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Rembrandt Van Ryn 1606 1669 Collection

Rembrandt van Ryn (1606-1669): A Master of Light and Emotion Renowned Dutch artist Rembrandt van Ryn, born in 1606

Background imageRembrandt Van Ryn 1606 1669 Collection: A Man in Armour, 1655 (oil on canvas)

A Man in Armour, 1655 (oil on canvas)
GLS2946 A Man in Armour, 1655 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 137.5x104.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageRembrandt Van Ryn 1606 1669 Collection: Rijksmuseum, Amsterdam: the public in front of the painting 'The company of Frans Banning Cocq

Rijksmuseum, Amsterdam: the public in front of the painting "The company of Frans Banning Cocq
JEB4941793 Rijksmuseum, Amsterdam: the public in front of the painting "The company of Frans Banning Cocq and Willem van Ruytenburch called "The Night Watch" - Author Rembrandt 1642;

Background imageRembrandt Van Ryn 1606 1669 Collection: Mercury kills Argus, 17th century (drawing)

Mercury kills Argus, 17th century (drawing)
3125033 Mercury kills Argus, 17th century (drawing) by Rembrandt Harmensz. van Rijn (1606-69); (add.info.: Mercury kills Argus. On the left the cow)

Background imageRembrandt Van Ryn 1606 1669 Collection: Studies of the head of Saskia and others, 1636 (etching)

Studies of the head of Saskia and others, 1636 (etching)
NGW405348 Studies of the head of Saskia and others, 1636 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 15.6x13.2 cm; National Museum Wales; (add.info)

Background imageRembrandt Van Ryn 1606 1669 Collection: Old Man Seated (The Drunken Lot?), c.1630-33 (pen, chalk & ink on paper)

Old Man Seated (The Drunken Lot?), c.1630-33 (pen, chalk & ink on paper)
7443769 Old Man Seated (The Drunken Lot?), c.1630-33 (pen, chalk & ink on paper) by Rembrandt Harmensz. van Rijn (1606-69); Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Rembrandt)

Background imageRembrandt Van Ryn 1606 1669 Collection: Self portrait in velvet cap and plume, 1638 (etching)

Self portrait in velvet cap and plume, 1638 (etching)
NGW405347 Self portrait in velvet cap and plume, 1638 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 13.7x10.5 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageRembrandt Van Ryn 1606 1669 Collection: Farmhouse in Sunlight - Rembrandt van Rhijn (1606-1669) - 1635-1636 - Pen, brush

Farmhouse in Sunlight - Rembrandt van Rhijn (1606-1669) - 1635-1636 - Pen, brush, brown colour on paper - 16, 4x22
FIA5399539 Farmhouse in Sunlight - Rembrandt van Rhijn (1606-1669) - 1635-1636 - Pen, brush, brown colour on paper - 16, 4x22, 3 cm - Szepmuveszeti Muzeum, Budapest by Rembrandt Harmensz

Background imageRembrandt Van Ryn 1606 1669 Collection: The Carcass of an Ox, late 1630s (oil on panel)

The Carcass of an Ox, late 1630s (oil on panel)
GLS30302 The Carcass of an Ox, late 1630s (oil on panel) by Rembrandt Harmensz. van Rijn (1606-69); 73.3x51.7 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; (add.info.: by Harmensz)

Background imageRembrandt Van Ryn 1606 1669 Collection: Self Portrait, 1632 (oil on panel)

Self Portrait, 1632 (oil on panel)
GLS219815 Self Portrait, 1632 (oil on panel) by Rembrandt Harmensz. van Rijn (1606-69); 63.5x46.3 cm; Burrell Collection, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageRembrandt Van Ryn 1606 1669 Collection: Rembrandt with the sword and the egret, 1634 (Etching)

Rembrandt with the sword and the egret, 1634 (Etching)
7393426 Rembrandt with the sword and the egret, 1634 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 13 x 18 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Doctor Faustus, 1652 (Etching)

Doctor Faustus, 1652 (Etching)
7393422 Doctor Faustus, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21 x 16 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The Peasant with Woman and Child, 1652 (Etching)

The Peasant with Woman and Child, 1652 (Etching)
7393420 The Peasant with Woman and Child, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 4 x 9, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Blind Tobias, 1651 (Etching)

