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Respect Collection (page 4)

"Respect: A Timeless Gesture of Honor and Unity" In a world divided by borders, cultures, and conflicts

Background imageRespect Collection: Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her... ca. 1520-25

Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her... ca. 1520-25
Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her hair, ca. 1520-25

Background imageRespect Collection: Rd4, Monaco Grand Prix, Monaco, 15 May 1994

Rd4, Monaco Grand Prix, Monaco, 15 May 1994
The drivers pay tribute to Ayrton Senna on the grid, before the race start. Formula One World Championship, Rd4, Monaco Grand Prix, Monte Carlo, Monaco, 15 May 1994

Background imageRespect Collection: Crucifixion, 1635 (oil on canvas) (for detail see 277389)

Crucifixion, 1635 (oil on canvas) (for detail see 277389)
IND277392 Crucifixion, 1635 (oil on canvas) (for detail see 277389) by Coello, Claudio (1642-93); Prado, Madrid, Spain; Index Fototeca

Background imageRespect Collection: Illustration for The Pickwick Papers by Cecil Aldin (colour litho)

Illustration for The Pickwick Papers by Cecil Aldin (colour litho)
6026686 Illustration for The Pickwick Papers by Cecil Aldin (colour litho) by Aldin, Cecil Charles Windsor (1870-1935); Private Collection; (add.info.: " I trust, ma am)

Background imageRespect Collection: Self Portrait, 1635 (oil on canvas) (detail of 277392)

Self Portrait, 1635 (oil on canvas) (detail of 277392)
IND277389 Self Portrait, 1635 (oil on canvas) (detail of 277392) by Coello, Claudio (1642-93); Prado, Madrid, Spain; Index Fototeca

Background imageRespect Collection: Your hostess (litho)

Your hostess (litho)
2809896 Your hostess (litho) by Gibson, Charles Dana (1867-1944); Private Collection; (add.info.: Your hostess. Illustration for London As Seen by Charles Dana Gibson (Charles Scribner)

Background imageRespect Collection: Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris

Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris in 1795
CHT164470 Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris in 1795, 1886 (oil on canvas) (detail see also 164469) by Robert-Fleury

Background imageRespect Collection: Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris

Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris in 1795
CHT164469 Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris in 1795, 1886 (oil on canvas) (detail see also 164470) by Robert-Fleury

Background imageRespect Collection: The Filial Son of Kamakura from the Collection of Stone and Sand (Kamakura koshi, Shase... c)

The Filial Son of Kamakura from the Collection of Stone and Sand (Kamakura koshi, Shase... c. 1821. Creator: Gakutei)
The Filial Son of Kamakura from the Collection of Stone and Sand (Kamakura koshi, Shasekishu), from the series " Twenty-four Japanese Paragons of Filial Piety for the Honcho Circle

Background imageRespect Collection: St. Charles Borromee, n. d. Creator: Gerard Edelinck

St. Charles Borromee, n. d. Creator: Gerard Edelinck
St. Charles Borromee, n.d

Background imageRespect Collection: Entrance of Louis XIV (1638-1715) into the Cathedral of Saint-Omer, 1839 (oil on canvas)

Entrance of Louis XIV (1638-1715) into the Cathedral of Saint-Omer, 1839 (oil on canvas)
XIR168152 Entrance of Louis XIV (1638-1715) into the Cathedral of Saint-Omer, 1839 (oil on canvas) by Cuvelier, Hippolyte Joseph (1803-76); 214x162 cm; Musee de l Hotel Sandelin, Saint-Omer

Background imageRespect Collection: Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris

Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris in 1795
CHT164471 Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris in 1795 (colour litho) by Robert-Fleury

Background imageRespect Collection: Illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c

Illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c. 1910 (colour litho)
IL314800 Illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

Background imageRespect Collection: Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History

Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations
STC357942 Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations (litho) by Dudley

Background imageRespect Collection: Corpus Domini (Altar of San Marco, Venice), 1929 (pastel on paper)

Corpus Domini (Altar of San Marco, Venice), 1929 (pastel on paper)
1196135 Corpus Domini (Altar of San Marco, Venice), 1929 (pastel on paper) by Giacometti, Augusto (1877-1947); 31x22.5 cm; Private Collection; (add.info.: Giacometti)

Background imageRespect Collection: Hoisting the Union Jack in the Far North, illustration from The Romance of Canada (colour litho)

Hoisting the Union Jack in the Far North, illustration from The Romance of Canada (colour litho)
IL283072 Hoisting the Union Jack in the Far North, illustration from The Romance of Canada (colour litho) by Stott, W.R.S. (1878-1939); Private Collection; British, out of copyright

Background imageRespect Collection: The announcement to H. M. Queen Victoria of Her accession to the Throne, June 20th, 1837

