Repeating Pattern Collection

Europe, England, London, 30 St Mary Axe

Europe, England, London, Kings Cross Station

Dragons and mermen a42_01600
WOODSOME HALL, KIRKBURTON, KIRKLEES. A detailed view of a cornice in Woodsome Hall, with plasterwork dragons and mermen. The hall house, now a golf club house

Sudanese Tunic (back), Sudan (textile)
HSC206676 Sudanese Tunic (back), Sudan (textile) by African School; Horniman Museum, London, UK; Photo © Heini Schneebeli

Design from Floreal Dessins & Coloris Nouveaux, published Paris, c. 1925 (colour litho)
STC255182 Design from Floreal Dessins & Coloris Nouveaux, published Paris, c.1925 (colour litho) by Seguy, Emile-Allain (1877-1951); Private Collection; The Stapleton Collection

Double Ikat, Tenganan, Bali (textile)
LIT389575 Double Ikat, Tenganan, Bali (textile) by Indonesian School; (add.info.: Ikat or Ikkat is the method of weaving that uses a resist dyeing process similar to tie-dye on either warp or weft)

Interior design patterns, plate 19 from Suggestions for Stuffs and Carpets, published Paris, c. 1925 (colour litho)
STC255178 Interior design patterns, plate 19 from Suggestions for Stuffs and Carpets, published Paris, c.1925 (colour litho) by Seguy

Ceremonial tapestry worn by women during festivities in the Lampong area of southern Sumatra (textile)
LIT389573 Ceremonial tapestry worn by women during festivities in the Lampong area of southern Sumatra (textile) by Indonesian School; (add.info)

Hinggi, from Sumba, Indonesia (textile)
LIT389578 Hinggi, from Sumba, Indonesia (textile) by Indonesian School; (add.info.: Ikat, or Ikkat, is a dyeing technique used to pattern textiles that employs a resist dyeing process similar to)

Detail of an embroidered skirt with a flower and swan motif, from Myanmar (textile)
LIT389554 Detail of an embroidered skirt with a flower and swan motif, from Myanmar (textile) by Shan School; (add.info.: from the Dhara Dhevi Collection;)

Tai Yuan, or Tai Lu skirt, northern Thailand (cotton thread)
LIT389610 Tai Yuan, or Tai Lu skirt, northern Thailand (cotton thread) by Thai School; (add.info.: from the Chao Somprathana Na Nan Collection; ); Photo eLuca Tettoni; Thai, out of copyright

Fabric design (textile)
LIT389585 Fabric design (textile) by Laotian School; Photo eLuca Tettoni; Laotian, out of copyright

Fabric design (textile)
LIT389583 Fabric design (textile) by Laotian School; Photo eLuca Tettoni; Laotian, out of copyright

Savage Tribe No 1, Plate 1, from The Grammar of Ornament
STC286233 Savage Tribe No 1, Plate 1, from The Grammar of Ornament by Owen Jones (1809-68) (colour litho) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English

Gold-painted fabric for royalty (textile)
LIT389613 Gold-painted fabric for royalty (textile) by Thai School; (add.info.: used especially for cremations; 180-200 years old; ); Photo eLuca Tettoni; Thai, out of copyright

Double-hook patterned fabric, Chom Thong, Chiang Mai, Thailand (textile)
LIT389604 Double-hook patterned fabric, Chom Thong, Chiang Mai, Thailand (textile) by Thai School; (add.info.: from the Dhara Dhevi Collection; ); Photo eLuca Tettoni; Thai, out of copyright

Detail of a phaa sabai made by Tai Nuea or Tai Daeng weavers from Hua Phan
LIT389586 Detail of a phaa sabai made by Tai Nuea or Tai Daeng weavers from Hua Phan, Laos (textile) by Laotian School; (add.info)

Fabric design (textile)
LIT389584 Fabric design (textile) by Laotian School; Photo eLuca Tettoni; Laotian, out of copyright

Cotton glazed chintz sample from Poonary, bought in Madras
HMP394668 Cotton glazed chintz sample from Poonary, bought in Madras, from The Collection of the Textile Manufacturers of India, by John Forbes Watson

