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"From War Sonnets to Kitchen Warfare: The Chronicles of Refuse Collection" In the early morning light of a vibrant c. 1920 lithograph, refuse collectors diligently make their way through the streets, their carts laden with discarded cans left by Germans after the Battle of Ardennes in January 1945. This scene, reminiscent of a satire from Sebastian Brant's Ship of Fools woodcut series, captures the absurdity and folly of human consumption. As minstrels serenade a woman in another woodcut satire, we are reminded that even amidst beauty and pleasure, waste accumulates. Le Vocabulaire Illustre engraving depicts "Decombres; Rubbish; Schutt, " emphasizing society's need for efficient refuse collection. An engraving depicting bread being wasted during times of dearth serves as a poignant reminder that every morsel counts. Shakespeare himself is portrayed in his study in a lithograph nearby, perhaps contemplating how waste can be avoided or repurposed. The month of February comes alive in vivid color lithography - its depiction revealing both celebration and excess. In contrast, an engraving titled "In The Hands Of The Philistines" suggests that wastefulness falls into the hands of those who lack appreciation for artistry and culture. But it is not all doom and gloom - an advertisement for Birds Custard Powder brings levity to our journey through refuse collection. This kitchen warfare-themed promotion reminds us that even scraps can be transformed into something delightful with creativity and resourcefulness. Finally, we encounter "The Lucky Charms Pile, " depicted in captivating color lithography. Here lies evidence that what may seem like rubbish to some holds value for others - treasures waiting to be discovered among discarded items. In this diverse array of artistic expressions spanning centuries, one common thread emerges: the importance of responsible refuse collection.