Regard Collection (#2)

Bust of Ummayat wife of Yarhai lady from Amith, late 2nd century AD (limestone
XIR230732 Bust of Ummayat wife of Yarhai lady from Amith, late 2nd century AD (limestone) (b/w photo) by Syrian, (2nd century AD); 53x43x21 cm; Louvre, Paris, France; Syrian, out of copyright

The Tambourine Player
WH48849 The Tambourine Player by Godward, John William (1861-1922); Private Collection; Photo eWhitford & Hughes, London, UK; English, out of copyright

The miller, his son and the donkey (Le meunier, son fils et l
DUV4214315 The miller, his son and the donkey (Le meunier, son fils et l ane) - Fables by La Fontaine, 19th century (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47)

hors du theatre, ces animaux la sont encore plus laids. Vignettes illustrees par JJ
DUV4212448... hors du theatre, ces animaux la sont encore plus laids. Vignettes illustrees par JJ Granville. Gravure signee Godard dans la partie intitulee " Le premier feuilleton de

Striped Portrait, 1932 (w / c on paper)
NUL128431 Striped Portrait, 1932 (w/c on paper) by Schlemmer, Oskar (1888-1943); 53.5x42.5 cm; Private Collection; German, out of copyright

Wenzel of Bohemia, "The Good King Wenceslaus"(litho)
6005059 Wenzel of Bohemia, " The Good King Wenceslaus" (litho) by English School, (20th century); Private Collection; (add.info.: Wenzel of Bohemia)

Barclays Dictionary, word: Disdain (engraving)
5997751 Barclays Dictionary, word: Disdain (engraving) by Craig, William Marshall (fl.1788-1828) (after); Private Collection; (add.info.: Disdain)

L interieur de chez Bruant (Aristide, 1851-1925): le mirliton - In the Aristide
5455616 L interieur de chez Bruant (Aristide, 1851-1925): le mirliton - In the Aristide Bruants Montmartre club Le Mirliton par Anquetin, Louis (1861-1932), 1886-1887 - Oil on canvas

Portrait of Marie Antoinette de Lorraine-Habsburg, Queen of France (1755-1793)
JLJ4610364 Portrait of Marie Antoinette de Lorraine-Habsburg, Queen of France (1755-1793), in an Amazon dress - Painting by Swedish Adolf Ulrich Wertmuller (1751 - 1811)

Self-portrait, c. 1824 (black chalk, heightened with white, on buff paper)
1216888 Self-portrait, c.1824 (black chalk, heightened with white, on buff paper) by Palmer, Samuel (1805-81); 29.1x22.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

The dog with the cut ears (Le chien a qui on a coupe les oreilles
DUV4215132 The dog with the cut ears (Le chien a qui on a coupe les oreilles) - Fables by La Fontaine, 19th century (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47)

The deer looking at himself in the water (Le cerf se voyant dans l
DUV4214538 The deer looking at himself in the water (Le cerf se voyant dans l eau) - Fables by La Fontaine, 19th century (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47)

The dove and the ant (La colombe et la fourmi) - Fables by La Fontaine
DUV4214118 The dove and the ant (La colombe et la fourmi) - Fables by La Fontaine, 19th century (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47); Private Collection; (add.info)

Piege : Chat guetant des souris venues pleurer celui qui a ete fait prisonnier
DUV4212359 Piege : Chat guetant des souris venues pleurer celui qui a ete fait prisonnier. Vignettes illustrees par JJ Granville

Sita and Sarita, or Young Girl with a Cat, 1893-94 (oil on canvas)
XIR159221 Sita and Sarita, or Young Girl with a Cat, 1893-94 (oil on canvas) by Beaux, Cecilia (1855-1942); 94x63.5 cm; Musee d Orsay, Paris, France; (add.info.: portrait of Mrs Walter Turle)

the young widow (La jeune veuve) - Fables by La Fontaine, 19th century (engraving)
DUV4214572 the young widow (La jeune veuve) - Fables by La Fontaine, 19th century (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47); Private Collection; (add.info)

Zola-Inspired Duel
During the Dreyfus Affair in France, colonel Henry and M Picquart cross swords in regard to Zolas intervention, Date: March 1898

Sir Bennett Melvill Jones, CBE, HonFRAeS, 1887-1975, wa?
Sir Bennett Melvill Jones, CBE, HonFRAeS, 1887-1975, was presented with the Musick Memorial Trophy awarded for the most practical contribution to the safety of aircraft with special regard to

The Holy Family with a Shepherd, c1510. Artist: Titian
The Holy Family with a Shepherd, c1510. From the National Gallery, London

The Excommunication of Robert the Pious, 1875. Artist: Jean-Paul Laurens
The Excommunication of Robert the Pious, 1875. Nicknamed the Pious, Robert II (972-1031) was King of France from 996. He was temporarily excommunicated by Pope Gregory V

Virgin and Child icon, 1664. Artist: Emmanuel Tzanes
Virgin and Child icon, 1664. From the Byzantine Museum, Athens, Greece

Lovers in an Upstairs Room, from The Poem of the Pillow, 1788. Artist: Kitagawa Utamaro
Lovers in an Upstairs Room, from The Poem of the Pillow, 1788. From the British Museum, London

Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist, c1511. Artist: Hans Baldung
Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist, c1511. From the Washington National Gallery of Art, USA

