Revelation Collection (#3)

The Last Judgement, 1525 (oil on panel)
490011 The Last Judgement, 1525 (oil on panel) by Provoost, Jan (c.1465-1529); 145x169 cm; Groeningemuseum, Bruges, Belgium; (add.info)

The Last Judgement, 1551 (oil on panel)
489991 The Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); 228.5x181 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

A Rider on a Black Horse with a Pair of Balances in His Hand; and A Pale Horse with D... 1440-1450. Creator: Anon
A Rider on a Black Horse with a Pair of Balances in His Hand; and A Pale Horse with Death as Its Rider, from an Apocalypse blockbook, 2nd edition, 1440-1450

The Angels of the Euphrates Killing Mankind; and The Angel Preventing Saint John from... 1440-1450. Creator: Anon
The Angels of the Euphrates Killing Mankind; and The Angel Preventing Saint John from Recording the Words of the Seven Thunders from an Apocalypse blockbook, 2nd edition, 1440-1450

The Last Judgment, 1922. 1922. Creator: Anon
The Last Judgment, 1922

Hand-carved Picture Frame "River of Life"Motif, c. 1938. Creator: Vera Van Voris
Hand-carved Picture Frame " River of Life" Motif, c. 1938

In the shadow of the giant
Stephan Rückert

Song of Praise in Heaven over the Fall of the Whore of Babylon; The Wedding of the La... 1440-1450. Creator: Anon
Song of Praise in Heaven over the Fall of the Whore of Babylon; The Wedding of the Lamb from an Apocalypse block book, 2nd edition, 1440-1450

The Mountain and the Star Fall into the Sea, illustration from the Apocalypsis Sancti... 1460-1470. Creator: Anon
The Mountain and the Star Fall into the Sea, illustration from the Apocalypsis Sancti Johannis, block book, 4th edition, 1460-1470

The Supper at Emmaus, c. 1625 (oil on canvas)
3588496 The Supper at Emmaus, c.1625 (oil on canvas) by Tarchiani, Filippo (1576-1645); 124.5x160 cm; Los Angeles County Museum of Art, CA, USA; (add.info.: The resurrected but incognito Jesus)

Saint John on Patmos, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584

Roundel with Elder of the Apocalypse, France, 1250 / 75. Creator: Unknown
Roundel with Elder of the Apocalypse, France, 1250/75

Saint Paul (oil on canvas)
CH438718 Saint Paul (oil on canvas) by Parrocel, Etienne (Le Romain) (1696-1775); 64.1x48.6 cm; Private Collection; Photo eChristies Images; French, out of copyright

He carried me away in the spirit to a great and high mountain, Revelation XXI, 10 (engraving)
5218855 He carried me away in the spirit to a great and high mountain, Revelation XXI, 10 (engraving) by English School, (19th century); Private Collection; (add.info)

I saw another angel fly in the midst of heaven, Revelation XIV, 6, 7 (engraving)
5218286 I saw another angel fly in the midst of heaven, Revelation XIV, 6, 7 (engraving) by English School, (19th century); Private Collection; (add.info)

Conserved section from the Great East Window at York Minster
498965 Conserved section from the Great East Window at York Minster: The Army of Horsemen (stained glass) by English School; York Minster, Yorkshire, UK; (add.info.: Revelation 9:16-19)

Christ charges the beasts, no. 73 from The Apocalypse of Angers
XIR418410 Christ charges the beasts, no. 73 from The Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers

The plague of locusts and a dragon threatening a woman (fresco)
473090 The plague of locusts and a dragon threatening a woman (fresco) by French School, (11th century); Abbey Church of Saint-Savin-sur-Gartempe, Poitou

Achilles Discovered (oil on canvas)
739597 Achilles Discovered (oil on canvas) by Kauffmann, Angelica (1741-1807); 102x127.5 cm; Private Collection; (add.info.: Achilles, disguised as a girl at the court of the king of Skyros)

The Apocalypse, title page, 1511 (woodcut)
741849 The Apocalypse, title page, 1511 (woodcut) by DAorer or Duerer, Albrecht (1471-1528); 38.2x26.4 cm; Fitzwilliam Museum, University of Cambridge

