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Ralph And Catherine Benkaim Collection

The Ralph and Catherine Benkaim Collection is a treasure trove of exquisite artworks that transport viewers to the vibrant world of Indian art

Background imageRalph And Catherine Benkaim Collection: Krishna Vishvarupa, c. 1740 (opaque watercolor and gold on paper)

Krishna Vishvarupa, c. 1740 (opaque watercolor and gold on paper)
5932487 Krishna Vishvarupa, c.1740 (opaque watercolor and gold on paper) by Indian School, (18th century); 19.8x11.7 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Two lovers in a pavilion, from an 'Amarushataka'(Hundred poems of Amaru)

Two lovers in a pavilion, from an "Amarushataka"(Hundred poems of Amaru), or an unidentified erotic series
5930786 Two lovers in a pavilion, from an " Amarushataka" (Hundred poems of Amaru), or an unidentified erotic series, c.1680 (opaque watercolor and gold on paper) by Indian School

Background imageRalph And Catherine Benkaim Collection: Krishna approaches Radha, folio from a 'Rasikpriya', dated c

Krishna approaches Radha, folio from a "Rasikpriya", dated c. 1690 (opaque watercolor and gold on paper)
5930784 Krishna approaches Radha, folio from a " Rasikpriya", dated c.1690 (opaque watercolor and gold on paper) by Nuruddin (fl.c.1690); 19x14 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: A lady on a terrace with hookah and falcon, c. 1760 (opaque watercolor and gold on paper)

A lady on a terrace with hookah and falcon, c. 1760 (opaque watercolor and gold on paper)
5930829 A lady on a terrace with hookah and falcon, c.1760 (opaque watercolor and gold on paper) by Har Jaimal (fl.late 18th century); 23.5x15.9 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Sadashiva worshipped by Parvati, c. 1690 (opaque watercolor, gold, and applied beetle wing on paper)

Sadashiva worshipped by Parvati, c. 1690 (opaque watercolor, gold, and applied beetle wing on paper)
5932486 Sadashiva worshipped by Parvati, c.1690 (opaque watercolor, gold, and applied beetle wing on paper) by Devidasa (fl.1690-95) (attr.to); 19.1x18.4 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: A nobleman, dated 1687 (opaque watercolor and gold on paper)

A nobleman, dated 1687 (opaque watercolor and gold on paper)
5932491 A nobleman, dated 1687 (opaque watercolor and gold on paper) by Son of Ruknuddin (fl.late 17th century); 11.5x8.3 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: A raja hunting wild boars, design for a scabbard, c. 1750-1760 (opaque watercolor on paper)

A raja hunting wild boars, design for a scabbard, c. 1750-1760 (opaque watercolor on paper)
5932489 A raja hunting wild boars, design for a scabbard, c.1750-1760 (opaque watercolor on paper) by Gangeyagi, Shevdar (fl.1740-70) (attr.to); 48.9x14.6 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: Krishna playing with the gopis, folio from a 'Rasikpriya', dated 1686

Krishna playing with the gopis, folio from a "Rasikpriya", dated 1686 (opaque watercolor and gold on paper)
5930817 Krishna playing with the gopis, folio from a " Rasikpriya", dated 1686 (opaque watercolor and gold on paper) by Ruknuddin (fl.late 17th century); 19.3x13.5 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: Saraswati, folio from a Goddess series, c. 1680-1700 (opaque watercolor and gold on paper)

Saraswati, folio from a Goddess series, c. 1680-1700 (opaque watercolor and gold on paper)
5930782 Saraswati, folio from a Goddess series, c.1680-1700 (opaque watercolor and gold on paper) by Wajid (fl.late 17th century) (attr.to); 15.9x24.4 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: Abhisarika Nayika, folio from a 'Rasikpriya', c