The announcement to H. M. Queen Victoria of Her accession to the Throne, June 20th, 1837
IL352872 The announcement to H.M. Queen Victoria of Her accession to the Throne, June 20th, 1837, illustration from Madame Tussauds (colour litho) by Davie

Background imageRespect Collection: Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History

Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations
IL340188 Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations (litho) by Dudley

Background imageRespect Collection: Don Quixote - The pleasant discourse with Bachelor Samson Carras

Don Quixote - The pleasant discourse with Bachelor Samson Carras
Vintage engraving by Gustave Dore from the story The Ingenious Gentleman Don Quixote of La Mancha by Miguel de Cervantes. The pleasant discourse between Don Quixote

Background imageRespect Collection: Don Quixote gazed with dubious and disconsolate eyes

Don Quixote gazed with dubious and disconsolate eyes
Vintage engraving by Gustave Dore from the story The Ingenious Gentleman Don Quixote of La Mancha by Miguel de Cervantes. Don Quixote gazed with dubious

Background imageRespect Collection: La Fontaines Fables - Ass that carried the Relics

La Fontaines Fables - Ass that carried the Relics
Vintage engraving from La Fontaines Fables, Illustraed by Gustave Dore. The Ass that carried the Relics

Background imageRespect Collection: La Fontaines Fables - Rat and the Elephant

La Fontaines Fables - Rat and the Elephant
Vintage engraving from La Fontaines Fables, Illustraed by Gustave Dore. The Rat and the Elephant

Background imageRespect Collection: The beaten knight and his squire

The beaten knight and his squire
" The beaten knight and his squire, a scene from Don Quixote. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker."

Background imageRespect Collection: La Fontaines Fables - The Advantage of Being Clever

La Fontaines Fables - The Advantage of Being Clever
Vintage engraving from La Fontaines Fables, Illustraed by Gustave Dore. The Advantage of Being Clever

Background imageRespect Collection: Don Quixote

Don Quixote
" Don Quixote setting out on his adventures. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker."

Background imageRespect Collection: The triumph of Mordecai

The triumph of Mordecai
[url=http://www.istockphoto.com/file_search.php?action=file&lightboxID=11047139][img]http://img-fotki.yandex.ru/get/5809/5232617.2/0_702d2_40b270_orig[/img][/url] Engraving by Gustave Dore

Background imageRespect Collection: Pia in Purgatory

Pia in Purgatory
" Pia in Purgatory, a scene from Dante. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker."

Background imageRespect Collection: Don Quixote and Sancho setting out

Don Quixote and Sancho setting out, a scene from Don Quixote of La Mancha. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker

Background imageRespect Collection: Courteousness (Rei), from the series 'Five Cardinal Virtues', 1767

Courteousness (Rei), from the series "Five Cardinal Virtues", 1767
Courteousness (Rei), from the series " Five Cardinal Virtues", 1767

Background imageRespect Collection: Kissing Hands, published February 10, 1806. Creator: Charles Williams

Kissing Hands, published February 10, 1806. Creator: Charles Williams
Kissing Hands, published February 10, 1806

Background imageRespect Collection: Young Man Bringing a Message to the Queen, n. d. Creator: Henry Stacy Marks

Young Man Bringing a Message to the Queen, n. d. Creator: Henry Stacy Marks
Young Man Bringing a Message to the Queen, n.d

Background imageRespect Collection: One Hundred Million, February 1894. Creator: Theophile Alexandre Steinlen

One Hundred Million, February 1894. Creator: Theophile Alexandre Steinlen
One Hundred Million, February 1894

Background imageRespect Collection: fever xxxl

fever xxxl
Engraved image of 1840.No signature.Now in the public domain.AdobeRGB.Very high resolution xxxlarge

Background imageRespect Collection: Fashion clothes and hairstyle models from the 1800s

Fashion clothes and hairstyle models from the 1800s

Background imageRespect Collection: A needlework sofa seat finely worked in a tent stitch depicting the Adoration of the Magi

A needlework sofa seat finely worked in a tent stitch depicting the Adoration of the Magi
1767237 A needlework sofa seat finely worked in a tent stitch depicting the Adoration of the Magi, c.1730 (wool, silk) by English School

Background imageRespect Collection: Brahma Offering Homage to Krishna as the Incarnation of Vishnu, c

Brahma Offering Homage to Krishna as the Incarnation of Vishnu, c
1196812 Brahma Offering Homage to Krishna as the Incarnation of Vishnu, c.1540-1575 (w/c on paper) by Indian School, (16th century); 18.5x25.7 cm; Private Collection; Photo eChristies Images; Indian

Background imageRespect Collection: Christ presenting the Redeemed of the Old Testament to his Mother