The Vision of St. Philip Neri, 1721 (oil on canvas)
FIT443721 The Vision of St. Philip Neri, 1721 (oil on canvas) by Benefial, Marco (1684-1764); 98.8x65 cm; Fitzwilliam Museum, University of Cambridge

Saint Stephen in Ecstasy (red chalk on paper)
2956919 Saint Stephen in Ecstasy (red chalk on paper) by Bouchardon, Edme(1698-1762); 38.3x25.9 cm; Cleveland Museum of Art, OH, USA; French, out of copyright

The dream of Scipio (chromolitho)
3100688 The dream of Scipio (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: The dream of Scipio)

Bought and Sold! "And Thereby Hangs a Tale"(engraving)
1595288 Bought and Sold! " And Thereby Hangs a Tale" (engraving) by Dadd, S.T. (19th century) (after); Private Collection; (add.info.: Bought and Sold)

Window depicting the "Woman Clothed with the sun and with the moon under her
1279377 Window depicting the " Woman Clothed with the sun and with the moon under her feet" from the Book of Saint Johns Revelation (stained glass) by French School

The Conversion of St. Paul (oil on canvas)
ALI355364 The Conversion of St. Paul (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); Galleria Balbi di Piovera, Genoa, Italy; Alinari

The Angel Blowing the Trumpet, the Seven Stars and the Eagle of St
XIR188773 The Angel Blowing the Trumpet, the Seven Stars and the Eagle of St. John the Evangelist, from from the Apocalypse of St

Pendant L Office, or Martin Luthers Doubts, 1860 (oil on panel)
476641 Pendant L Office, or Martin Luthers Doubts, 1860 (oil on panel) by Tissot, James Jacques Joseph (1836-1902); 88.3x68 cm; Private Collection; Photo eChristies Images; French, out of copyright

Spanish philosopher Ramon Llull discovering the attributes of divinity in a vision (litho)
5208210 Spanish philosopher Ramon Llull discovering the attributes of divinity in a vision (litho) by Cochin, Charles Nicolas II (1715-90) (after); Private Collection; (add.info)

The Opening of the Sixth Seal, Revelation VI, 12-17 (engraving)
5218836 The Opening of the Sixth Seal, Revelation VI, 12-17 (engraving) by English School, (19th century); Private Collection; (add.info.: The Opening of the Sixth Seal, Revelation VI, 12-17)

Hamlets father appears to him, from Hamlet by William Shakespeare
IL388116 Hamlets father appears to him, from Hamlet by William Shakespeare, edition published by Hodder & Stoughton in 1915 (colour litho) by Simmonds, W. G

The Vision of St. Hyacinth (oil on panel)
BEN465658 The Vision of St. Hyacinth (oil on panel) by Allori, Alessandro (1535-1607); Basilica di Santa Maria Novella, Firenze

Gideons Sacrifice, c. 1642-43 (etching)
874667 Gideons Sacrifice, c.1642-43 (etching) by Bol, Ferdinand (1616-80); 20.64 x16.51 cm; San Diego Museum of Art, USA; (add.info)

Conserved section from the Great East Window at York Minster
498957 Conserved section from the Great East Window at York Minster: The Elders Worship God (stained glass) by English School; York Minster, Yorkshire

Saint John the Evangelist receiving his visions on the island of Patmos (wash on paper)
498721 Saint John the Evangelist receiving his visions on the island of Patmos (wash on paper) by Gossaert, Jan (Mabuse) (c.1472-c.1533); Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi

Ms L. A. 139-Lisboa fol. 37v-38 The beast blaspheming Gods name
XJL195859 Ms L.A. 139-Lisboa fol.37v-38 The beast blaspheming Gods name, and the people worshipping the 3rd and 2nd beasts, from the Gulbenkian Apocalypse, c.1265-70 (vellum) by English School

Ms 422 fol. 47r The woman delivered of a child and the seven-headed monster (vellum)
XCM262765 Ms 422 fol.47r The woman delivered of a child and the seven-headed monster (vellum) by French School, (13th century); Bibliotheque Municipale, Cambrai