Woven silk, c. 1812 (silk)
LMG153862 Woven silk, c.1812 (silk) by French School, (19th century); 139.7x59.7 cm; Leeds Museums and Art Galleries (Temple Newsam House) UK; eLeeds Museums and Galleries; French, out of copyright

Mural silk of the Empress Bedroom, 1787 (silk) (detail)
XIR194109 Mural silk of the Empress Bedroom, 1787 (silk) (detail) by Gaudin, Gilles (fl.1756-89); Chateau de Fontainebleau, Seine-et-Marne

Tiles with Persian style design (ceramic)
WDM204754 Tiles with Persian style design (ceramic) by Morgan, William De (1839-1917); De Morgan Collection, courtesy of the De Morgan Foundation; eDe Morgan Foundation; English, out of copyright

Detail of interior design motif in the Tower of the Princesses (Torre de los Infantes
JFS249974 Detail of interior design motif in the Tower of the Princesses (Torre de los Infantes) (stone) by Islamic School, (14th century); Generalife Palace, Alhambra, Granada

Detail of wall tiles in the Patio de los Mirtos (ceramic)
JFS249983 Detail of wall tiles in the Patio de los Mirtos (ceramic) by Islamic School, (14th century); Palace of the Alhambra, Granada, Spain; eJohn Ferro Sims; out of copyright

Detail of wall tiles in the Patio de los Mirtos (ceramic)
JFS249982 Detail of wall tiles in the Patio de los Mirtos (ceramic) by Islamic School, (14th century); Palace of the Alhambra, Granada, Spain; eJohn Ferro Sims; out of copyright

Carpet from the M zab valley (wool) (detail)
GDG267381 Carpet from the M zab valley (wool) (detail) by Algerian School; Private Collection; (add.info.: tapis de la vallee du M zab; motifs geometriques; geometrique;)

Egyptian No 4, Plate VII, from The Grammar of Ornament
STC286231 Egyptian No 4, Plate VII, from The Grammar of Ornament by Owen Jones (1809-68) (colour litho) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English

Egyptian No 6, Plate IX, from The Grammar of Ornament
STC286212 Egyptian No 6, Plate IX, from The Grammar of Ornament by Owen Jones (1809-1868) (colour litho) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English

Tile with floral design (ceramic)
WDM204758 Tile with floral design (ceramic) by Morgan, William De (1839-1917); De Morgan Collection, courtesy of the De Morgan Foundation; eDe Morgan Foundation; English, out of copyright

Lanna Tai Yuan fabric featuring diamond shaped Jok, Mae Chaem
LIT389607 Lanna Tai Yuan fabric featuring diamond shaped Jok, Mae Chaem, northern Thailand (textile) by Thai School; (add.info.: from the Dhara Dhevi Collection; ); Photo eLuca Tettoni; Thai

Fabric design (textile)
LIT389553 Fabric design (textile) by Burmese School; Photo eLuca Tettoni; Burmese, out of copyright

Cotton scarf sample from Nurrapore in Sind, from The Collection of the Textile
HMP394663 Cotton scarf sample from Nurrapore in Sind, from The Collection of the Textile Manufacturers of India, by John Forbes Watson, published in 1866 (mixed media) by Pakistani School

Greek No 4, Plate XVIII, from The Grammar of Ornament by Owen Jones (1807-68)
STC286232 Greek No 4, Plate XVIII, from The Grammar of Ornament by Owen Jones (1807-68) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English, out of copyright

Chinese No 3, Plate LXI, from The Grammar of Ornament
STC286213 Chinese No 3, Plate LXI, from The Grammar of Ornament by Owen Jones (1809-68) (colour litho) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English, out of copyright

Moresque No 4, Plate XLII, from The Grammar of Ornament
STC286211 Moresque No 4, Plate XLII, from The Grammar of Ornament by Owen Jones (1809-68) (colour litho) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English

Indian Style, plate XVIII from Polychrome Ornament engraved by F
STC286207 Indian Style, plate XVIII from Polychrome Ornament engraved by F.Durin, published Paris, 1869 (colour litho) by Racinet

Muslin sample printed with gold flowers from Jeypore in Rajpootana States
HMP394674 Muslin sample printed with gold flowers from Jeypore in Rajpootana States, from The Collection of the Textile Manufacturers of India, by John Forbes Watson

