Rake Collection (page 7)

He and His Drunken Companions Raise a Riot in Covent Garden, 1735 (engraving)
GHL222101 He and His Drunken Companions Raise a Riot in Covent Garden, 1735 (engraving) by English School, (18th century); London Metropolitan Archives

The New Mount (oil on canvas)
EG103948 The New Mount (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); Private Collection; Eaton Gallery Fine Paintings, London; English, out of copyright

Plate 1 from The Rakes Progress at the University
NCO193196 Plate 1 from The Rakes Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray

Girl Haymaking (oil on canvas)
3744143 Girl Haymaking (oil on canvas) by Black, Arthur John (1855-1936); 61x76.2 cm; Nottingham City Museums and Galleries (Nottingham Castle); eNottingham City Museums & Galleries; English

The Kennel Club Field Trials (engraving)
1615893 The Kennel Club Field Trials (engraving) by English School, (19th century); Private Collection; (add.info.: The Kennel Club Field Trials)

The jester and the young woman, 1520 (etching)
3704020 The jester and the young woman, 1520 (etching) by Leyden, Lucas van (c.1494-1533); 10.5x7.4 cm; Rijksmuseum, Amsterdam

Going down in a Diving Machine, pub 1801 (hand coloured engraving)
3025363 Going down in a Diving Machine, pub 1801 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English, out of copyright

A Country Girl (colour litho)
3093796 A Country Girl (colour litho) by Ritchie, Alick Penrose Forbes (1868-1938); Private Collection; (add.info.: A Country Girl)

Return from the Fields (Retour des Champs), 1878 (etching)
1068556 Return from the Fields (Retour des Champs), 1878 (etching) by Bastien-Lepage, Jules (1848-84); 26.8x19.8 cm; Dallas Museum of Art, Texas, USA; General Acquisitions Fund; French

Farmers Nooning, c. 1840. Creator: Unknown
Farmers Nooning, c. 1840

Piggish
Milan Malovrh

Ambition
Jay Satriani

Avoir la main verte
Dina Belenko

Clean up the blue planet
OLYMPUS DIGITAL CAMERA. Thierry Dufour

Garden Golden. Part 4
Green thumb concept with a golden spade, plants, soil, glass jars with seedling and gardening tools. Overhead botanical still life with copy space.. Dina Belenko

Maria and Ciobanel, Trascau, 2019
Vlad Dumitrescu

Charcoals
Zoran Toldi

Park Rangers, gathering leaves at Stewart Park, Marton, Middlesbrough, England, 20th November 1980

One of the groundsmen at the War Memorial Park, Coventry sweeps up the fallen autumn leaves on a misty October morning. Circa October 1950

Thirteen year old Joyce Hayward who has been appointed to organise a tree adoption scheme on a council housing estate at Camelot House, London one of the biggest blocks of council flats in the city

Farmer gathering in the hay in the hills and fields over looking the County Donegal village of Glencolumbkille watched by his dog 7th September 1963

Thirteen year old Joyce Hayward who has been appointed to organise a tree adoption scheme on a council housing estate at Camelot House, London one of the biggest blocks of council flats in the city

Gathering in the hay on the hills and fields overlooking the Northern Ireland village of Glencolumbkille 7th September 1963

Woman wearing one piece swimsuit tenders to the lawn. Circa 1960

Girl with Hay Rake, 1878. Creator: Winslow Homer
Girl with Hay Rake, 1878

Burning the Grasses (Le bruleur d herbes). Creator: Alphonse Legros
Burning the Grasses (Le bruleur d herbes)

Victims of the Lightning (Victimes de la foudre). Creator: Alphonse Legros
Victims of the Lightning (Victimes de la foudre)

Portrait of the Blunt Children, 1766-80. Creator: Johan Zoffany
Portrait of the Blunt Children, 1766-80. Exhibited in Too Cute!: Sweet is About to get Sinister 26 Jan - 12 May 2019

The Watering Can (Emblems: The Garden), 1913. Creator: Roger de la Fresnaye
The Watering Can (Emblems: The Garden), 1913

Ralph Wheelocks Farm, c. 1822. Creator: Francis Alexander
Ralph Wheelocks Farm, c. 1822

Going to the Hayfield, 1853. Creator: David Cox the elder
Going to the Hayfield, 1853

A Rakes Progress, Plate 7, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 7, June 25, 1735

A Rakes Progress, Plate 8, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 8, June 25, 1735

A Rakes Progress, Plate 6, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 6, June 25, 1735

A Rakes Progress, Plate 3, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 3, June 25, 1735

The Noh play, "Takasago", ca. 1825. Creator: Totoya Hokkei
The Noh play, " Takasago", ca. 1825

Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony, 19th century

A Rakes Progress, Plate 4, ca. 1800. Creator: Dent
A Rakes Progress, Plate 4, ca. 1800

A Rakes Progress, Plate 2, ca. 1800. Creator: Dent
A Rakes Progress, Plate 2, ca. 1800

A Rakes Progress, Plate 8, ca. 1800. Creator: Dent
A Rakes Progress, Plate 8, ca. 1800

Characters, from Jack the Giant Killer, Plate 5 for a Toy Theater, 1870-90

Implements Animated, Pl. 1, Dedicated to the Carpenters and Gardeners of Great Britain, 1811

Family Watches Delivery Date: 1950

Oakwell Hall near Bristol, the Field Head of Shirley, 1860s. Creator: Unknown
Oakwell Hall near Bristol, the Field Head of Shirley, 1860s

Still-life of Game with Rake and Onion Jar, 1854 or later

William Hogarth - The Rakes Progress
The Rakes Progress 4. Arrested for debt in Whitehall as he is going to court Date: 1735

HOGARTH RAKES PLATE 4
The Rakes Progress 4. Arrested for debt in Whitehall as he is going to court Date: 1735

HOGARTH RAKE PLATE 2
The Rakes Progress 2. Hogarths Rake surrounded by flattering artists and professors. Date: 1735

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Unveiling the Rake: A Journey through Time and Tales" Step into a world of revelry, as depicted in "Revelling with Harlots, plate III of A Rakes Progress, 1735. " This captivating artwork by Hogarth takes us on a wild ride through the life of a rake, showcasing his debauchery and indulgence. In contrast to this scene of excess, picture a heavy shire horse diligently pulling an old hay rake. The Fittleworth Smithy interior reveals two blacksmiths hard at work, their skilled hands shaping tools that aid in taming nature's bounty. Moving forward to Hogarth's Plate 2 and Plate 7 of "The Rake, " we witness the consequences of reckless behavior. The once carefree protagonist now faces ruin and despair. But hope lingers in Plate 8 as redemption beckons amidst adversity. Drawing inspiration from literary classics like "Pilgrims Progress 26" and "Rakes Progress 5, " we see individuals grappling with their inner demons while striving for personal growth. Their journeys mirror our own struggles and triumphs along life's winding path. Venturing beyond artistry lies reality - Draycott, Cotswold village where Oldborough Farm bustles during harvest season. Here they can wielded not only for leisure but also for laborious tasks that sustain communities throughout generations. An intriguing engraving captures a curious encounter between a man with a rake and a woman selling spoons and stirrers. In this seemingly mundane interaction lies hidden stories waiting to be unraveled – tales woven within the fabric of everyday life. Transporting ourselves to Anna Sten's portrayal in Mamoulian's film "We Live Again (1934), " we witness how love can transform even the most wayward souls into beings capable of redemption. The power lies within each individual to rise above their past mistakes.