Conserved panel from the Great East Window at York Minster
498967 Conserved panel from the Great East Window at York Minster: The Mighty Angel and Seven Thunders (stained glass) by English School; York Minster, Yorkshire

Joan of Arc, 1879 (oil on canvas)
3615940 Joan of Arc, 1879 (oil on canvas) by Bastien-Lepage, Jules (1848-84); 254x279.4 cm; Metropolitan Museum of Art, New York

The Lovers Discovered Hiding Place by Honore Fragonard

Sir Isaac Newton sees an apple fall (litho)
979585 Sir Isaac Newton sees an apple fall (litho) by English School, (20th century); Private Collection; (add.info.: Sir Isaac Newton sees an apple fall)

Dawn (oil on canvas)
492440 Dawn (oil on canvas) by Frederic, Leon Henri Marie (1856-1940); 162.6x88.9 cm; Private Collection; (add.info.: l Aurore, or l Aube Arrachant les Tenebres Aurora)

Window depicting Saint Louis in the centre (1505), the Revelation (1611
1279288 Window depicting Saint Louis in the centre (1505), the Revelation (1611) and other figures (1654), 16th-17th century (stained glass) by French School

Supper at Emmaus, c. 1665-68 (oil on canvas, h 134cm -- w 104
3709961 Supper at Emmaus, c.1665-68 (oil on canvas, h 134cm A-- w 104 by Steen, Jan Havicksz. (1625/26-79); 134x104 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: On their way to Emmaus)

Christ Appearing to his Mother, c. 1496 (oil on wood)
3700792 Christ Appearing to his Mother, c.1496 (oil on wood) by Juan de Flandes, (c.1465-1519); 63.5x38.1 cm; Metropolitan Museum of Art, New York

Time Revealing Truth, c. 1650 (oil on canvas)
LST332891 Time Revealing Truth, c.1650 (oil on canvas) by Thulden, Theodore van (1606-79); 149.3x107.8 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; Flemish, out of copyright

A scene from an amateur production of a play titled "School"
MNY381311 A scene from an amateur production of a play titled " School" (silver gelatin print) by Byron Company (fl.1890-1942); 20.3x25.4 cm; Museum of the City of New York

Conserved panel from the Great East Window at York Minster
498958 Conserved panel from the Great East Window at York Minster: God in Majesty (stained glass) by English School; York Minster, Yorkshire

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"Revelation: Unveiling the Mysteries of Life and Beyond" In the depths of a wintry night, amidst the timeless tale penned by Charles Dickens, we find ourselves immersed in a scene from "A Christmas Carol. " The artist's brush strokes capture the essence as Ebenezer Scrooge confronts his past, present, and future, and is through this transformative journey that he experiences a profound revelation about his own humanity. As our eyes wander further into the realm of revelations, we stumble upon Gustave Doré's wood engraving depicting Death on a pale horse. This chilling vision draws inspiration from Revelation 6:8, reminding us that even in death there lies an undeniable truth – an ultimate revelation awaiting each soul. But not all they are shrouded in darkness; some emerge from innocence itself. A naked little girl gazes intently into her reflection within a mirror. In her innocent curiosity lies the potential for self-discovery and personal growth—a tender revelation that will shape her perception of herself and others. Gustave Doré returns to grace our visual narrative with "The Last Judgment, " where divine justice unfolds before our eyes. This masterpiece serves as both warning and reassurance—an awe-inspiring depiction of final reckoning and eternal truths revealed to those who have traversed life's winding path. Turning our attention to ancient texts, we encounter chronological charts mapping out Daniel's visions alongside John's prophetic insights found within the Book of Revelation. These intricate illustrations guide us through apocalyptic landscapes while unraveling prophecies—each stroke revealing glimpses into mankind's destiny. Romanesque art transports us back to Moissac Abbey in France during the twelfth century—a time when religious symbolism thrived. Here at its tympanum, richly carved scenes depict biblical narratives intertwined with revelations about faith—a testament to human devotion seeking spiritual enlightenment. Yet not all revelations come from sacred sources.