

Hunting of Big Game in the Soudan, 1917. Image printed with Mander Brothers inks. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

Advert For A Concert, 1917. Artist: Garratt & Atkinson
Advert For A Concert, 1917. An advert advertising a concert for the benefit of soldiers injured during World War I. Image printed with Mander Brothers inks. From The British Printer Vol. XXX

Venice, 1917. Artist: John Swain & Son
Venice, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

Our U. S. A. Allies, 1917
Our U.S.A. Allies, 1917. Image printed with Mander Brothers inks. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

John Swain & Son Ltd. Roll of Honour, 1917. Artist: John Swain & Son
John Swain & Son Ltd. Roll of Honour, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

A Symbolical Cheque Design, 1917. Artist: London City & Midland Bank
A Symbolical Cheque Design, 1917. Midland Bank Plc was one of the Big Four banking groups in the United Kingdom for most of the 20th century. It is now part of HSBC

Advert For Coates Bros. & Co. Ltd. 1917. Artist: Coates Bros & Co Ltd
Advert For Coates Bros. & Co. Ltd. 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

City Hall, Belfast, 1917. The erection was in progress during the Lord Mayoralty of the late Sir James Henderson M.A. D.L. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd

High Street, Belfast, showing the Albert Memorial in the distance, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

The Matterhorn From the Italian Side, Forest of Brueil, 1917. Artist: Donald McLeish
The Matterhorn From the Italian Side, Forest of Brueil, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

Advert For Horsells Inks, 1917. Artist: Frank Horsell & Co Ltd
Advert For Horsells Inks, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

A Scene of Desolation. - A Street in Peronne, 1919. Artist: War Office
A Scene of Desolation. - A Street in Peronne, 1919. For most of World War I the town of Peronne, Somme, was occupied by German troops. It was finally liberated on the 2nd September 1918

Economy in a Paper Mill, 1919. From The British Printer Vol. XXXI. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1919]

Co-Operation: How to Practise It, 1919. Image printed with Mander Brothers inks. From The British Printer Vol. XXXI. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1919]

Final Operations in the Foundry. Trimming the Plates and Finishing, 1917. A photograph of the Illustrated London News and the Sketch office. From The British Printer Vol. XXIV

At Work in the Foundry. Making Wax Moulds of the Pages, 1917. A photograph of the Illustrated London News and the Sketch office. From The British Printer Vol. XXIV. [Raithby, Lawrence & Co

St. Bride Foundation School. Letterpress Machine Room, 1917. In 1891, St Bride Foundation was established to provide a social

St. Bride Foundation School. Offset Printing Room, 1917. In 1891, St Bride Foundation was established to provide a social

Woman Operator on Monotype Keyboard, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Raithby Lawrence: A Glimpse into the Vibrant World of Printing and Publishing" Step back in time to 1919, a year filled with bustling activity in the printing industry. As E. Hamel & Co. Proudly proclaimed in their advert, "There are busy times ahead. " The Linotype & Machinery Ltd. Also joined the chorus, highlighting the technological advancements that were shaping this era. In this captivating scene from Lady Beatrice Graham's book "Gowns - A Study, " beautifully illustrated by Soldan & Co. , we catch a glimpse of the exquisite craftsmanship involved in creating stunning garments. But it wasn't just fashion that was flourishing; innovation was everywhere. The Hall Braille Stereotyping Machine revolutionized accessibility for visually impaired individuals, while Shackell Edwards & Co. 's Printing Inks in Tubes brought convenience and efficiency to printers across the nation. Artistic expression thrived as well, with Hazell, Watson and Viney capturing poignant emotions through their artwork titled "Till The Boys Come Home. " Meanwhile, William E Swain's masterpiece adorned the cover of The British Printer magazine, showcasing his talent for capturing intricate details. The advertisement for Bay Path Covers by G. F. Smith & Son (London) Limited transported readers into a world where elegance met functionality – an irresistible combination indeed. And speaking of guarantees, Taylor-Logan Co. 's Public Service Bond reassured customers about their commitment to excellence. Samuel Jones & Company Gummed Paper Makers took pride in providing top-quality materials essential for every printing endeavor. Their dedication mirrored that of G. F Smith (London) Limited's Tapestry Covers – both companies striving to offer products that would stand the test of time. As we delve deeper into these historical advertisements and publications from Raithby Lawrence's collection, we witness an era defined by progress and creativity within the printing industry. Each hint offers a tantalizing glimpse into a world where artistry, innovation, and dedication to quality were paramount.