Relationship Collection (#10)

Sun and Shadows, (oil on canvas)
657165 Sun and Shadows, (oil on canvas) by Kite, Joseph Milner (1862-1946); 37x45 cm; Private Collection; (add.info.: Sun and Shadows. Joseph Milner Kite (1862-1946). Oil on canvas

The Artists Nieces on the Cliffs at Frying Pan, Cadgwith, Cornwall, 1920 (oil on canvas)
657051 The Artists Nieces on the Cliffs at Frying Pan, Cadgwith, Cornwall, 1920 (oil on canvas) by Glehn, Wilfred Gabriel de (1870-1951); Private Collection; (add.info)

Au Cafe, (charcoal on paper laid down on board)
651332 Au Cafe, (charcoal on paper laid down on board) by Chahine, Edgar (1874-1947); 57.7x73 cm; Private Collection; (add.info.: Au Cafe. Edgar Chahine (1874-1947)

A Welcome Distraction, (oil on panel)
651325 A Welcome Distraction, (oil on panel) by Weiss, Emile Georges (1861-p.1921); 45.6x34.2 cm; Private Collection; (add.info.: A Welcome Distraction. Emile Georges Weiss (1861-after 1921)

Country Women Fishing on a Summer Afternoon, (oil on canvas)
827065 Country Women Fishing on a Summer Afternoon, (oil on canvas) by Knight, Louis Aston (1873-1948); 67.3x83.3 cm; Private Collection; (add.info.: Country Women Fishing on a Summer Afternoon)

Mending the Net, 1871 (oil on canvas)
658304 Mending the Net, 1871 (oil on canvas) by Midwood, William Henry (1833-88); 71x91.5 cm; Private Collection; (add.info.: Mending the Net. William Henry Midwood (fl.1867-1875). Oil on canvas

Two Horses; Deux Cheveaux, (oil on canvas)
656054 Two Horses; Deux Cheveaux, (oil on canvas) by Koyanagui Sei (1896-1948); 91.8x73 cm; Private Collection; (add.info.: Two Horses; Deux Cheveaux. Sei Koyanagui (1896-1948). Oil on canvas

The Favorite Shawl, (oil on panel)
827496 The Favorite Shawl, (oil on panel) by Portielje, Edward (1861-1949); 46.3x37.5 cm; Private Collection; (add.info.: The Favorite Shawl. Edward Antoon Portielje (1861-1949). Oil on panel

The Letter, (oil on canvas)
827495 The Letter, (oil on canvas) by Portielje, Edward (1861-1949); 38.1x47 cm; Private Collection; (add.info.: The Letter. Edward Antoon Portielje (1861-1949). Oil on canvas

Kuppenheimer Good Clothes, 1926, 1926 (oil on canvas laid on board)
823280 Kuppenheimer Good Clothes, 1926, 1926 (oil on canvas laid on board) by Leyendecker, Joseph Christian (1874-1951); 68.2x50.2 cm; Private Collection; (add.info.: Kuppenheimer Good Clothes, 1926)

Consolation (oil on canvas)
6448726 Consolation (oil on canvas) by Cary, Stephen Francis (1808-80); 86.4x111.8 cm; Private Collection; (add.info.: Cary, Stephen Francis (1808-80))

An altercation, c. 1935 (wash on paper)
3088129 An altercation, c.1935 (wash on paper) by Hunt, Henry J. (1867-1950); 38x26 cm; Private Collection; © Liss Fine Art; British, out of copyright

New Friends, 1881 (oil on canvas)
659753 New Friends, 1881 (oil on canvas) by Smith, Carlton Alfred (1853-1946); 45.7x61.6 cm; Private Collection; (add.info.: New Friends. Carlton Alfred Smith (1853-1946). Oil on canvas

On the Terrace, 1904 (oil on canvas)
659710 On the Terrace, 1904 (oil on canvas) by Gunnarson, Gunnar (1865-1949) (attr. to); Each panel 101x50 cm; Private Collection; Photo © Christies Images

Indian Wedding; Casamiento Indio, (oil on canvas)
825042 Indian Wedding; Casamiento Indio, (oil on canvas) by Ramos Martinez, Alfredo (1871-1946); 76x88 cm; Private Collection; (add.info.: Indian Wedding; Casamiento Indio)

The Swing; La Balancoire, (oil on canvas)
824391 The Swing; La Balancoire, (oil on canvas) by Charreton, Victor (1864-1937); 73.3x92.4 cm; Private Collection; (add.info.: The Swing; La Balancoire. Victor Charreton (1864-1937). Oil on canvas

Knitters, High Bridge Park, (oil on canvas)
822997 Knitters, High Bridge Park, (oil on canvas) by Luks, George Benjamin (1867-1933); 76.1x91.5 cm; Private Collection; (add.info.: Knitters, High Bridge Park. George Benjamin Luks (1866-1933)