Blind Tobias, 1651 (Etching)
7393419 Blind Tobias, 1651 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 16, 1 x 12, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Old man in a fur cap, looking down, 1635 (Etching)

Old man in a fur cap, looking down, 1635 (Etching)
7393415 Old man in a fur cap, looking down, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 5 x 10, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Grotesque head, 1631 (Etching)

Grotesque head, 1631 (Etching)
7393407 Grotesque head, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 3, 8 x 2, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Smiling self-portrait, 1630 (etching)

Smiling self-portrait, 1630 (etching)
7393405 Smiling self-portrait, 1630 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 5 x 4, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Fourth eastern head, 1635 (Etching)

Fourth eastern head, 1635 (Etching)
7393400 Fourth eastern head, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 8 x 13, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The Golfer, 1654 (Etching)

The Golfer, 1654 (Etching)
7393374 The Golfer, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 5 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The Goldsmith, 1655 (Etching)

The Goldsmith, 1655 (Etching)
7393373 The Goldsmith, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 7 x 5, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The Pilgrims of Emmaus, 1654 (Etching)

The Pilgrims of Emmaus, 1654 (Etching)
7393368 The Pilgrims of Emmaus, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21 x 15, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The Tribut, also called Le Denier de Cesar, 1635 (Etching)

The Tribut, also called Le Denier de Cesar, 1635 (Etching)
7393367 The Tribut, also called Le Denier de Cesar, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 3 x 10, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The Triumph of Mordecai, 1641 (Etching)

The Triumph of Mordecai, 1641 (Etching)
7393363 The Triumph of Mordecai, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 17, 4 x 21, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Abraham speaking to Isaac, 1645 (Etching)

Abraham speaking to Isaac, 1645 (Etching)
7393360 Abraham speaking to Isaac, 1645 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 6 x 13 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Rembrandt with three mustaches, 1634 (Etching)

Rembrandt with three mustaches, 1634 (Etching)
7393355 Rembrandt with three mustaches, 1634 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 5, 1 x 4, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The Mischievous or the Flute Player, 1642 (Etching)

The Mischievous or the Flute Player, 1642 (Etching)
7393351 The Mischievous or the Flute Player, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 6 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Academic figures of men, 1646 (Etching)

Academic figures of men, 1646 (Etching)
7393347 Academic figures of men, 1646 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 19, 5 x 12, 9 cm; Fondation Glenat, Grenoble, France; (add.info.: In the background)

Background imageRembrandt Van Ryn 1606 1669 Collection: Six studies of heads including those of Saskia, 1636 (Etching)

Six studies of heads including those of Saskia, 1636 (Etching)
7393346 Six studies of heads including those of Saskia, 1636 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 2 x 12, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Medea, or The Marriage of Jason and Creuse, 1648 (Etching)

Medea, or The Marriage of Jason and Creuse, 1648 (Etching)
7393418 Medea, or The Marriage of Jason and Creuse, 1648 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 24 x 17, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: David praying, 1652 (Etching)

David praying, 1652 (Etching)
7393421 David praying, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14, 1 x 9, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The Circumcision, 1630 (Etching)

The Circumcision, 1630 (Etching)
7393414 The Circumcision, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 8, 9 x 6, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Sleeping Old Woman, 1637 (Etching)

Sleeping Old Woman, 1637 (Etching)
7393413 Sleeping Old Woman, 1637 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 6, 7 x 5, 2 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Old man with a long beard, 1630 (Etching)

Old man with a long beard, 1630 (Etching)
7393403 Old man with a long beard, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 6 x 8, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Bald old man in profile, facing right (the father for some), 1630 (Etching)

Bald old man in profile, facing right (the father for some), 1630 (Etching)
7393401 Bald old man in profile, facing right (the father for some), 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 6, 9 x 5, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Third eastern head, (Etching)

Third eastern head, (Etching)
7393399 Third eastern head, (Etching) by Rembrandt Harmensz. van Rijn (1606-69); Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Old man wearing a fur hat, 1640 (Etching)

Old man wearing a fur hat, 1640 (Etching)
7393390 Old man wearing a fur hat, 1640 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 16, 3 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Jan Antonides van der Linden, 1655 (Etching)

Jan Antonides van der Linden, 1655 (Etching)
7393389 Jan Antonides van der Linden, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 17, 2 x 10, 5 cm; Fondation Glenat, Grenoble

