Raithby Collection (#5)

Advert For A Concert, 1917. Artist: Garratt & Atkinson
Advert For A Concert, 1917. An advert advertising a concert for the benefit of soldiers injured during World War I. Image printed with Mander Brothers inks. From The British Printer Vol. XXX

Venice, 1917. Artist: John Swain & Son
Venice, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

Our U. S. A. Allies, 1917
Our U.S.A. Allies, 1917. Image printed with Mander Brothers inks. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

John Swain & Son Ltd. Roll of Honour, 1917. Artist: John Swain & Son
John Swain & Son Ltd. Roll of Honour, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

A Symbolical Cheque Design, 1917. Artist: London City & Midland Bank
A Symbolical Cheque Design, 1917. Midland Bank Plc was one of the Big Four banking groups in the United Kingdom for most of the 20th century. It is now part of HSBC

Advert For Coates Bros. & Co. Ltd. 1917. Artist: Coates Bros & Co Ltd
Advert For Coates Bros. & Co. Ltd. 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

City Hall, Belfast, 1917. The erection was in progress during the Lord Mayoralty of the late Sir James Henderson M.A. D.L. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd

High Street, Belfast, showing the Albert Memorial in the distance, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

The Matterhorn From the Italian Side, Forest of Brueil, 1917. Artist: Donald McLeish
The Matterhorn From the Italian Side, Forest of Brueil, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

Advert For Horsells Inks, 1917. Artist: Frank Horsell & Co Ltd
Advert For Horsells Inks, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

A Scene of Desolation. - A Street in Peronne, 1919. Artist: War Office
A Scene of Desolation. - A Street in Peronne, 1919. For most of World War I the town of Peronne, Somme, was occupied by German troops. It was finally liberated on the 2nd September 1918

Economy in a Paper Mill, 1919. From The British Printer Vol. XXXI. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1919]

Co-Operation: How to Practise It, 1919. Image printed with Mander Brothers inks. From The British Printer Vol. XXXI. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1919]

Final Operations in the Foundry. Trimming the Plates and Finishing, 1917. A photograph of the Illustrated London News and the Sketch office. From The British Printer Vol. XXIV

At Work in the Foundry. Making Wax Moulds of the Pages, 1917. A photograph of the Illustrated London News and the Sketch office. From The British Printer Vol. XXIV. [Raithby, Lawrence & Co

St. Bride Foundation School. Letterpress Machine Room, 1917. In 1891, St Bride Foundation was established to provide a social

St. Bride Foundation School. Offset Printing Room, 1917. In 1891, St Bride Foundation was established to provide a social

Woman Operator on Monotype Keyboard, 1917. From The British Printer Vol. XXX. [Raithby, Lawrence & Co. Ltd. London and Leicester, 1917]

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"Raithby: A Glimpse into the Vibrant World of 1909" Step back in time to the bustling year of 1909, where exciting developments and captivating creations were on the horizon. E. Hamel & Co. 's advert hints at busy times ahead, promising a future filled with innovation and progress. Meanwhile, Linotype & Machinery Ltd. 's advertisement showcases the cutting-edge technology that was revolutionizing the printing industry during this era. The advancement of machinery promised increased efficiency and productivity for printers everywhere. Lady Beatrice Graham's study on gowns takes us into the world of fashion, offering a glimpse into elegant designs brought to life by artists from Soldan & Co. These stunning illustrations transport us to an era when beauty and style reigned supreme. The Hall Braille Stereotyping Machine introduced a groundbreaking invention that aimed to improve accessibility for visually impaired individuals. This innovative device paved the way for advancements in braille printing techniques, making literature more accessible than ever before. Shackell Edwards & Co. 's advert highlights their revolutionary printing inks packaged in tubes—a convenient solution that simplified the process for printers while ensuring vibrant colors and striking effects on paper. As we explore further, we come across a map showcasing Lincoln LN11 9—an area teeming with history and charm. Frank Horsell & Co Ltd's mysterious advert piques our curiosity about what hidden treasures this company might have offered during those times. Moving away from print-related themes, Francis Frith & Co captures "The Talking Shop at Westminster, " giving us a glimpse into lively conversations taking place amidst political debates—a testament to democracy flourishing even then. In contrast, serene moonlight illuminates a majestic cruise ship sailing through calm waters—an enchanting scene captured by an unknown artist. This image transports us aboard this vessel as we imagine ourselves embarking on grand adventures under starry skies. John Kidd & Co entices us with their inks for striking effects, promising to elevate any creative endeavor.