Jupiter Beguiled by Juno, 18th / early 19th century. Artist: James Barry
Jupiter Beguiled by Juno, 18th/early 19th century. From the Sheffield Art Gallery, Sheffield

Henry-Picquart Duel
During the Dreyfus Affair in France, colonel Henry and M Picquart cross swords in regard to Zolas intervention

The Virgin and Child with Angels, 1512. Artist: Francesco dei Tatti
The Virgin and Child with Angels, 1512. From the Musee des Beaux-Arts de Nancy, France

Madonna and Child, c1510. Artist: Titian
Madonna and Child, c1510. From the Metropolitan Museum of Art, New York, USA

Venus and the Lute Player, c1565-1570. Artist: Titian
Venus and the Lute Player, c1565-1570. From the Metropolitan Museum of Art, New York, USA

Processional banner, c1395-1400. Artist: Spinello Aretino
Processional banner, c1395-1400. From the Metropolitan Museum of Art, New York, USA

Charity, 17th century. Artist: Cesare Dandini
Charity, 17th century. From the Metropolitan Museum of Art, New York, USA

The Madonna in Majesty (Maesta), 1285-1286. Artist: Cimabue
The Madonna in Majesty (Maesta), 1285-1286. From the Uffizi Gallery, Florence, Italy

Virgin of Humility, 15th century. Artist: Giovanni di Paolo
Virgin of Humility, 15th century

A Wedding in the Coeur Volant Chapel in Marly about 1850 (19th century). From the Chateau of Sceaux, France

The Virgin and the Child, 15th century(?). From the Pushkin Museum of Fine Art, Moscow

The Lovers, Chubei and Umegawa, late 18th / early 19th century. Artist: Kitagawa Utamaro
The Lovers, Chubei and Umegawa, late 18th/early 19th century. From the British Museum, London

Adoration of the Magi, 1507. Artist: Hans Baldung
Adoration of the Magi, 1507. From the Staatliche Museen, Berlin

Annunciation, 1516-1517. Artist: Jean Bellegambe
Annunciation, 1516-1517. From the Hermitage Museum, St Petersburg, Russia

The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer
The Three Ages of Man, allegory, late 16th century. From the Hermitage Museum, Saint Petersburg, Russia

Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo
Madonna and Child, late 14th/early 15th century

Flirt, 1841. Artist: Miklos Barabas
Flirt, 1841. From the Musee des Beaux Arts, Budapest

Epiphany, late 14th / early 15th century. Artist: Taddeo di Bartolo
Epiphany, late 14th/early 15th century

Madonna and Child with the Young Saint John the Baptist, c1497. Artist: Fra Bartolomeo
Madonna and Child with the Young Saint John the Baptist, c1497. From the Metropolitan Museum of Art, New York

Woman with a Child Afraid of a Dog, 17th century. Artist: Rembrandt Harmensz van Rijn
Woman with a Child Afraid of a Dog, 17th century. From the Museum of Fine Art, Budapest

Old Man Playing with Child, 1635-1640. Artist: Rembrandt Harmensz van Rijn
Old Man Playing with Child, 1635-1640. From the British Museum, London

David and Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn
David and Jonathan, 1642

Louis XIII, 17th century. Artist: Simon Vouet
Louis XIII, 17th century. Louis XIII, King of France from 1610-1643, depicted between two figures representing France and Navarre. From the Musee du Louvre, Paris

Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. Artist: Giovanni Battista Tiepolo
Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. From the Art Institute of Chicago, Illinois, USA

Sarah Presenting Hagar to Abraham, late 17th / early 18th century. Artist: Adriaen van der Werff
Sarah Presenting Hagar to Abraham, late 17th/early 18th century. From the Musee du Louvre, Paris, France

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"Regard: A Glimpse into the Soul through Art and Time" In the timeless masterpiece "The Return of the Prodigal Son" by Rembrandt Harmensz van Rijn, we witness a profound regard between a father and his wayward child. The artist's brushstrokes capture the depth of emotion in their eyes, conveying forgiveness and unconditional love. Traveling to Egypt in 1910, one cannot help but be captivated by the enigmatic gaze of the Sphinx. Its inscrutable regard has puzzled scholars for centuries, leaving us to wonder about its secrets hidden within those ancient stone features. Moving on to religious art, we encounter Mary's tender regard towards her infant son in "Virgin and Child, " created during the 16th century. This portrayal evokes a sense of maternal protection and devotion that transcends time. In Rogier Van der Weyden's "Christ Appearing to His Mother, " painted around 1440, we witness an intense moment as Jesus reveals himself after his crucifixion. Their gazes meet with overwhelming compassion and understanding, illustrating a profound connection between mother and son. Shifting gears to contemporary expressions of affection, a young couple depicted on a romantic greetings card exchange loving regards that speak volumes without words. Their eyes sparkle with shared dreams and promises for their future together. Stepping away from human subjects but no less impactful is a venerated wooden figure whose serene regard exudes spirituality beyond our comprehension. It invites contemplation about faith and reverence for something greater than ourselves. During wartime in 1943, an advert for Harella coats showcases smart fits from any angle – emphasizing how even amidst chaos or uncertainty; attention to detail can bring confidence when facing adversity head-on. Political history intertwines with regard as Clement Attlee stands alongside General Jose Miaja in Madrid during 1937 - united against fascism while exchanging mutual respect through their socialist salute.