Rembrandt Harmensz Van Rijn Collection (#9)

Christ Crucified between the Two Thieves: The Three Crosses, 1653. 1653
Christ Crucified between the Two Thieves: The Three Crosses, 1653

Old Man with Beard, Fur Cap, and Velvet Cloak, ca. 1631. ca. 1631
Old Man with Beard, Fur Cap, and Velvet Cloak, ca. 1631

Beggar Seated Warming His Hands at a Chafing Dish, ca. 1630. ca. 1630
Beggar Seated Warming His Hands at a Chafing Dish, ca. 1630

The Persian, 1632. 1632. Creator: Rembrandt Harmensz van Rijn
The Persian, 1632

Old Beggar Woman with a Gourd, ca. 1629. ca. 1629. Creator: Rembrandt Harmensz van Rijn
Old Beggar Woman with a Gourd, ca. 1629

The Artists Mother with Her Hand on Her Chest, 18th century. 18th century
The Artists Mother with Her Hand on Her Chest, 18th century

Jan Asselijn, Painter (Krabbetje), ca. 1647. ca. 1647. Creator
Jan Asselijn, Painter (Krabbetje), ca. 1647

Self-Portrait Leaning on a Stone Sill, 1639. 1639. Creator: Rembrandt Harmensz van Rijn
Self-Portrait Leaning on a Stone Sill, 1639

Self-Portrait Etching at a Window, 1648. 1648. Creator: Rembrandt Harmensz van Rijn
Self-Portrait Etching at a Window, 1648

Jan Lutma, 1656. 1656. Creator: Rembrandt Harmensz van Rijn
Jan Lutma, 1656

Beggar Man and Beggar Woman Conversing, 1630. 1630. Creator: Rembrandt Harmensz van Rijn
Beggar Man and Beggar Woman Conversing, 1630

Man Crying Out, Three-Quarters Left: Bust, ca. 1629. ca. 1629
Man Crying Out, Three-Quarters Left: Bust, ca. 1629

Self-Portrait in a Fur Cap: Bust, 18th century. 18th century. Creator: Unknown
Self-Portrait in a Fur Cap: Bust, 18th century

The Artists Mother: Head and Bust, Three-Quarters Right, 1628. 1628
The Artists Mother: Head and Bust, Three-Quarters Right, 1628

Group of Farm Buildings, ca. 1648-52. Creator: Rembrandt Harmensz van Rijn
Group of Farm Buildings, ca. 1648-52

The Meeting of Jacob And Rachel at the Well, 1640-49. Creator
The Meeting of Jacob And Rachel at the Well, 1640-49

Nathan Admonishing David, 1650-55. Creator: Rembrandt Harmensz van Rijn
Nathan Admonishing David, 1650-55

Seated Man Wearing a Flat Cap, 1635-40. Creator: Rembrandt Harmensz van Rijn
Seated Man Wearing a Flat Cap, 1635-40

Two Cottages, ca. 1636. Creator: Rembrandt Harmensz van Rijn
Two Cottages, ca. 1636

Flora, ca. 1654. Creator: Rembrandt Harmensz van Rijn
Flora, ca. 1654. Based in part on a portrait of the artists deceased wife, Saskia

Portrait of a Man, ca. 1655-60. Creator: Rembrandt Harmensz van Rijn
Portrait of a Man, ca. 1655-60

Head of Christ. Creator: Unknown
Head of Christ. Either by Rembrandt or by one of his most gifted followers. (Dutch, 1650s)

Man in a Red Cloak. Creator: Unknown
Man in a Red Cloak. (Dutch, 1650s or early 1660s)

Christ and the Woman of Samaria. Creator: Unknown
Christ and the Woman of Samaria. Considered to be by a Rembrandt pupil of the mid-1650s, with improvements made by the master himself

Herman Doomer (ca. 1595-1650), 1640. Creator: Rembrandt Harmensz van Rijn
Herman Doomer (ca. 1595-1650), 1640

The Toilet of Bathsheba, 1643. Creator: Rembrandt Harmensz van Rijn
The Toilet of Bathsheba, 1643

Man with a Magnifying Glass, early 1660s. Creator: Rembrandt Harmensz van Rijn
Man with a Magnifying Glass, early 1660s

Portrait of a Man ( The Auctioneer ), probably ca. 1658-62. Creator: Unknown
Portrait of a Man (" The Auctioneer" ), probably ca. 1658-62. Universally attributed to Rembrandt until scholars " demoted" it in 1982

Woman with a Pink, early 1660s. Creator: Rembrandt Harmensz van Rijn
Woman with a Pink, early 1660s

Lieven Willemsz van Coppenol (born about 1599, died 1671 or later). Creator: Rembrandt
Lieven Willemsz van Coppenol (born about 1599, died 1671 or later)

Portrait of a Woman, probably a Member of the Van Beresteyn Family, 1632. Creator
Portrait of a Woman, probably a Member of the Van Beresteyn Family, 1632