Lunch by the River, (black and brown ink and watercolour)
659702 Lunch by the River, (black and brown ink and watercolour) by Grunwald, Isaac (1889-1946); 32.4x33 cm; Private Collection; (add.info.: Lunch by the River. Isaac Grunewald (1889-1946)

Two Peasant Women with Baskets, (oil on canvas)
651459 Two Peasant Women with Baskets, (oil on canvas) by Exter, Alexandra Alexandrovna (1882-1949); 118x74 cm; Private Collection; (add.info.: Two Peasant Women with Baskets)

Sunshine and Shadow, c. 1912 (oil on canvas)
985473 Sunshine and Shadow, c.1912 (oil on canvas) by Benson, Frank Weston (1862-1951); 77x64 cm; Private Collection; (add.info.: Sunshine and Shadow. Frank Weston Benson (1862-1951). Oil on canvas

Flirtation, (oil on canvas)
989760 Flirtation, (oil on canvas) by Girardet, Jules (1856-1938); 102x81 cm; Private Collection; (add.info.: Flirtation. Jules Girardet (1856-1946). Oil on canvas

1812-1912: the change in Frances relationship with Russia (colour litho)
7201345 1812-1912: the change in Frances relationship with Russia (colour litho) by Juttner, Franz (1865-1925); Private Collection; (add.info.: 1812-1912)

San Vigilio, Italy (oil on oval canvas, framed)
1772140 San Vigilio, Italy (oil on oval canvas, framed) by Glehn, Wilfred Gabriel de (1870-1951); 99x132.1 cm; Private Collection; (add.info.: San Vigilio, Italy)

A Charming Lady, (oil on panel)
989286 A Charming Lady, (oil on panel) by Salinas Tervel, Juan Pablo (1871-1946); 21x29.6 cm; Private Collection; (add.info.: A Charming Lady. Juan Pablo Salinas (1871-1946). Oil on panel

Flower Sellers, (oil on canvas)
988099 Flower Sellers, (oil on canvas) by Ramos Martinez, Alfredo (1871-1946); 71.1x61.3 cm; Private Collection; (add.info.: Flower Sellers; Vendedoras de Flores. Alfredo Ramos Martinez (1872-1946)

Young Girl in a Red Dress, (pastel on paper)
987326 Young Girl in a Red Dress, (pastel on paper) by Brisgand, Gustave (1867-1944); 162x86.3 cm; Private Collection; (add.info.: Young Girl in a Red Dress; Jeune Fille en Robe Rose)

Fishing, 1896 (oil on canvas)
985459 Fishing, 1896 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 35.5x43.5 cm; Private Collection; (add.info.: Fishing. Frederick Childe Hassam (1859-1935). Oil on canvas

After Tennis, c. 1921-25 (oil on panel)
985109 After Tennis, c.1921-25 (oil on panel) by Boyd, Rutherford (1884-1951); 52.5x70 cm; Private Collection; Photo © Christies Images

The Confidante, (oil on canvas)
658843 The Confidante, (oil on canvas) by Portielje, Edward (1861-1949); 47.7x56 cm; Private Collection; (add.info.: The Confidante. Edward Antoon Portielje (1861-1949). Oil on canvas

The New Baby, (oil on canvas)
658559 The New Baby, (oil on canvas) by Portielje, Edward (1861-1949); 78x63 cm; Private Collection; (add.info.: The New Baby. Edward Antoon Portielje (1861-1949). Oil on canvas

Dejeuner Intime, (oil on canvas)
991071 Dejeuner Intime, (oil on canvas) by Icart, Louis (1888-1950); 46x55.5c cm; Private Collection; (add.info.: Dejeuner Intime. Louis Icart (1888-1950). Oil on canvas. 46 x 55.5cm

The Time I ve Lost in Wooing, (oil on canvas)
659900 The Time I ve Lost in Wooing, (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 63.5x54 cm; Private Collection; (add.info.: The Time I ve Lost in Wooing)

La Rue Royale, (gouache on paper)
656692 La Rue Royale, (gouache on paper) by Montezin, Pierre Eugene (1874-1946); 41x65 cm; Private Collection; (add.info.: La Rue Royale. Pierre Eugene Montezin (1874-1946). Gouache on paper

The Courtship, (watercolour, pen and ink on paper. )
650684 The Courtship, (watercolour, pen and ink on paper.) by Herter, Albert (1871-1950); 49.5x36.5 cm; Private Collection; (add.info.: The Courtship. Albert Herter (1871-1950)