Embroidered muslin sample from Madras, from The Collection of the Textile
HMP394677 Embroidered muslin sample from Madras, from The Collection of the Textile Manufacturers of India, by John Forbes Watson, published in 1866 (mixed media) by English School

Fine cotton turban sample from Jeypoor in Rajpootana, from
HMP394659 Fine cotton turban sample from Jeypoor in Rajpootana, from The Collection of the Textile Manufacturers of India, by John Forbes Watson, published in 1866 (mixed media) by Indian School

Tai Lu fabric, Nan, Thailand (textile)
LIT389622 Tai Lu fabric, Nan, Thailand (textile) by Thai School; (add.info.: the zigzag blocks of colour are a classic Tai Lu motif representing flowing water; ); Photo eLuca Tettoni; Thai

Lao Phuan ladies scarf (textile)
LIT389609 Lao Phuan ladies scarf (textile) by Thai School; (add.info.: the Lao Phuan kingdom existed in Siam before being decimated and depopulated in the early 19th century;)

Akha mountain tribe fabric, northern Thailand (textile)
LIT389600 Akha mountain tribe fabric, northern Thailand (textile) by Thai School; (add.info.: the Akha are a hill tribe of subsistence farmers known for their artistry; ); Photo eLuca Tettoni; Thai

Complex sin man, Hua Phan, Laos (textile)
LIT389587 Complex sin man, Hua Phan, Laos (textile) by Laotian School; (add.info.: sin man is a series of unevenly spaced stripes)

Carpet, detail (wool)
GDG326051 Carpet, detail (wool) by Moroccan School; Morocco; (add.info.: tapis berbere; motifs geometriques; geometrique; ); eGerard Degeorge; Moroccan, out of copyright

Egyptian No 8, Plate X, from The Grammar of Ornament
STC286226 Egyptian No 8, Plate X, from The Grammar of Ornament by Owen Jones (1809-1868) (colour litho) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English

Ninevah and Persia No 2, from The Grammar of Ornament
STC286234 Ninevah and Persia No 2, from The Grammar of Ornament by Owen Jones (1809-68) (colour litho) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English, out of copyright

Egyptian No 5, Plate X, from The Grammar of Ornament
STC286230 Egyptian No 5, Plate X, from The Grammar of Ornament by Owen Jones (1809-60) (colour litho) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English, out of copyright

Greek No 8, Plate XXII, from The Grammar of Ornament
STC286222 Greek No 8, Plate XXII, from The Grammar of Ornament by Owen Jones (1809-1868) (colour litho) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English

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"Discover the Beauty of Repeating Patterns: A Journey through Europe's Vibrant Textile Heritage" Embark on a visual odyssey as we explore the captivating world of repeating patterns found across Europe, particularly in England and London. From iconic landmarks like 30 St Mary Axe to bustling transportation hubs like Kings Cross Station, these architectural wonders showcase mesmerizing geometric designs that echo throughout their structures. But our exploration doesn't stop there. Delve into the enchanting realm of textiles, where dragons and mermen intertwine in a Sudanese Tunic, transporting us to distant lands filled with mythical creatures and rich cultural traditions. Marvel at the intricate patterns adorning a ceremonial tapestry worn during festivities in southern Sumatra or lose yourself in the vibrant hues of an Indonesian Hinggi textile from Sumba. Travel back in time to Paris circa 1925, where Floreal Dessins & Coloris Nouveaux introduced innovative design concepts through stunning color lithographs. Feast your eyes on double ikat masterpieces from Bali's Tenganan village or immerse yourself in interior design patterns that once adorned luxurious carpets and fabrics. The journey continues as we encounter an embroidered skirt showcasing delicate flower and swan motifs from Myanmar, revealing the artistry embedded within every stitch. Finally, witness the craftsmanship behind a Tai Yuan skirt crafted with cotton thread from northern Thailand—a testament to centuries-old weaving techniques passed down through generations. Join us as we celebrate these remarkable repeating patterns—an artistic language transcending borders and cultures—showcasing humanity's boundless creativity expressed through fabric design.