Christ presenting the Redeemed of the Old Testament to his Mother
990221 Christ presenting the Redeemed of the Old Testament to his Mother, (oil on gold ground-panel) by Master of Perea, (15th century); 106.7x84.7 cm; Private Collection; (add.info)

Background imageRespect Collection: A Village Procession, France, c. 1923 (oil on canvas)

A Village Procession, France, c. 1923 (oil on canvas)
657009 A Village Procession, France, c.1923 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 61x76 cm; Private Collection; (add.info.: A Village Procession, France)

Background imageRespect Collection: Attending a Venetian Shrine, (oil on canvas)

Attending a Venetian Shrine, (oil on canvas)
658389 Attending a Venetian Shrine, (oil on canvas) by Gabrini, Pietro (1856-1926); 137x100.5 cm; Private Collection; (add.info.: Attending a Venetian Shrine. Pietro Gabrini (1856-1926)

Background imageRespect Collection: Emperor Charles V picking up Titians Paintbrush, (black chalk

Emperor Charles V picking up Titians Paintbrush, (black chalk
827560 Emperor Charles V picking up Titians Paintbrush, (black chalk, pen and brown and black ink, with grey wash) by Novelli, Pietro Antonio (1729-1804); 35.7x48.5

Background imageRespect Collection: Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas)

Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas)
827287 Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas) by Gerome, Jean Leon (1824-1904); 59.6x84.5 cm; Private Collection; (add.info)

Background imageRespect Collection: There was an old Person of Stobs (engraving)

There was an old Person of Stobs (engraving)
3622923 There was an old Person of Stobs (engraving) by English School, (19th century); Private Collection; (add.info.: There was an old Person of Stobs)

Background imageRespect Collection: The Sun King, Louis XIV of France (colour litho)

The Sun King, Louis XIV of France (colour litho)
3621087 The Sun King, Louis XIV of France (colour litho) by Job, pseudonym for Onfray de Breville, Jacques (1858-1931); Private Collection; (add.info.: The Sun King, Louis XIV of France)

Background imageRespect Collection: The Fox and the Lion, from A Hundred Fables of Aesop, pub. 1903 (engraving)

The Fox and the Lion, from A Hundred Fables of Aesop, pub. 1903 (engraving)
3504454 The Fox and the Lion, from A Hundred Fables of Aesop, pub.1903 (engraving) by Billingshurst, Percy J. (1871-1933); The Stapleton Collection; out of copyright

Background imageRespect Collection: Education (engraving)

Education (engraving)
672287 Education (engraving) by English School, (19th century); Private Collection; (add.info.: Education. Illustration for Nisters Holiday Annual 1894)

Background imageRespect Collection: The respect of St Vincent de Paul for the poor (chromolitho)

The respect of St Vincent de Paul for the poor (chromolitho)
973940 The respect of St Vincent de Paul for the poor (chromolitho) by European School, (19th century); Private Collection; (add.info.: The respect of St Vincent de Paul for the poor)

Background imageRespect Collection: Mary of Burgundy swearing to respect the rights of the City of Brussels (gravure)

Mary of Burgundy swearing to respect the rights of the City of Brussels (gravure)
964398 Mary of Burgundy swearing to respect the rights of the City of Brussels (gravure) by Wauters, Emile Charles (1846-1933); Private Collection; (add.info)




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"Respect: A Timeless Gesture of Honor and Unity" In a world divided by borders, cultures, and conflicts, there are moments that transcend all differences – moments where respect becomes the common language. One such moment was captured when Pele of Brazil and Bobby Moore of England exchanged shirts after an intense battle on the World Cup stage. In this simple act, they showcased not only their sportsmanship but also their deep admiration for each other's skills. Similarly, in an Italian painting from the 19th century by Roberto Ferruzzi, we see a praying girl with her hands folded in reverence. Her humble gesture reminds us that they are be found even in the smallest acts of faith. The notion extends beyond sports or art; it permeates history as well. General Ulysses S. Grant exemplified this during his service in The American Civil War – leading with honor and treating both allies and enemies alike with dignity. Even royalty understands the importance of respect. Prince Albert Victor, Duke of Clarence and Avondale paid homage to tradition while honoring fallen soldiers at the Tomb of the Unknown Warrior in 1920. This sacred place stands as a symbol for respecting those who sacrificed everything for our freedom. Sometimes unexpected sources remind us about respect too - like "Inebriates Express, " where individuals struggling with addiction were treated compassionately rather than judged harshly. It serves as a reminder that everyone deserves understanding and empathy. Art has always been a powerful medium to express reverence towards others' work. "Homage to Delacroix" is one such masterpiece created by an artist named Victor Venner back in 1864 - showcasing how artists pay tribute to those who came before them through their creations. Respect transcends time itself; even Queen Anne of Cleves understood its significance during her reign centuries ago – valuing diplomacy over conflict whenever possible. Moreover, respect is not limited to humans alone.