Remington Frederic Collection

Friends Or Foes? (The Scout), 1902-05. Creator: Frederic Remington
Friends Or Foes? (The Scout), 1902-05. A solitary Blackfoot Indian leans forward on his horse, gazing across a snowy landscape at the lights of a distant encampment

Dismounted: The Fourth Troopers Moving The Led Horses, 1890. Creator: Frederic Remington
Dismounted: The Fourth Troopers Moving The Led Horses, 1890. The horses in Remington's painting thunder towards us, kicking up clouds of dust

The Wounded Bunkie, 1896. Creator: Frederic Remington
The Wounded Bunkie, 1896. A cavalryman attempts to help his wounded bunkmate to safety. The bullet hole visible in the bunkie's chest

Pony Tracks, Written and Illustrated by Frederic Remington, Published by Harper... c1895. Creator: Edward Penfield
Pony Tracks, Written and Illustrated by Frederic Remington, Published by Harper & Brothers New York, c1895. [Publisher: Harper Publications; Place: New York]

The Bronco Buster, Modeled 1909, cast 1912. Creator: Frederic Remington
The Bronco Buster, Modeled 1909, cast 1912

The Old Dragoons of 1850, Modeled 1905, cast 1906 / 7. Creator: Frederic Remington
The Old Dragoons of 1850, Modeled 1905, cast 1906/7

Coming Through the Rye (Over the Range), Modeled 1902, cast in bronze 1902 / 6
Coming Through the Rye (Over the Range), Modeled 1902, cast in bronze 1902/6

The Bronco Buster, Modeled 1895, cast 1899. Creator: Frederic Remington
The Bronco Buster, Modeled 1895, cast 1899. Brown bronze statue of man with riding crop atop a rearing horse

The Scalp Lock, Modeled 1898, cast after 1916. Creator: Frederic Remington
The Scalp Lock, Modeled 1898, cast after 1916

The Rattlesnake, Modeled 1905, cast 1918. Creator: Frederic Remington
The Rattlesnake, Modeled 1905, cast 1918

The Fire Eater Raised His Arms to the Thunder Bird, c. 1900. Creator: Frederic Remington
The Fire Eater Raised His Arms to the Thunder Bird, c. 1900

Nothing But Cheerful Looks Followed the Bat, c. 1900. Creator: Frederic Remington
Nothing But Cheerful Looks Followed the Bat, c. 1900

Rushing Red Lodges Passed through the Line, c. 1900. Creator: Frederic Remington
Rushing Red Lodges Passed through the Line, c. 1900

I Will Tell the White Man, c. 1900. Creator: Frederic Remington
I Will Tell the White Man, c. 1900

The Interpreter Waved at the Youth, c. 1900. Creator: Frederic Remington
The Interpreter Waved at the Youth, c. 1900

Ceremony of the Fastest Horse, c. 1900. Creator: Frederic Remington
Ceremony of the Fastest Horse, c. 1900

The Fire-Eater Slung His Victim Across His Pony, c. 1900. Creator: Frederic Remington
The Fire-Eater Slung His Victim Across His Pony, c. 1900

Historians of the Tribe, 1890 / 99. Creator: Frederic Remington
Historians of the Tribe, 1890/99

This Was a Fatal Embarkation, 1898. Creator: Frederic Remington
This Was a Fatal Embarkation, 1898

How the Horses Died for Their Country at Santiago, 1899. Creator: Frederic Remington
How the Horses Died for Their Country at Santiago, 1899

Paddling the Wounded British Officer, 1897. Creator: Frederic Remington
Paddling the Wounded British Officer, 1897

First and Best Camp of the Trip, 1895. Creator: Frederic Remington
First and Best Camp of the Trip, 1895

The Advance-Guard, or The Military Sacrifice (The Ambush), 1890. Three cavalry scouts--light-skinned men mounted on gleaming brown horses--among light-beige, arid mountains

A Mexican Vaquero, 1890. Creator: Frederic Remington
A Mexican Vaquero, 1890

The Mexican Major, 1889. Creator: Frederic Remington
The Mexican Major, 1889

The Century: New Years Number, January, 1902. Creator: Frederic Remington
The Century: New Years Number, January, 1902

The Advance Guard, ca. 1888. Creator: Frederic Remington
The Advance Guard, ca. 1888

Fired On, 1907. Creator: Frederic Remington
Fired On, 1907

On the Head-Waters--Burgess Finding a Ford, ca. 1893. Creator: Frederic Remington
On the Head-Waters--Burgess Finding a Ford, ca. 1893. Government scout Felix Burgess on an expedition in Yellowstone parks backcounty in search of animal poachers

On the Southern Plains, 1907. Creator: Frederic Remington
On the Southern Plains, 1907

Pitched It Sheer into the River... Where It Still Is Seen in the Summer, 1889. Creator
Pitched It Sheer into the River... Where It Still Is Seen in the Summer, 1889

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Remington Frederic, a renowned American sculptor and painter, left an indelible mark on the art world with his masterpieces. One of his most iconic works is "The Bronco Buster, " which he meticulously modeled in 1909 and cast in 1912. This sculpture captures the raw energy and untamed spirit of a cowboy conquering a wild bronco. In addition to this masterpiece, Frederic also created "The Old Dragoons of 1850. " Modeled in 1905 and cast between 1906-1907, this piece pays homage to the brave soldiers who served during that era. It stands as a testament to their courage and dedication. Another notable creation by Frederic is "Coming Through the Rye (Over the Range). " Crafted in 1902 and cast in bronze between 1902-1906, this sculpture depicts a lone cowboy riding through vast open plains. It embodies the freedom and adventure associated with life on the range. "The Scalp Lock" is yet another remarkable work by Frederic. Modeled in 1898 but cast after his death in 1916, it showcases Native American culture with intricate details capturing their traditions and heritage. Frederic's artistic prowess extended beyond sculptures; he also painted captivating scenes from Western history. His paintings such as "The Fire Eater Raised His Arms to the Thunder Bird" exude drama while depicting Native American rituals. With titles like "Nothing But Cheerful Looks Followed The Bat, " "Rushing Red Lodges Passed Through The Line, " "I Will Tell The White Man, " and "The Interpreter Waved At The Youth, " Frederic's artworks transport viewers into historical narratives filled with emotion. One cannot overlook his painting titled "Ceremony of the Fastest Horse. " Created around c. 1900, it immerses us into Native American ceremonies celebrating speed and agility—a true testament to Frederic's ability to capture cultural significance.