Abhisarika Nayika, folio from a "Rasikpriya", c
5932488 Abhisarika Nayika, folio from a " Rasikpriya", c.1615-1625 (opaque watercolor and gold on paper) by Indian School, (17th century); 11.7x12.7 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: The Descent of the Ganges, c. 1800 (opaque watercolor on paper)

The Descent of the Ganges, c. 1800 (opaque watercolor on paper)
5930842 The Descent of the Ganges, c.1800 (opaque watercolor on paper) by Indian School, (19th century); 14.6x10 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Vibhasa Ragini, folio from a Ragamala, c. 1680 (opaque watercolor and gold on paper)

Vibhasa Ragini, folio from a Ragamala, c. 1680 (opaque watercolor and gold on paper)
5930819 Vibhasa Ragini, folio from a Ragamala, c.1680 (opaque watercolor and gold on paper) by Indian School, (17th century); 20.6x11.7 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Kaccheli Ragini, from a Ragamala, c. 1700 (opaque watercolor and gold on paper)

Kaccheli Ragini, from a Ragamala, c. 1700 (opaque watercolor and gold on paper)
5930814 Kaccheli Ragini, from a Ragamala, c.1700 (opaque watercolor and gold on paper) by Indian School, (18th century); 16.2x15.5 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Kamod Ragini, folio from a 'Ragamala', c. 1770-1775

Kamod Ragini, folio from a "Ragamala", c. 1770-1775
5930787 Kamod Ragini, folio from a " Ragamala", c.1770-1775 (opaque watercolor and gold on paper) by Indian School, (18th century); 18.8x12.9 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: Gauri Ragini, folio from a 'Ragamala', c. 1650 (opaque watercolor on paper)

Gauri Ragini, folio from a "Ragamala", c. 1650 (opaque watercolor on paper)
5930811 Gauri Ragini, folio from a " Ragamala", c.1650 (opaque watercolor on paper) by Indian School, (17th century); 21.6x19.3 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Shiva and Parvati, folio from a Rasamanjari, c. 1710 (opaque watercolor and gold on paper)

Shiva and Parvati, folio from a Rasamanjari, c. 1710 (opaque watercolor and gold on paper)
5930809 Shiva and Parvati, folio from a Rasamanjari, c.1710 (opaque watercolor and gold on paper) by Indian School, (18th century); 16.9x27.3 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Vilaval Ragini, from a ragamala, c. 1690-95 (opaque watercolor on paper)

Vilaval Ragini, from a ragamala, c. 1690-95 (opaque watercolor on paper)
5930806 Vilaval Ragini, from a ragamala, c.1690-95 (opaque watercolor on paper) by Indian School, (17th century); 20.3x19.7 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: A summer month, folio from a Baramasa, c. 1750 (opaque watercolor on paper)

A summer month, folio from a Baramasa, c. 1750 (opaque watercolor on paper)
5930800 A summer month, folio from a Baramasa, c.1750 (opaque watercolor on paper) by Indian School, (18th century); 28x17.8 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Arrival of the groom at the palace, folio from a Ramayana, c

Arrival of the groom at the palace, folio from a Ramayana, c
5930790 Arrival of the groom at the palace, folio from a Ramayana, c.1640-1650 (opaque watercolor and gold on paper) by Indian School, (17th century); 31.7x48 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: Diwan Nawal Singh, Prime Minister of Datia, c. 1750 (opaque watercolor and gold on paper)

Diwan Nawal Singh, Prime Minister of Datia, c. 1750 (opaque watercolor and gold on paper)
5930785 Diwan Nawal Singh, Prime Minister of Datia, c.1750 (opaque watercolor and gold on paper) by Indian School, (18th century); 29.2x21.3 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Jalandhara Ragaputra, from a Ragamala, c. 1740-50 (opaque watercolor and gold on paper)

Jalandhara Ragaputra, from a Ragamala, c. 1740-50 (opaque watercolor and gold on paper)
5930762 Jalandhara Ragaputra, from a Ragamala, c.1740-50 (opaque watercolor and gold on paper) by Indian School, (18th century); 20.5x14.9 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Wedding ceremony in the presence of Brahma, c. 1680 (opaque watercolor on paper)