Portrait of a Man, probably a Member of the Van Beresteyn Family, 1632. Creator: Rembrandt
Portrait of a Man, probably a Member of the Van Beresteyn Family, 1632

The Standard Bearer (Floris Soop, 1604-1657), 1654. Creator: Rembrandt Harmensz van Rijn
The Standard Bearer (Floris Soop, 1604-1657), 1654

Man in Oriental Costume ( The Noble Slav ), 1632. Creator: Rembrandt Harmensz van Rijn
Man in Oriental Costume (" The Noble Slav" ), 1632

Portrait of a Young Woman with a Fan, 1633. Creator: Rembrandt Harmensz van Rijn
Portrait of a Young Woman with a Fan, 1633

Rembrandts Son Titus (1641-1668). Creator: Style of Rembrandt (17th century or later)
Rembrandts Son Titus van Rijn (1641-1668)

Bellona, 1633. Creator: Rembrandt Harmensz van Rijn
Bellona, 1633

Portrait of a Woman, 1633. Creator: Rembrandt Harmensz van Rijn
Portrait of a Woman, 1633

Hendrickje Stoffels (1626-1663), mid-1650s. Creator: Rembrandt Harmensz van Rijn
Hendrickje Stoffels (1626-1663), mid-1650s

Portrait of Gerard de Lairesse, 1665-67. Creator: Rembrandt Harmensz van Rijn
Portrait of Gerard de Lairesse, 1665-67

Self-Portrait, 1660. Creator: Rembrandt Harmensz van Rijn
Self-Portrait, 1660

Adriaen Van Ryn, c1650, (1908). Creator: Unknown
Adriaen Van Ryn, c1650, (1908). Portrait of a man, previously thought to be the painter Rembrandts brother Adriaen van Rijn (1597-1652)

Rembrandt, (1606-1669), 1830. Creator: Unknown
Rembrandt, (1606-1669), 1830. Rembrandt Harmenszoon van Rijn (1606-1669) Prolific, innovative Dutch Golden Age draughtsman, painter

West Staircase, Leading to the Ceramic Gallery, c1876, (1881). Creators: John Watkins, John R
West Staircase, Leading to the Ceramic Gallery, c1876, (1881). The West Staircase in the South Kensington Museum, decorated with Frank Moodys ceramic tile mosaic pavement

I do thee no wrong, didst not thou agree with me for a penny, 19th century. Creator: W Holl
I do thee no wrong, didst not thou agree with me for a penny, 19th century. Biblical scene, from Matthew 20: 13: But he answered one of them, and said, Friend

He cried with a loud voice, Lazarus, come forth, 19th century. Creator: J Thomson
He cried with a loud voice, Lazarus, come forth, 19th century. Biblical scene, from John 11: 43: And when he thus had spoken, he cried with a loud voice, Lazarus, come forth

Girl Asleep in a Window, c1655, (1943). Creator: Rembrandt Harmensz van Rijn
Girl Asleep in a Window, c1655, (1943). Portrait of Rembrandts common-law wife Hendrickje Stoffels (died 1663). Drawing in the Nationalmuseum, Stockholm

Bearded man in a furred oriental cap and robe: the artists father, 1631, (1906). Portrait of Harmen Gerritsz van Rijn (1565-1630). After an etching by Rembrandt

For sale as Licensed Images

Choose your image, Select your licence and Download the media

Rembrandt Harmensz van Rijn, a renowned Dutch painter of the 17th century, left an indelible mark on the art world with his exceptional talent and masterful brushstrokes. His works continue to captivate audiences even today. One of his most famous paintings, "The Return of the Prodigal Son, " created in 1668, showcases Rembrandt's ability to convey deep emotions through his subjects. The painting depicts a poignant scene from the biblical parable, where a father welcomes back his wayward son with open arms. In "Aristotle with a Bust of Homer" (1653), Rembrandt pays homage to two great thinkers. The painting shows Aristotle contemplating a bust of Homer, symbolizing the connection between philosophy and literature. "Portrait of Aechje Claesdr" (1634) is an exquisite example of Rembrandt's skill in capturing human likeness. This portrait portrays Aechje Claesdr with remarkable detail and sensitivity. "The Night Watch" (1642) stands as one of Rembrandt's most iconic works. This grand-scale group portrait showcases members of Amsterdam's civic guard in dynamic poses and dramatic lighting, highlighting Rembrandt's mastery in creating depth and atmosphere. In "The Anatomy Lesson of Dr Nicolaes Tulp" (1632), Rembrandt demonstrates his fascination with anatomy by depicting Dr Nicolaes Tulp conducting an anatomical dissection. The painting not only captures scientific accuracy but also reveals Rembrandt's ability to infuse life into every figure portrayed. While known for his portraits and historical scenes, Rembrandt also excelled at landscapes. "Landscape with two cottages" (c1650-1655) exemplifies this aspect of his work, showcasing serene countryside scenery bathed in soft light. Rembrandt was not limited to traditional subject matters; he also explored more intimate themes.