Background imageRembrandt Van Ryn 1606 1669 Collection: Beggars receiving alms at the door of a house, 1648 (Etching)

Beggars receiving alms at the door of a house, 1648 (Etching)
7393380 Beggars receiving alms at the door of a house, 1648 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 17 x 13, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The Card Player, 1641 (Etching)

The Card Player, 1641 (Etching)
7393376 The Card Player, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 1 x 8, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The statue of Nebuchadnezzar (Piedra Gloriosa), 1655 (Etching)

The statue of Nebuchadnezzar (Piedra Gloriosa), 1655 (Etching)
7393362 The statue of Nebuchadnezzar (Piedra Gloriosa), 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 1 x 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Abraham caressing Isaac, 1637 (Etching)

Abraham caressing Isaac, 1637 (Etching)
7393359 Abraham caressing Isaac, 1637 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 8 x 10, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: Clement de Jonghe, 1651 (Etching)

Clement de Jonghe, 1651 (Etching)
7393354 Clement de Jonghe, 1651 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21, 9 x 17 cm; Fondation Glenat, Grenoble, France; (add.info.: Clement De Jonghe (1624-1677) was a Dutch engraver

Background imageRembrandt Van Ryn 1606 1669 Collection: Bathsheba in the bath, 1654 (oil on canvas)

Bathsheba in the bath, 1654 (oil on canvas)
JLJ4662888 Bathsheba in the bath, 1654 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 142x142 cm; Louvre, Paris, France; (add.info.: Bathsheba in the bath)

Background imageRembrandt Van Ryn 1606 1669 Collection: Portrait of a Man, 1631 (Etching)

Portrait of a Man, 1631 (Etching)
7393352 Portrait of a Man, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 1 x 13 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The flight into Egypt, nocturnal effect, 1651 (Etching)

The flight into Egypt, nocturnal effect, 1651 (Etching)
7393348 The flight into Egypt, nocturnal effect, 1651 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 13, 7 x 11, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The angel disappears in front of Tobie's family, 1641 (Etching)

The angel disappears in front of Tobie's family, 1641 (Etching)
7393416 The angel disappears in front of Tobie's family, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 3 x 15, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Van Ryn 1606 1669 Collection: The artist's mother sitting, wearing an oriental headdress, 1631 (Etching)

The artist's mother sitting, wearing an oriental headdress, 1631 (Etching)
7393410 The artist's mother sitting, wearing an oriental headdress, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14, 6 x 12, 9 cm; Fondation Glenat, Grenoble

Background imageRembrandt Van Ryn 1606 1669 Collection: Rembrandt with haggard eyes, 1630 (Etching)

Rembrandt with haggard eyes, 1630 (Etching)
7393406 Rembrandt with haggard eyes, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 5 x 4, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat




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Rembrandt van Ryn (1606-1669): A Master of Light and Emotion Renowned Dutch artist Rembrandt van Ryn, born in 1606, left an indelible mark on the art world with his exceptional talent and ability to capture human emotions. His self-portraits are a testament to his mastery, revealing the depth of his introspection. In "Self Portrait at the Age of 63" (1669), Rembrandt portrays himself with honesty and vulnerability. The wrinkles etched upon his face tell stories of a life well-lived, while the use of oil on canvas adds richness and texture to this captivating piece. "The Carcass of an Ox" (late 1630s) showcases Rembrandt's skillful handling of light and shadow. Through meticulous brushstrokes on panel, he brings life to this somber scene, reminding us that even in death there is beauty. One cannot discuss Rembrandt without mentioning his early masterpiece "Self Portrait" from 1632. This oil painting captures the essence of youthfulness as he gazes directly at the viewer with confidence and determination. In "A Man in Armour" (1655), we witness Rembrandt's ability to depict strength through paint on canvas. The intricate details showcase his technical prowess while conveying a sense of power emanating from within. Not limited to just paintings, Rembrandt also excelled in etching. In "Rembrandt with the sword and egret" (1634), he demonstrates his dexterity by creating delicate lines that bring forth both elegance and intrigue. Through etchings like "Doctor Faustus" (1652) or "The Peasant with Woman and Child" (1652), we see how Rembrandt used this medium to explore various narratives - be it mythical tales or everyday scenes - showcasing versatility beyond compare.