Wedding ceremony in the presence of Brahma, c. 1680 (opaque watercolor on paper)
5930807 Wedding ceremony in the presence of Brahma, c.1680 (opaque watercolor on paper) by Indian School, (17th century); 20.3x18.1 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: A woman gazing at a warrior, c. 1680 (opaque watercolor on paper)

A woman gazing at a warrior, c. 1680 (opaque watercolor on paper)
5930818 A woman gazing at a warrior, c.1680 (opaque watercolor on paper) by Indian School, (17th century); 21.9x18.5 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Krishna bids farewell, folio from a Bhagavata Purana, ca

Krishna bids farewell, folio from a Bhagavata Purana, ca
5930813 Krishna bids farewell, folio from a Bhagavata Purana, ca.1680-1690 (opaque watercolor and gold on paper) by Indian School, (17th century); 20x39.4 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: Rao Ram Chandra and his lover on a swing, c. 1710 (opaque watercolor and gold on paper)

Rao Ram Chandra and his lover on a swing, c. 1710 (opaque watercolor and gold on paper)
5930793 Rao Ram Chandra and his lover on a swing, c.1710 (opaque watercolor and gold on paper) by Indian School, (18th century); 32.4x22.3 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: A forlorn lover, fragment from a Rasamanjari, c. 1710 (opaque watercolor and gold on paper

A forlorn lover, fragment from a Rasamanjari, c. 1710 (opaque watercolor and gold on paper
5930789 A forlorn lover, fragment from a Rasamanjari, c.1710 (opaque watercolor and gold on paper) by Indian School, (18th century); 16.9x12.1 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: An elephant runs amok, c. 1700 (opaque watercolor on paper)

An elephant runs amok, c. 1700 (opaque watercolor on paper)
5930776 An elephant runs amok, c.1700 (opaque watercolor on paper) by Indian School, (18th century); 21.3x34.2 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: A Rajput nobleman, c. 1630-1640 (opaque watercolor on paper)

A Rajput nobleman, c. 1630-1640 (opaque watercolor on paper)
5930770 A Rajput nobleman, c.1630-1640 (opaque watercolor on paper) by Indian School, (17th century); 14.6x9.9 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Vilaval Ragini, from a Ragamala, c. 1680 (opaque watercolor and gold on paper)

Vilaval Ragini, from a Ragamala, c. 1680 (opaque watercolor and gold on paper)
5930794 Vilaval Ragini, from a Ragamala, c.1680 (opaque watercolor and gold on paper) by Indian School, (17th century); 20.6x14.9 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Jarasandhas army advances toward Krishna and Balarama, folio from a Mahabharata, c

Jarasandhas army advances toward Krishna and Balarama, folio from a Mahabharata, c
5930783 Jarasandhas army advances toward Krishna and Balarama, folio from a Mahabharata, c.1800-1815 (opaque watercolor and gold on paper) by Purkhu of Kangra (active ca. 1780-1820) (attr)

Background imageRalph And Catherine Benkaim Collection: A Green-winged Teal, c. 1730 (opaque watercolor on paper)

A Green-winged Teal, c. 1730 (opaque watercolor on paper)
5930780 A Green-winged Teal, c.1730 (opaque watercolor on paper) by Indian School, (18th century); 30.5x22.9 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Rukmini elopes with Krishna, folio from a Bhagavata Purana, c

Rukmini elopes with Krishna, folio from a Bhagavata Purana, c
5930765 Rukmini elopes with Krishna, folio from a Bhagavata Purana, c.1780 (opaque watercolor and gold on paper) by Indian School, (18th century); 18.8x27.9 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: A girl playing the tambur while her companion listens, c

A girl playing the tambur while her companion listens, c
5932490 A girl playing the tambur while her companion listens, c.1660 (opaque watercolor and gold on paper) by Indian School, (17th century); 12.4x8.9 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: Dhanasri Ragini, folio from a Ragamala, c. 1680 (opaque watercolor and gold on paper)