Red Roses in a Yellow Pitcher, 1934 (oil on canvas)
650485 Red Roses in a Yellow Pitcher, 1934 (oil on canvas) by Kuhn, Walt (1880-1949); 76x63.5 cm; Private Collection; (add.info.: Red Roses in a Yellow Pitcher. Walt Kuhn (1880-1949). Oil on canvas

Dancing figures on a terrace, 1911 (oil on canvas)
1194924 Dancing figures on a terrace, 1911 (oil on canvas) by Barbier, Georges (1882-1932); 36x23 cm; Private Collection; Photo © Christies Images

Mother and Child in a Wooded Landscape, 1913
GG60248 Mother and Child in a Wooded Landscape, 1913 by Harvey, Harold (1874-1941); Private Collection; Photo © Gavin Graham Gallery, London, UK

Mending the Nets, Newlyn, (oil on canvas)
656958 Mending the Nets, Newlyn, (oil on canvas) by Harvey, Harold (1874-1941); Private Collection; (add.info.: Mending the Nets, Newlyn. Harold Harvey (1874-1941). Oil on canvas

Morning Sunshine, 1911 (oil on canvas)
657038 Morning Sunshine, 1911 (oil on canvas) by Harvey, Harold (1874-1941); Private Collection; (add.info.: Morning Sunshine. Harold Harvey (1874-1941). Oil on canvas. Dated 1911

Poster advertising Moet & Chandon Dry Imperial champagne, 1899 (colour lithograph)
1770136 Poster advertising Moet & Chandon Dry Imperial champagne, 1899 (colour lithograph) by Mucha, Alphonse Marie (1860-1939); 63x24 cm; Private Collection; (add.info)

Sophia Western (engraving)
7165989 Sophia Western (engraving) by Du Maurier, George (1834-96) (after); Private Collection; (add.info.: Sophia Western)

Upsetting the cook (colour litho)
7150907 Upsetting the cook (colour litho) by Payne, Gilbert Morris (1879-1947); Private Collection; (add.info.: Comic postcard on a food related theme. Early 20th century.); © Look and Learn

The pilot and his wife, 1881
7143011 The pilot and his wife, 1881 by Lorck, Carl Julius (1829-82); 19x13 cm; Private Collection; Photo © O. Vaering

Acted Proverb, "Second thoughts are best"(engraving)
7178059 Acted Proverb, " Second thoughts are best" (engraving) by English School, (19th century); Private Collection; (add.info.: Acted Proverb)

"Father is coming!"(colour litho)
7184017 " Father is coming!" (colour litho) by English School, (19th century); Private Collection; (add.info.: " Father is coming)

The Hen Peckt Husband, 1768 (line engraving)
XYC289237 The Hen Peckt Husband, 1768 (line engraving) by Dawes, William (fl.1760-74) (after); 34.3x26.7 cm; Yale Center for British Art, Paul Mellon Collection, USA

Untitled, 1893 (oil on canvas)
OVR351695 Untitled, 1893 (oil on canvas) by Skredsvig, Christian Eriksen (1854-1924); Private Collection; Photo © O. Vaering

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"Exploring the Complexities of Relationships Through Art" Love, forgiveness, and redemption are beautifully depicted in Rembrandt's masterpiece "The Return of the Prodigal Son. " This timeless painting reminds us that no matter how far we stray, our relationships have the power to heal and bring us back home. In 1696, Theosophy Chakras delved into the spiritual aspects of relationships. It explored how our energy centers align with others, emphasizing the importance of harmony and balance for a fulfilling connection. Leon-Maxime Faivre's "Two Mothers" captures the profound bond between a mother and child. It showcases unconditional love and nurturance that transcends all boundaries. "The King of Ashantis Palace at Kumasi" offers a glimpse into cultural relationships. This photograph from 1874 depicts African royalty, highlighting their rich heritage and intricate social dynamics. Edvard Munch's "The Vampire II" portrays an intense relationship filled with desire but also hints at its destructive nature. It serves as a reminder to be cautious about toxic connections that drain our vitality. Alciati's "The Kiss" conveys passion and intimacy shared by two lovers. In this tender moment frozen in time, we witness the power of physical affection to strengthen emotional bonds. Munch's iconic artwork titled "The Kiss" further explores love but through his unique expressionist lens. The vibrant colors evoke raw emotions while capturing both tenderness and intensity simultaneously. "Fante Soldiers serving with the British against the Ashanti, " illustrates alliances formed during times of conflict. These historical relationships shed light on camaraderie forged amidst adversity for a common cause. "Lovers, " an image shrouded in mystery, invites interpretation as it symbolizes various forms of romantic connections throughout history – passionate affairs or enduring partnerships - reminding us that love takes many shapes. Nature itself teaches us about symbiotic relationships like those found between fly agaric fungi and trees; a reminder that interconnectedness and mutual support are vital for growth and survival.