Dhanasri Ragini, folio from a Ragamala, c. 1680 (opaque watercolor and gold on paper)
5930820 Dhanasri Ragini, folio from a Ragamala, c.1680 (opaque watercolor and gold on paper) by Indian School, (17th century); 23.5x18.4 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: A prince and his consort, c. 1790 (opaque watercolor on paper)

A prince and his consort, c. 1790 (opaque watercolor on paper)
5930781 A prince and his consort, c.1790 (opaque watercolor on paper) by Indian School, (18th century); 38.7x28.5 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Rao Jagat Singh of Kota, c. 1670-1675 (opaque watercolor and gold on paper)

Rao Jagat Singh of Kota, c. 1670-1675 (opaque watercolor and gold on paper)
5930779 Rao Jagat Singh of Kota, c.1670-1675 (opaque watercolor and gold on paper) by Indian School, (17th century); 22.9x14.3 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Lakshmana at the hermitage, folio from a Ramayana, c. 1690-1710

Lakshmana at the hermitage, folio from a Ramayana, c. 1690-1710
5930773 Lakshmana at the hermitage, folio from a Ramayana, c.1690-1710 (opaque watercolor on paper) by Central Indian School, (17th-18th century); 18.4x29.2 cm; Freer Gallery of Art

Background imageRalph And Catherine Benkaim Collection: An audience with Rom Rishi, c. 1700-1725 (opaque watercolor and gold on paper)

An audience with Rom Rishi, c. 1700-1725 (opaque watercolor and gold on paper)
5930764 An audience with Rom Rishi, c.1700-1725 (opaque watercolor and gold on paper) by Indian School, (18th century); 18.1x28.6 cm; Freer Gallery of Art, Smithsonian Institution

Background imageRalph And Catherine Benkaim Collection: Meditating ascetic, folio from a Book of Dreams, c. 1720

Meditating ascetic, folio from a Book of Dreams, c. 1720
5930763 Meditating ascetic, folio from a Book of Dreams, c.1720 (opaque watercolor and gold on paper) by Indian School, (18th century); 19.7x17.5 cm; Freer Gallery of Art, Smithsonian Institution



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The Ralph and Catherine Benkaim Collection is a treasure trove of exquisite artworks that transport viewers to the vibrant world of Indian art. One such masterpiece is the Krishna Vishvarupa, dating back to c. 1740. This captivating painting, created with opaque watercolor and gold on paper, depicts Lord Krishna in his cosmic form, showcasing his divine power. Another enchanting piece from this collection is Two lovers in a pavilion, originating from an "Amarushataka" or Hundred poems of Amaru series around c. 1680. Painted with delicate strokes using opaque watercolor and gold on paper, it portrays an intimate scene between two lovers immersed in their own world within the confines of a beautiful pavilion. Intriguingly, there's also Krishna approaches Radha, taken from a "Rasikpriya" folio dated c. 1690. The artist skillfully captures the tender moment as Krishna seeks out Radha's affection amidst lush surroundings adorned with opaque watercolor and gold on paper. One cannot help but be captivated by A lady on a terrace with hookah and falcon (c. 1760). This artwork showcases opulence through its depiction of an elegant lady enjoying her leisure time while surrounded by luxurious elements like hookahs and falcons. Sadashiva worshipped by Parvati (c. 1690) combines artistic mastery with religious symbolism as it features Lord Shiva being revered by his consort Parvati using applied beetle wing along with opaque watercolor and gold on paper. The collection also includes A nobleman (dated 1687), which offers insight into the regal lifestyle during that era through its portrayal of an aristocratic figure adorned in lavish attire painted meticulously using opaque watercolor and gold on paper. For those fascinated by hunting scenes, A raja hunting wild boars design for a scabbard (c. 1750-1760) is a visual treat.